AmericanCatholic.org
 
Skip Navigation Links
Home
Catholic News
Saints
Seasonal
Special Reports
Movies
Shopping
Donate
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Snow White and the Huntsman

By
Joseph McAleer
Source: Catholic News Service

The "Fairest One of All" morphs into a butt-kicking warrior princess in "Snow White and the Huntsman" (Universal), the latest and darkest take yet on the Brothers Grimm fairy tale first published 200 years ago.

In a sharp contrast to spring's campy comedy "Mirror Mirror," first-time director Rupert Sanders colors the classic good-vs.-evil fable with splashes of gothic horror and extreme violence, which make this rather grim (no pun intended) film unsuitable for young children. The battle scenes in this action-adventure would not look out of place in the "Lord of the Rings" trilogy—nor would the religious imagery, unusual for a Hollywood blockbuster.

This time around, instead of Julia Roberts we have Charlize Theron who chews up the scenery as the wicked Queen Ravenna. A master of sorcery who commands a phantom army, she seduces and marries King Magnus (Noah Huntley), then slays him and takes his throne, forcing his happy kingdom into painful submission.

It's only a matter of time before that Magic Mirror warns the Queen of someone fairer, her stepdaughter Snow White (Kristen Stewart of "Twilight" fame), imprisoned in the tower.

Not so fast. Snow White fervently prays the Our Father as she awaits her chance to escape. It comes, and with the help of a conveniently appearing white horse, she flees to the forest.

"After her!" the Queen commands the big lug of a Huntsman, Eric (Chris Hemsworth). He complies, only to later take pity on the fugitive and spare her life.

It is here that the screenplay, by Evan Daugherty, John Lee Hancock ("The Blind Side") and Hossein Amini ("Drive") veers even further away from the traditional fairy tale. The erstwhile assassin joins forces with the princess and skills her in swordplay and the art of war. Then the dynamic duo sets off in search of an army to vanquish the Queen and reclaim the kingdom.

Along the way, they run into the dwarfs, all eight of them (another change), headed by Beith (Ian McShane). Intriguingly, they are played by men who are not vertically challenged in real life, but transformed by movie magic. They live in the Sanctuary, an enchanted part of the forest filled with fairies and magical creatures.

Skilled as gold miners, the dwarfs possess a special gift: They can see light in the darkness. In Snow White they see light, a kind of messiah, a point confirmed by the appearance of the White Hart, an albino stag that kneels before her and offers his "blessing."

"She's the one," says Muir (Bob Hoskins), the blind spiritual leader of the dwarfs. "She will heal her kind."

As Snow White dons her shiny armor and finds her inner Joan of Arc, "Snow White and the Huntsman" barrels towards a climactic battle royal.

At this point, you may be wondering: Where's the handsome Prince (Sam Clafin)? In this film, he's called William, is a duke and arrives late in the game. He's still madly in love with Snow White (they were childhood pals), but she seems only to have eyes for the Huntsman.

In the end, "Snow White and the Huntsman" is an entertaining romp with a strong sense of right and wrong. Parents should be warned that the film's dark tone and excessive bloodshed could be nightmare-inducing for the younger set.

The film contains intense action violence and brutality, scenes of sorcery, and some mild sensuality. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
Joseph McAleer is a guest reviewer for Catholic News Service.



Search reviews at CatholicMovieReviews.org


Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Catharine of Bologna: Some Franciscan saints led fairly public lives; Catharine represents the saints who served the Lord in obscurity. 
<p>Catharine, born in Bologna, was related to the nobility in Ferrara and was educated at court there. She received a liberal education at the court and developed some interest and talent in painting. In later years as a Poor Clare, Catharine sometimes did manuscript illumination and also painted miniatures. </p><p>At the age of 17, she joined a group of religious women in Ferrara. Four years later the whole group joined the Poor Clares in that city. Jobs as convent baker and portress preceded her selection as novice mistress. </p><p>In 1456, she and 15 other sisters were sent to establish a Poor Clare monastery in Florence. As abbess Catharine worked to preserve the peace of the new community. Her reputation for holiness drew many young women to the Poor Clare life. She was canonized in 1712.</p> American Catholic Blog Dear God, when you pour yourself into the little vase of my being, I suffer the agony of not being able to contain you. The inner walls of this heart feel as if they were about to burst, and I am surprised this has not happened already.


 
CATHOLIC GREETINGS
Palm Sunday
Holy Week services and prayers invite us to follow Jesus into Jerusalem, experiencing the events of his passion and death.

Praying for You
As they grow closer to the Easter sacraments, your parish’s RCIA candidates count on your prayers.

Congratulations
Thanks be to God for uncountable mercies--for every blessing!

Annunciation of the Lord
We honor Mary on this feast, and we rejoice in her ‘yes’ to God’s invitation to motherhood.

Lent
Our Lenten journey is almost complete. Catholic Greetings helps you share how this season has been a blessing for you.




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2015