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ON FAITH & MEDIA View Comments

Madagascar 3

By
Kurt Jensen
Source: Catholic News Service


Vitaly the tiger, voiced by Bryan Cranston, and Alex the lion, voiced by Ben Stiller, are seen in the animated movie "Madagascar 3."
The Holy Father plays straight man to an amorous lemur in "Madagascar 3: Europe's Most Wanted" (DreamWorks).

It's one of dozens of "Bet you didn't see that one coming!" moments, and all in good fun in this fast-moving, animated 3-D adventure, the third installment in the "Madagascar" franchise.

Explaining cartoon silliness not intended to give offense is the most tedious exercise possible, but since this one involves the Holy See, here goes:

King Julien, the lemur from the first two films (voiced by Sacha Baron Cohen), is besotted with Sonja, a performing circus bear. In a swift montage that goes from Rome to Vatican City, they have a private audience with the pope (It's cartoon logic, remember) and while kissing the papal ring (all of the pope that's seen), King Julien sucks it off the papal finger so he can buy his new love a fancy motorbike to replace her tricycle. Police descend on the motorcycle dealer to retrieve the ring, so the theft is quickly punished—although not King Julien.

So it's more weird than funny, but so is the notion that a zebra can fly, and that happens, too. Laws of physics don't apply here.

The plot picks up where the second film ended, with the four principal characters: Alex the lion, Marty the zebra, Melman the giraffe and Gloria the hippo (voices of Ben Stiller, Chris Rock, David Schwimmer and Jada Pinkett Smith, respectively) stranded in Madagascar by the mischievous penguins and chimpanzees, and trying to return to New York City and their home in the Central Park Zoo.

They swim (how else?) to Monaco to catch up with the penguins, chimps and their cache of jewels at a casino, and while escaping from French animal-control officer Chantel DuBois (voice of Frances McDormand), who only wants Alex's head as a trophy, they stumble onto a decrepit European circus, which they then buy with the jewels so they can turn the circus around so it will tour in America.

At this point, the film takes on its moral footing, since the gang has to restore confidence to the animal performers, including Vitaly, a Russian tiger (voice of Bryan Cranston) who has lost his courage to dive through an ever-smaller set of rings. Co-directors Eric Darnell, Tom McGrath and Conrad Vernon, with a script co-written by Darnell and Noah Baumbach, fill their story with a rich vein of European circus lore, combined with an uplifting message about believing in one's special abilities.

Young children will delight in the silly faces and fast-moving action, while the adults who take them will groan at dated references to the Spice Girls and "Driving Miss Daisy." Astute parents of perceptive older children may have to explain that Edith Piaf's "Non, je ne regrette rien" ("No, I Have No Regrets") as sung by DuBois is not, in fact, the French national anthem, although it is hilariously presented that way.

The film contains intense action sequences. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen 

Jensen is a guest reviewer for Catholic News Service.



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John Bosco: John Bosco’s theory of education could well be used in today’s schools. It was a preventive system, rejecting corporal punishment and placing students in surroundings removed from the likelihood of committing sin. He advocated frequent reception of the sacraments of Penance and Holy Communion. He combined catechetical training and fatherly guidance, seeking to unite the spiritual life with one’s work, study and play. 
<p>Encouraged during his youth to become a priest so he could work with young boys, John was ordained in 1841. His service to young people started when he met a poor orphan and instructed him in preparation for receiving Holy Communion. He then gathered young apprentices and taught them catechism. </p><p>After serving as chaplain in a hospice for working girls, John opened the Oratory of St. Francis de Sales for boys. Several wealthy and powerful patrons contributed money, enabling him to provide two workshops for the boys, shoemaking and tailoring. </p><p>By 1856, the institution had grown to 150 boys and had added a printing press for publication of religious and catechetical pamphlets. His interest in vocational education and publishing justify him as patron of young apprentices and Catholic publishers. </p><p>John’s preaching fame spread and by 1850 he had trained his own helpers because of difficulties in retaining young priests. In 1854 he and his followers informally banded together, inspired by St. Francis de Sales [January 24]. </p><p>With Pope Pius IX’s encouragement, John gathered 17 men and founded the Salesians in 1859. Their activity concentrated on education and mission work. Later, he organized a group of Salesian Sisters to assist girls.</p> American Catholic Blog How do you expect to reach your own perfection by leading someone else’s life? His sanctity will never be yours; you must have the humility to work out your own salvation in a darkness where you are absolutely alone.

 
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