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ON FAITH & MEDIA View Comments

Chernobyl Diaries

By
John Mulderig
Source: Catholic News Service


Nathan Phillips, Ingrid Bolso Berdal and Jonathan Sadowski star in "Chernobyl Diaries."
Like the real-life practice of extreme tourism from which it takes its premise, the grueling horror exercise "Chernobyl Diaries" (Warner Bros.) is not for everyone.

In fact, gruesome scenes of the wounded and the dead, together with a barrage of foul language from the jittery and the doomed, make this flesh-creeper morally unsuitable for most.

The opening montage introduces us to a quartet of young Americans abroad: adventuresome Paul (Jonathan Sadowski) is living in Kiev, while his more cautious brother, Chris (Jesse McCartney), Chris' girlfriend, Natalie (Olivia Taylor Dudley), and Natalie's romantically unattached pal Amanda (Devin Kelley) are paying Paul a visit as part of their extensive tour of European hotspots.

Despite Chris' forebodings, Paul convinces his houseguests to join him on an exotic outing to the abandoned city of Pripyat under the direction of local tour guide, and extreme tourism specialist, Uri (Dimitri Diatchenko). Once home to many of the workers at the Chernobyl nuclear complex, Pripyat had to be instantly evacuated in the wake of the 1986 disaster at the neighboring plant, and has remained ostensibly deserted ever since.

At first, all seems to go well. Joined by two of Uri's other clients, backpacking couple Michael (Nathan Phillips) and Zoe (Ingrid Bolso Berdal), Paul and his visitors wander the creepy precincts and get a few startling, yet relatively safe, turns.

But when the time comes to depart, Uri finds that the wiring in his van has been mysteriously sabotaged. This is somewhat unfortunate, as it leaves the dodgy docent, as well as those under his care, stranded amid high radiation levels, predatory wild animals and strange, indistinct noises. Oh, and it's getting dark.

Things go from bad to worse when the embattled ensemble have their first violent brush with an even more sinister source of danger, the nature of which they only gradually come to understand.

In his feature debut, director Brad Parker conjures up the occasional jolt. But unlikely plot elements and largely unsympathetic—and shallow—characters work against audience involvement.

"Chernobyl Diaries" is linked to the "Paranormal Activity" franchise by the presence of Oren Peli, who wrote all three of the films in that series and directed the first of them as well.

Given his participation in this project, for which he penned the script in collaboration with Carey and Shane Van Dyke, its high levels of bloodletting—very much in contrast to the restraint which has consistently characterized the "Paranormal Activity" outings—comes as a disappointing surprise.

Along with the vocabulary issues aforesaid, such messy mayhem marks "Chernobyl Diaries," like the venue in which it unfolds, a no-go area for all but a few.

The film contains intermittent but intense violence with gore, a few uses of profanity, pervasive rough and crude language, occasional sexual references and an obscene gesture. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

****
John Mulderig is on the staff of Catholic News Service.





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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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