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ON FAITH & MEDIA View Comments

Stella Days

By
Joseph McAleer
Source: Catholic News Service


Golden Globe-winner Martin Sheen stars in "Stella Days."
Its title notwithstanding, night falls on 1950s Catholic Ireland in "Stella Days" (Tribeca). Director Thaddeus O'Sullivan's adaptation of Michael Doorley's memoir tells the story of a country in transition and one priest's struggle to keep his flock -- and himself -- from spiritual exhaustion.

Antoine O. Flatharta's script does not condemn the church and its role in Irish society outright, but marginalizes it, casting it as a relic of a rose-colored time in recent history. In this sense, "Stella Days" could be regarded as a cinematic stand-in for the real-life Irish church today, fighting to regain trust — and to be recognized as relevant -- in the aftermath of traumatic scandals.

Unfortunately, "Stella Days" does not inspire much confidence in this regard. The aforementioned clergyman, Father Daniel Barry (Martin Sheen), is outwardly sunny and cheerful, but inwardly bored and depressed. Educated in Rome and having spent many years in America, he feels out of place in the remote and impoverished village to which he's been posted.

A telling moment in the film comes at the bedside of a dying old woman. She asks Father Barry where heaven is. He cannot answer. "So we know where we are," she responds, "but we do not know where we are going."

In another sense, though, Father Barry does know where he's going. He's counting on a one-way ticket back to Rome. But his plans are dashed by his superior, Bishop Hegerty (Tom Hickey).

The bishop is obsessed with finances and with the "constant, never-ending battle for the control of hearts and minds," as he misguidedly describes the church's mission. He wants to build a new parish church, and Father Barry must remain and raise the money.

It's a hopeless cause, until Father Barry sees the light — literally.

Electricity has finally arrived in his village, and with it modern conveniences and illumination, as well as new temptations and distractions. Father Barry, a fan of the cinema, thinks a picture house, called "The Stella," is just the ticket to raise money and, at the same time, engage his wandering flock.

Just why the opportunity to see Burt Lancaster and Deborah Kerr cavorting in the surf in "From Here to Eternity" should bring people flocking back to church is anyone's guess. But films, Father Barry insists, can be a source of entertainment and enlightenment. "The soul is fed by many things," he says.

Leading the opposition, predictably, is the bishop. He finds an ally in Brendan (Stephen Rea), a local politician. "Once you have turned on the filth and immorality, it is hard to turn it off," he predicts. And how.

Undaunted, Father Barry joins forces with Tim (Trystan Gravelle), a new teacher in the parish school. Tim is young, worldly, "with-it." He sets his own rules, casting morality aside as he beds his married landlady, Molly (Marcella Plunkett). Clearly, "Stella Days" pins its hopes for the future on Tim's generation, free of the influence of the once-mighty Catholic Church.

The film also casts new vocations to the priesthood in a questionable light. Father Barry discourages Molly's young son Joey (Joey O'Sullivan), who thinks God is calling him. "I was called, but not by God," he tells Joey. He then recounts his own sad story, which hinges on his having been given away by his parents to the church at the age of 12.

The film contains an unflattering portrayal of the Catholic Church, an adulterous relationship and some rough language. The Catholic News Service classification is L — limited adult audience, films whose problematic content many adults would find troubling. Not rated by the Motion Picture Association of America.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Eusebius of Vercelli: Someone has said that if there had been no Arian heresy denying Christ's divinity, it would be very difficult to write the lives of many early saints. Eusebius is another of the defenders of the Church during one of its most trying periods. 
<p>Born on the isle of Sardinia, he became a member of the Roman clergy and is the first recorded bishop of Vercelli in Piedmont in northwest Italy. He is also the first to link the monastic life with that of the clergy, establishing a community of his diocesan clergy on the principle that the best way to sanctify his people was to have them see a clergy formed in solid virtue and living in community. </p><p>He was sent by Pope Liberius to persuade the emperor to call a council to settle Catholic-Arian troubles. When it was called at Milan, Eusebius went reluctantly, sensing that the Arian block would have its way, although the Catholics were more numerous. He refused to go along with the condemnation of St. Athanasius; instead, he laid the Nicene Creed on the table and insisted that all sign it before taking up any other matter. The emperor put pressure on him, but Eusebius insisted on Athanasius’ innocence and reminded the emperor that secular force should not be used to influence Church decisions. At first the emperor threatened to kill him, but later sent him into exile in Palestine. There the Arians dragged him through the streets and shut him up in a little room, releasing him only after his four-day hunger strike. They resumed their harassment shortly after. </p><p>His exile continued in Asia Minor and Egypt, until the new emperor permitted him to be welcomed back to his see in Vercelli. He attended the Council of Alexandria with Athanasius and approved the leniency shown to bishops who had wavered. He also worked with St. Hilary of Poitiers against the Arians. </p><p>He died peacefully in his own diocese at an advanced age.</p> American Catholic Blog We become more like Jesus, not just by imitating what He ate, but by eating His very Flesh and Blood in the Eucharist.

 
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