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ON FAITH & MEDIA View Comments

Chernobyl Diaries

By
John Mulderig
Source: Catholic News Service


Nathan Phillips, Ingrid Bolso Berdal and Jonathan Sadowski star in "Chernobyl Diaries."
Like the real-life practice of extreme tourism from which it takes its premise, the grueling horror exercise "Chernobyl Diaries" (Warner Bros.) is not for everyone.

In fact, gruesome scenes of the wounded and the dead, together with a barrage of foul language from the jittery and the doomed, make this flesh-creeper morally unsuitable for most.

The opening montage introduces us to a quartet of young Americans abroad: adventuresome Paul (Jonathan Sadowski) is living in Kiev, while his more cautious brother, Chris (Jesse McCartney), Chris' girlfriend, Natalie (Olivia Taylor Dudley), and Natalie's romantically unattached pal Amanda (Devin Kelley) are paying Paul a visit as part of their extensive tour of European hotspots.

Despite Chris' forebodings, Paul convinces his houseguests to join him on an exotic outing to the abandoned city of Pripyat under the direction of local tour guide, and extreme tourism specialist, Uri (Dimitri Diatchenko). Once home to many of the workers at the Chernobyl nuclear complex, Pripyat had to be instantly evacuated in the wake of the 1986 disaster at the neighboring plant, and has remained ostensibly deserted ever since.

At first, all seems to go well. Joined by two of Uri's other clients, backpacking couple Michael (Nathan Phillips) and Zoe (Ingrid Bolso Berdal), Paul and his visitors wander the creepy precincts and get a few startling, yet relatively safe, turns.

But when the time comes to depart, Uri finds that the wiring in his van has been mysteriously sabotaged. This is somewhat unfortunate, as it leaves the dodgy docent, as well as those under his care, stranded amid high radiation levels, predatory wild animals and strange, indistinct noises. Oh, and it's getting dark.

Things go from bad to worse when the embattled ensemble have their first violent brush with an even more sinister source of danger, the nature of which they only gradually come to understand.

In his feature debut, director Brad Parker conjures up the occasional jolt. But unlikely plot elements and largely unsympathetic—and shallow—characters work against audience involvement.

"Chernobyl Diaries" is linked to the "Paranormal Activity" franchise by the presence of Oren Peli, who wrote all three of the films in that series and directed the first of them as well.

Given his participation in this project, for which he penned the script in collaboration with Carey and Shane Van Dyke, its high levels of bloodletting—very much in contrast to the restraint which has consistently characterized the "Paranormal Activity" outings—comes as a disappointing surprise.

Along with the vocabulary issues aforesaid, such messy mayhem marks "Chernobyl Diaries," like the venue in which it unfolds, a no-go area for all but a few.

The film contains intermittent but intense violence with gore, a few uses of profanity, pervasive rough and crude language, occasional sexual references and an obscene gesture. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

****
John Mulderig is on the staff of Catholic News Service.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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