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ON FAITH & MEDIA View Comments

Lawless

By
John Mulderig
Source: Catholic News Service


Shia LaBeouf and Mia Wasikowska star in a scene from the movie "Lawless."
"Lawless" (Weinstein) is a morally tangled drama pervaded by a misguided sense of nostalgia. Director John Hillcoat's period piece, adapted from Matt Bondurant's 2008 fact-based novel about the exploits of his paternal grandfather and two great-uncles, "The Wettest County in the World," looks back with more than a little fondness on their violent adventures as bootleggers in Prohibition-era Virginia.

Though the siblings are shown to resort to force only in retaliation, and though they eventually cease and desist, their gritty story remains unsuitable for all but the most mature and discerning viewers.

Shia LaBeouf plays Jack Bondurant, the youngest, and initially gentlest, of the trio. Awed by his brawny elders, World War I veteran Howard (Jason Clarke) and Spanish flu survivor Forrest (Tom Hardy), Jack yearns to be taken seriously and treated as their equal.

They, in turn, want to keep Jack safely insulated from their escalating conflict with Special Deputy Charlie Rakes (Guy Pearce). Newly arrived from gangster-ridden Chicago, Rakes is anything but an ideal G-man. Corrupt and sadistic, he's out to lay down his own version of the law -- by any means necessary.

As Jack and his semi-disabled best friend Cricket (Dane DeHaan) try to finagle their way into the moonshining major leagues, Jack falls for Bertha (Mia Wasikowska), the sheltered daughter of a local preacher. Mumbling, inarticulate Forrest, meanwhile, fights his feelings for Maggie (Jessica Chastain), a woman with a past who has found shelter with the brothers.

As scripted by Nick Cave, "Lawless" tends to glamorize the mayhem the brothers wreak in their contest with Rakes; it does the same for a premarital bedroom encounter.

Granted that, left to their own devices, the Bondurants are fundamentally peace-loving and domestically inclined, and allowing for the vileness of the enemy they're fighting, moviegoers will still need prudence to guide them through the ethical thickets. They'll also need sufficient fortitude to resist giving way to the visceral reaction the proceedings seem calculated to elicit.

That's assuming, of course, that the elements listed below have not put them off in the first place.

The film contains strong, often gory violence, including torture, mutilation and beatings; semi-graphic premarital sexual activity; upper female nudity; numerous uses of profanity; many rough and crude terms; and some crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Sharbel Makhluf: Although this saint never traveled far from the Lebanese village of Beka-Kafra, where he was born, his influence has spread widely. 
<p>Joseph Zaroun Makluf was raised by an uncle because his father, a mule driver, died when Joseph was only three. At the age of 23, Joseph joined the Monastery of St. Maron at Annaya, Lebanon, and took the name Sharbel in honor of a second-century martyr. He professed his final vows in 1853 and was ordained six years later. </p><p>Following the example of the fifth-century St. Maron, Sharbel lived as a hermit from 1875 until his death. His reputation for holiness prompted people to seek him to receive a blessing and to be remembered in his prayers. He followed a strict fast and was very devoted to the Blessed Sacrament. When his superiors occasionally asked him to administer the sacraments to nearby villages, Sharbel did so gladly. </p><p>He died in the late afternoon on Christmas Eve. Christians and non-Christians soon made his tomb a place of pilgrimage and of cures. Pope Paul VI beatified him in 1965 and canonized him 12 years later.</p> American Catholic Blog Bluntly put, children are amateur and immature observers. In the short term, they aren’t always attracted to even the best of examples. Only as they move beyond childhood do they come to fully appreciate and emulate their parents’ ways. Much of good parenting doesn’t make its mark until years later.

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