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ON FAITH & MEDIA View Comments

The Possession

By
John Mulderig
Source: Catholic News Service


Matisyahu, Natasha Calis, Jeffrey Dean Morgan, and Kyra Sedgwick star in "The Possession."
Catholic exorcists get some time off with "The Possession" (Lionsgate). Since this mostly gore-free chiller's premise rests on Jewish tales of demonic indwelling by beings called dybbuks, it's a Hasidic student, rather than a priest, who eventually gets summoned to the rescue. And file this one under "Only in America": said scholar—Tzadok by name—is played by Hasidic rapper and reggae singer Matisyahu.

At the outset, recently divorced dad Clyde Brenek (Jeffrey Dean Morgan) hardly knows what he's letting himself in for when he and his two daughters, Hannah (Madison Davenport) and Em (Natasha Calis), stop by a weekend yard sale. There, Em's fancy is taken by a seemingly innocuous wooden box and Clyde casually agrees to buy it for her.

Em's interest soon turns to life-blighting obsession as the dybbuk that was supposed to be trapped in the container forever emerges and instead takes up residence inside her. Logically enough, Clyde and his ex, Stephanie (Kyra Sedgwick), assume Em's deteriorating demeanor is an aftereffect of their split. But as eerie and inexplicable events continue to plague the family, Clyde at least realizes they'll need to turn to someone other than a therapist.

Danish-born director Ole Bornedal initially achieves above-average results with his macabre doings, which are ostensibly based on real events. But returns diminish noticeably as his film approaches its overwrought climax.

Clyde and Stephanie's situation is used as the vehicle for a strong pro-marriage message, however. In one poignant scene, Clyde watches as Stephanie and the girls sit down to dinner with Stephanie's boyfriend Brett (Grant Show). The quartet makes up a family circle from which Clyde feels both physically and emotionally excluded.

Another plus is the respectful treatment of the Jewish faith in Juliet Snowden and Stiles White's script, including Clyde's fervent recitation of the 91st Psalm at Em's bedside. Of course, the admixture of folklore, like that of the dybbuk, though necessary to the filmmakers' purpose, tends to blur the bright line between mere legend and revealed truth.

The film contains some violent and potentially disturbing images, a premarital situation, at least one use each of profanity and crude language and brief sexual references. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Conrad of Parzham: Conrad spent most of his life as porter in Altoetting, Bavaria, letting people into the friary and indirectly encouraging them to let God into their lives. 
<p>His parents, Bartholomew and Gertrude Birndorfer, lived near Parzham, Bavaria. In those days this region was recovering from the Napoleonic wars. A lover of solitary prayer and a peacemaker as a young man, Conrad joined the Capuchins as a brother. He made his profession in 1852 and was assigned to the friary in Altoetting. That city’s shrine to Mary was very popular; at the nearby Capuchin friary there was a lot of work for the porter, a job Conrad held for 41 years. </p><p>At first some of the other friars were jealous that such a young friar held this important job. Conrad’s patience and holy life overcame their doubts. As porter he dealt with many people, obtaining many of the friary supplies and generously providing for the poor who came to the door. He treated them all with the courtesy Francis expected of his followers. </p><p>Conrad’s helpfulness was sometimes unnerving. Once Father Vincent, seeking quiet to prepare a sermon, went up the belltower of the church. Conrad tracked him down when someone wanting to go to confession specifically requested Father Vincent. </p><p>Conrad also developed a special rapport with the children of the area. He enthusiastically promoted the Seraphic Work of Charity, which aided neglected children. </p><p>Conrad spent hours in prayer before the Blessed Sacrament. He regularly asked the Blessed Mother to intercede for him and for the many people he included in his prayers. The ever-patient Conrad was canonized in 1934.</p> American Catholic Blog The Resurrection is neither optimism nor idealism; it is truth. Atheism proclaims the tomb is full; Christians know it is empty.

 
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