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ON FAITH & MEDIA View Comments

Snow White and the Huntsman

By
Joseph McAleer
Source: Catholic News Service

The "Fairest One of All" morphs into a butt-kicking warrior princess in "Snow White and the Huntsman" (Universal), the latest and darkest take yet on the Brothers Grimm fairy tale first published 200 years ago.

In a sharp contrast to spring's campy comedy "Mirror Mirror," first-time director Rupert Sanders colors the classic good-vs.-evil fable with splashes of gothic horror and extreme violence, which make this rather grim (no pun intended) film unsuitable for young children. The battle scenes in this action-adventure would not look out of place in the "Lord of the Rings" trilogy—nor would the religious imagery, unusual for a Hollywood blockbuster.

This time around, instead of Julia Roberts we have Charlize Theron who chews up the scenery as the wicked Queen Ravenna. A master of sorcery who commands a phantom army, she seduces and marries King Magnus (Noah Huntley), then slays him and takes his throne, forcing his happy kingdom into painful submission.

It's only a matter of time before that Magic Mirror warns the Queen of someone fairer, her stepdaughter Snow White (Kristen Stewart of "Twilight" fame), imprisoned in the tower.

Not so fast. Snow White fervently prays the Our Father as she awaits her chance to escape. It comes, and with the help of a conveniently appearing white horse, she flees to the forest.

"After her!" the Queen commands the big lug of a Huntsman, Eric (Chris Hemsworth). He complies, only to later take pity on the fugitive and spare her life.

It is here that the screenplay, by Evan Daugherty, John Lee Hancock ("The Blind Side") and Hossein Amini ("Drive") veers even further away from the traditional fairy tale. The erstwhile assassin joins forces with the princess and skills her in swordplay and the art of war. Then the dynamic duo sets off in search of an army to vanquish the Queen and reclaim the kingdom.

Along the way, they run into the dwarfs, all eight of them (another change), headed by Beith (Ian McShane). Intriguingly, they are played by men who are not vertically challenged in real life, but transformed by movie magic. They live in the Sanctuary, an enchanted part of the forest filled with fairies and magical creatures.

Skilled as gold miners, the dwarfs possess a special gift: They can see light in the darkness. In Snow White they see light, a kind of messiah, a point confirmed by the appearance of the White Hart, an albino stag that kneels before her and offers his "blessing."

"She's the one," says Muir (Bob Hoskins), the blind spiritual leader of the dwarfs. "She will heal her kind."

As Snow White dons her shiny armor and finds her inner Joan of Arc, "Snow White and the Huntsman" barrels towards a climactic battle royal.

At this point, you may be wondering: Where's the handsome Prince (Sam Clafin)? In this film, he's called William, is a duke and arrives late in the game. He's still madly in love with Snow White (they were childhood pals), but she seems only to have eyes for the Huntsman.

In the end, "Snow White and the Huntsman" is an entertaining romp with a strong sense of right and wrong. Parents should be warned that the film's dark tone and excessive bloodshed could be nightmare-inducing for the younger set.

The film contains intense action violence and brutality, scenes of sorcery, and some mild sensuality. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
Joseph McAleer is a guest reviewer for Catholic News Service.





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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog A mother journeys with her children all the way through their lives. She does not abandon her maternal mission when they are grown, though that mission certainly takes on different characteristics. The Church, too, accompanies us every step of the way. While baptism gives us birth into the Church, the other sacraments in their own way also nurture our souls as needed.

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