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ON FAITH & MEDIA View Comments

Step Up Revolution

By
Adam Shaw
Source: Catholic News Service


Ryan Guzman and Kathryn McCormick star in "Step Up Revolution."
One adage holds that it's best to stick to what you're good at. It's too bad screenwriter Amanda Brody didn't take that advice on board when writing "Step Up Revolution" (Summit).

This fourth installment of the steamy dance and romance franchise continues to showcase the kind of top-notch choreography to which fans who dig fine shindigging have become accustomed.

Instead of providing a light plot to match the lively steps of the dance numbers, though, "Revolution" wanders off into risible pretentiousness. Stony-faced exchanges about protesting this and that and "breaking the rules" are more likely to make audiences cringe than reflect.

Throw in some risque routines—as well as a few turns of phrase too salty for the youngsters who would otherwise probably enjoy this outing the most—and the fun is dampened still further.

The hackneyed plot focuses on Miami urbanite Sean (Ryan Guzman). Along with his best friend since childhood, Eddy (Misha Gabriel), Sean runs a flash-mob group known as "The Mob."

Their version of the fad sees this ensemble of highly skilled dancers, musicians and artists suddenly appearing out of nowhere, providing their chosen audience with a jaw-dropping performance to be recorded on cell phones and immortalized on YouTube, and then vanishing.

With fame and possible fortune looming, Sean encounters the equally fleet of foot Emily (Kathryn McCormick), who's out to audition her way into the prestigious Wynwood Dance Company. Needless to say, when hoofer meets hoofer, it's kismet.

Pouty Em is busy rebelling against her millionaire father, Bill (Peter Gallagher), who, sensibly enough, wants her to abandon her long-shot dreams of becoming a professional dancer and go back to college.

Geez, Dad, what are you thinking?

When they discover that Bill—heartless capitalist that he is—plans to redevelop local land and raze their downscale neighborhood in the process, the truculent troupe, Emily included, go into Occupy mode. They plan a campaign of "protest art" to fight against the forces of conformity. Ostensibly of-the-moment references to social media and online hits, alas, fail to make this story any less stale than it sounds.

So in lieu of a fun-filled whirl across the dance floor, Brody and first-time director Scott Speer give us a surfeit of half-baked political posturing and self-indulgent sentimentality.

While the relationship between the two leads remains wholesome, that's not an adjective that could be used to describe the pseudo-sexual style of public grinding they favor. They leave no room for daylight, much less the Holy Spirit.

The film contains much highly suggestive dancing, a single censored rough term and occasional crude and crass utterances. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Adam Shaw is a guest reviewer for Catholic News Service.



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Bernadette Soubirous: Bernadette Soubirous was born in 1844, the first child of an extremely poor miller in the town of Lourdes in southern France. The family was living in the basement of a dilapidated building when on February 11,1858, the Blessed Virgin Mary appeared to Bernadette in a cave above the banks of the Gave River near Lourdes. Bernadette, 14 years old, was known as a virtuous girl though a dull student who had not even made her first Holy Communion. In poor health, she had suffered from asthma from an early age. 
<p>There were 18 appearances in all, the final one occurring on the feast of Our Lady of Mt. Carmel, July 16. Although Bernadette's initial reports provoked skepticism, her daily visions of "the Lady" brought great crowds of the curious. The Lady, Bernadette explained, had instructed her to have a chapel built on the spot of the visions. There the people were to come to wash in and drink of the water of the spring that had welled up from the very spot where Bernadette had been instructed to dig. </p><p>According to Bernadette, the Lady of her visions was a girl of 16 or 17 who wore a white robe with a blue sash. Yellow roses covered her feet, a large rosary was on her right arm. In the vision on March 25 she told Bernadette, "I am the Immaculate Conception." It was only when the words were explained to her that Bernadette came to realize who the Lady was. </p><p>Few visions have ever undergone the scrutiny that these appearances of the Immaculate Virgin were subject to. Lourdes became one of the most popular Marian shrines in the world, attracting millions of visitors. Miracles were reported at the shrine and in the waters of the spring. After thorough investigation Church authorities confirmed the authenticity of the apparitions in 1862. </p><p>During her life Bernadette suffered much. She was hounded by the public as well as by civic officials until at last she was protected in a convent of nuns. Five years later she petitioned to enter the Sisters of Notre Dame. After a period of illness she was able to make the journey from Lourdes and enter the novitiate. But within four months of her arrival she was given the last rites of the Church and allowed to profess her vows. She recovered enough to become infirmarian and then sacristan, but chronic health problems persisted. She died on April 16, 1879, at the age of 35. </p><p>She was canonized in 1933.</p> American Catholic Blog In humility, a woman ultimately forgets 
herself; forgets both her shortcomings and accomplishments equally and 
strives to remain empty of self to make room for Jesus, just as Mary 
did.

 
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