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ON FAITH & MEDIA View Comments

The Bourne Legacy

By
John Mulderig
Source: Catholic News Service


Rachel Weisz and Jeremy Renner star in a scene from the movie "The Bourne Legacy."
Can the Bourne franchise continue without Matt Damon's Jason Bourne? If the mediocre extension "The Bourne Legacy" (Universal) is all we have to go on, perhaps the answer is: Yes, but with considerably diminished results.

Based on a series of novels by Robert Ludlum, the popular—albeit frequently violent—trilogy that began with 2002's "The Bourne Identity" reached a satisfying narrative wrap-up, five years later, with "The Bourne Ultimatum."

But Hollywood's reliance on proven box-office winners is such that an attempted resuscitation was probably inevitable. Though Damon abstained from participating, Tony Gilroy, veteran scribe of all three previous installments, returns to direct and co-write this tangentially related tale.

Standard shootouts, fatal vehicular accidents and at least one close-up scene of medical unpleasantness mark the results as off-limits for youngsters. Most adults, though, will probably take these elements—along with the script's occasional lapses into foul language—in stride.

In the wake of Bourne's public exposure of a top secret program that biologically altered government spies to enhance their skills, the intelligence establishment—led by retired Air Force Col. Eric Byer (Edward Norton)—decides to terminate a similar Defense Department project. Terminate, that is, with extreme prejudice: They plan to kill everyone involved.

However, one subject, Aaron Cross (Jeremy Renner), manages to escape assassination. The weapon sent against him as he trains for future missions in the Alaskan wilderness? A drone; how topical!

Making his way back to civilization, Cross seeks out Dr. Marta Shearing (Rachel Weisz), the researcher who treated him as he was being endowed with his heightened powers. Shearing has just had a close call of her own—no coincidence, that—when a drugged or brainwashed colleague shot up their lab, thus disposing of all his other co-workers.

Together, the two survivors go on the lam, and struggle to evade their pursuers' global reach.

Though it winds up in Manila, Gilroy's convoluted cat-and-mouse game—written in collaboration with his brother Dan—doesn't amount to much of a thrilla.

With his subdued demeanor, Renner's Cross makes a less-than-charismatic centerpiece around which to try to orbit the overly detailed proceedings. Norton's Byer, meanwhile, gives vent to such weighty—make that ponderous—announcements as "We are morally indefensible, and absolutely necessary!"

Byer is also given no fewer than five malign cohorts (Stacy Keach, Dennis Boutsikaris, Albert Finney, David Strathairn and Scott Glenn) with whom to debate, in heated tones, the fate of various hidden organizations and codenamed schemes. Treadstone, Blackbriar, Outcome, Candent. ... "There was never just one," declares the movie's advertising slogan. Well, OK, but did there have to be so many?

The film contains considerable, at times harsh, violence with some gore, about a half-dozen uses each of profanity and crude language and a few crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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James Oldo: You’ve heard rags-to-riches stories. Today, we celebrate the reverse. 
<p>James of Oldo was born into a well-to-do family near Milan in 1364. He married a woman who, like him, appreciated the comforts that came with wealth. But an outbreak of plague drove James, his wife and their three children out of their home and into the countryside. Despite those precautions, two of his daughters died from the plague, James determined to use whatever time he had left to build up treasures in heaven and to build God’s realm on earth. </p><p>He and his wife became Secular Franciscans. James gave up his old lifestyle and did penance for his sins. He cared for a sick priest, who taught him Latin. Upon the death of his wife, James himself became a priest. His house was transformed into a chapel where small groups of people, many of them fellow Secular Franciscans, came for prayer and support. James focused on caring for the sick and for prisoners of war. He died in 1404 after contracting a disease from one of his patients. </p><p>James Oldo was beatified in 1933.</p> American Catholic Blog Charity for the poor is like a living flame: the more dry the wood, the brighter it burns.


 
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