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ON FAITH & MEDIA View Comments

Lawless

By
John Mulderig
Source: Catholic News Service


Shia LaBeouf and Mia Wasikowska star in a scene from the movie "Lawless."
"Lawless" (Weinstein) is a morally tangled drama pervaded by a misguided sense of nostalgia. Director John Hillcoat's period piece, adapted from Matt Bondurant's 2008 fact-based novel about the exploits of his paternal grandfather and two great-uncles, "The Wettest County in the World," looks back with more than a little fondness on their violent adventures as bootleggers in Prohibition-era Virginia.

Though the siblings are shown to resort to force only in retaliation, and though they eventually cease and desist, their gritty story remains unsuitable for all but the most mature and discerning viewers.

Shia LaBeouf plays Jack Bondurant, the youngest, and initially gentlest, of the trio. Awed by his brawny elders, World War I veteran Howard (Jason Clarke) and Spanish flu survivor Forrest (Tom Hardy), Jack yearns to be taken seriously and treated as their equal.

They, in turn, want to keep Jack safely insulated from their escalating conflict with Special Deputy Charlie Rakes (Guy Pearce). Newly arrived from gangster-ridden Chicago, Rakes is anything but an ideal G-man. Corrupt and sadistic, he's out to lay down his own version of the law -- by any means necessary.

As Jack and his semi-disabled best friend Cricket (Dane DeHaan) try to finagle their way into the moonshining major leagues, Jack falls for Bertha (Mia Wasikowska), the sheltered daughter of a local preacher. Mumbling, inarticulate Forrest, meanwhile, fights his feelings for Maggie (Jessica Chastain), a woman with a past who has found shelter with the brothers.

As scripted by Nick Cave, "Lawless" tends to glamorize the mayhem the brothers wreak in their contest with Rakes; it does the same for a premarital bedroom encounter.

Granted that, left to their own devices, the Bondurants are fundamentally peace-loving and domestically inclined, and allowing for the vileness of the enemy they're fighting, moviegoers will still need prudence to guide them through the ethical thickets. They'll also need sufficient fortitude to resist giving way to the visceral reaction the proceedings seem calculated to elicit.

That's assuming, of course, that the elements listed below have not put them off in the first place.

The film contains strong, often gory violence, including torture, mutilation and beatings; semi-graphic premarital sexual activity; upper female nudity; numerous uses of profanity; many rough and crude terms; and some crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog Disrespect comes with many faces. Sometimes what’s unspoken speaks louder than any words.

 
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