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ON FAITH & MEDIA View Comments

To Rome with Love

By
Joseph McAleer
Source: Catholic News Service


Alessandro Tiberi, Roberto Della Casa and Penelope Cruz star in a scene from the movie "To Rome With Love."
With films set in London, Barcelona and Paris under his belt, quintessential New Yorker Woody Allen extends his European tour in "To Rome With Love" (Sony Classics). His farce follows various couples around the Eternal City as they search for romance, happiness, and -- all too frequently -- sin.

Writing, directing and acting, Allen spreads himself a bit thin; his 43rd picture feels jumbled and rushed. However, there are flashes of his vintage wit, and Rome, the real star of the movie, has never looked better. Unfortunately, the central theme—guilt-free adultery -- taints the proceedings and bars full enjoyment.

"To Rome With Love" features a quartet of stories. The first centers on Hayley (Alison Pill), an American student who, during a summer abroad, falls for handsome lawyer Michelangelo (Flavio Parenti). Their engagement brings Hayley's parents, Phyllis (Judy Davis) and Jerry (Allen), across the Atlantic for a sit-down with the future in-laws.

Michelangelo's father, Giancarlo (Fabio Armiliato), is an undertaker with a special talent: While in the shower, he sings like an opera star. (Armiliato is a famous tenor in real life, and so fits the role perfectly.) Jerry, a retired opera director, sees stars amid the soap bubbles, and schemes to have Giancarlo hit the big time—even if it means carting along a portable shower stall.

The second narrative features a honeymoon couple from the provinces, Milly (Alessandra Mastronardi) and Antonio (Alessandro Tiberi), who decide to relocate to the capital for a fresh start. But circumstances separate them just as they are due to meet Antonio's relatives and his future employer.

Antonio finds himself with sexy prostitute Anna (Penelope Cruz), and must pass her off as his sweet, innocent wife to save face. Milly, on the other hand, stumbles upon a film set and meets her movie-star idol, Luca Salta (Antonio Albanese). The sleazy leading man seduces her, but not before Anna has her way with Antonio.

In the film's ever-so-brief flirtation with morality, the saintly Milly admits it's wrong to break her marriage vows, even with her dream man. She wavers a moment, but quickly decides: What a great story to tell her grandchildren one day!

Really, Grandma?

Then there's famous American architect John (Alec Baldwin) who returns to Rome 30 years after a youthful sojourn there. He meets an early version of himself in Jack (Jesse Eisenberg), and soon starts coaching the lad in the art of seduction.

Though happy with his girlfriend Sally (Greta Gerwig), Jack is tempted when Sally's actress friend Monica (Ellen Page) arrives from Hollywood. Sparks fly, and hearts are set to be broken.

The last—and best—of the plotlines concerns Leopoldo (Roberto Benigni), a perfectly ordinary Roman with a run-of-the-mill family and a humdrum job.

Leopoldo is content with his mundane life—until one day, out of the blue, he's swarmed by the paparazzi and turned into a media sensation for no apparent reason. Initially bewildered, Leopoldo is seduced by the spotlight and all the temptations that go along with being a "celebrity."

If this all seems confusing, it is; "To Rome With Love" is as tangled as the noodles in a bowl of spaghetti. Some mature viewers, well grounded in their faith, may find it a tasty cinematic dish. But it's likely to prove too spicy an offering even for most grownups.

The film contains a benign view of adultery and nonmarital sex, much sexual innuendo, as well as some uses of profanity and of rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Robert Bellarmine: When Robert Bellarmine was ordained in 1570, the study of Church history and the fathers of the Church was in a sad state of neglect. A promising scholar from his youth in Tuscany, he devoted his energy to these two subjects, as well as to Scripture, in order to systematize Church doctrine against the attacks of the Protestant Reformers. He was the first Jesuit to become a professor at Louvain. 
<p>His most famous work is his three-volume <i>Disputations on the Controversies </i><em>of the Christian Faith</em>. Particularly noteworthy are the sections on the temporal power of the pope and the role of the laity. He incurred the anger of monarchists in England and France by showing the divine-right-of-kings theory untenable. He developed the theory of the indirect power of the pope in temporal affairs; although he was defending the pope against the Scottish philosopher Barclay, he also incurred the ire of Pope Sixtus V. </p><p>Bellarmine was made a cardinal by Pope Clement VIII on the grounds that "he had not his equal for learning." While he occupied apartments in the Vatican, Bellarmine relaxed none of his former austerities. He limited his household expenses to what was barely essential, eating only the food available to the poor. He was known to have ransomed a soldier who had deserted from the army and he used the hangings of his rooms to clothe poor people, remarking, "The walls won't catch cold." </p><p>Among many activities, he became theologian to Pope Clement VIII, preparing two catechisms which have had great influence in the Church. </p><p>The last major controversy of Bellarmine's life came in 1616 when he had to admonish his friend Galileo, whom he admired. Bellarmine delivered the admonition on behalf of the Holy Office, which had decided that the heliocentric theory of Copernicus (the sun as stationary) was contrary to Scripture. The admonition amounted to a caution against putting forward—other than as a hypothesis—theories not yet fully proved. This shows that saints are not infallible. </p><p>Bellarmine died on September 17, 1621. The process for his canonization was begun in 1627 but was delayed until 1930 for political reasons, stemming from his writings. In 1930, Pope Pius XI canonized him and the next year declared him a doctor of the Church.</p> American Catholic Blog The joy of the Lord is our strength. Therefore, each of us will accept a life of poverty in cheerful trust. We will minister to Christ in the distressing disguise of the poor with cheerful devotion. If our work is done with joy, we will have no reason to be unhappy.

 
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