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ON FAITH & MEDIA View Comments

The Possession

By
John Mulderig
Source: Catholic News Service


Matisyahu, Natasha Calis, Jeffrey Dean Morgan, and Kyra Sedgwick star in "The Possession."
Catholic exorcists get some time off with "The Possession" (Lionsgate). Since this mostly gore-free chiller's premise rests on Jewish tales of demonic indwelling by beings called dybbuks, it's a Hasidic student, rather than a priest, who eventually gets summoned to the rescue. And file this one under "Only in America": said scholar—Tzadok by name—is played by Hasidic rapper and reggae singer Matisyahu.

At the outset, recently divorced dad Clyde Brenek (Jeffrey Dean Morgan) hardly knows what he's letting himself in for when he and his two daughters, Hannah (Madison Davenport) and Em (Natasha Calis), stop by a weekend yard sale. There, Em's fancy is taken by a seemingly innocuous wooden box and Clyde casually agrees to buy it for her.

Em's interest soon turns to life-blighting obsession as the dybbuk that was supposed to be trapped in the container forever emerges and instead takes up residence inside her. Logically enough, Clyde and his ex, Stephanie (Kyra Sedgwick), assume Em's deteriorating demeanor is an aftereffect of their split. But as eerie and inexplicable events continue to plague the family, Clyde at least realizes they'll need to turn to someone other than a therapist.

Danish-born director Ole Bornedal initially achieves above-average results with his macabre doings, which are ostensibly based on real events. But returns diminish noticeably as his film approaches its overwrought climax.

Clyde and Stephanie's situation is used as the vehicle for a strong pro-marriage message, however. In one poignant scene, Clyde watches as Stephanie and the girls sit down to dinner with Stephanie's boyfriend Brett (Grant Show). The quartet makes up a family circle from which Clyde feels both physically and emotionally excluded.

Another plus is the respectful treatment of the Jewish faith in Juliet Snowden and Stiles White's script, including Clyde's fervent recitation of the 91st Psalm at Em's bedside. Of course, the admixture of folklore, like that of the dybbuk, though necessary to the filmmakers' purpose, tends to blur the bright line between mere legend and revealed truth.

The film contains some violent and potentially disturbing images, a premarital situation, at least one use each of profanity and crude language and brief sexual references. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Mary Magdalene de' Pazzi: Mystical ecstasy is the elevation of the spirit to God in such a way that the person is aware of this union with God while both internal and external senses are detached from the sensible world. Mary Magdalene de' Pazzi was so generously given this special gift of God that she is called the "ecstatic saint." 
<p>She was born into a noble family in Florence in 1566. The normal course would have been for Catherine de' Pazzi to have married wealth and enjoyed comfort, but she chose to follow her own path. At nine she learned to meditate from the family confessor. She made her first Communion at the then-early age of 10 and made a vow of virginity one month later. When 16, she entered the Carmelite convent in Florence because she could receive Communion daily there. </p><p>Catherine had taken the name Mary Magdalene and had been a novice for a year when she became critically ill. Death seemed near so her superiors let her make her profession of vows from a cot in the chapel in a private ceremony. Immediately after, she fell into an ecstasy that lasted about two hours. This was repeated after Communion on the following 40 mornings. These ecstasies were rich experiences of union with God and contained marvelous insights into divine truths. </p><p>As a safeguard against deception and to preserve the revelations, her confessor asked Mary Magdalene to dictate her experiences to sister secretaries. Over the next six years, five large volumes were filled. The first three books record ecstasies from May of 1584 through Pentecost week the following year. This week was a preparation for a severe five-year trial. The fourth book records that trial and the fifth is a collection of letters concerning reform and renewal. Another book, <i>Admonitions</i>, is a collection of her sayings arising from her experiences in the formation of women religious. </p><p>The extraordinary was ordinary for this saint. She read the thoughts of others and predicted future events. During her lifetime, she appeared to several persons in distant places and cured a number of sick people. </p><p>It would be easy to dwell on the ecstasies and pretend that Mary Magdalene only had spiritual highs. This is far from true. It seems that God permitted her this special closeness to prepare her for the five years of desolation that followed when she experienced spiritual dryness. She was plunged into a state of darkness in which she saw nothing but what was horrible in herself and all around her. She had violent temptations and endured great physical suffering. She died in 1607 at 41, and was canonized in 1669.</p> American Catholic Blog Sisters pray a lot. They work at working together. They try their hardest to live simply – sometimes without much choice, due to real poverty. All of them embrace simplicity as a radical commitment to Gospel values, and offer that faithful witness to the rest of us.

 
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