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ON FAITH & MEDIA View Comments

Chernobyl Diaries

By
John Mulderig
Source: Catholic News Service


Nathan Phillips, Ingrid Bolso Berdal and Jonathan Sadowski star in "Chernobyl Diaries."
Like the real-life practice of extreme tourism from which it takes its premise, the grueling horror exercise "Chernobyl Diaries" (Warner Bros.) is not for everyone.

In fact, gruesome scenes of the wounded and the dead, together with a barrage of foul language from the jittery and the doomed, make this flesh-creeper morally unsuitable for most.

The opening montage introduces us to a quartet of young Americans abroad: adventuresome Paul (Jonathan Sadowski) is living in Kiev, while his more cautious brother, Chris (Jesse McCartney), Chris' girlfriend, Natalie (Olivia Taylor Dudley), and Natalie's romantically unattached pal Amanda (Devin Kelley) are paying Paul a visit as part of their extensive tour of European hotspots.

Despite Chris' forebodings, Paul convinces his houseguests to join him on an exotic outing to the abandoned city of Pripyat under the direction of local tour guide, and extreme tourism specialist, Uri (Dimitri Diatchenko). Once home to many of the workers at the Chernobyl nuclear complex, Pripyat had to be instantly evacuated in the wake of the 1986 disaster at the neighboring plant, and has remained ostensibly deserted ever since.

At first, all seems to go well. Joined by two of Uri's other clients, backpacking couple Michael (Nathan Phillips) and Zoe (Ingrid Bolso Berdal), Paul and his visitors wander the creepy precincts and get a few startling, yet relatively safe, turns.

But when the time comes to depart, Uri finds that the wiring in his van has been mysteriously sabotaged. This is somewhat unfortunate, as it leaves the dodgy docent, as well as those under his care, stranded amid high radiation levels, predatory wild animals and strange, indistinct noises. Oh, and it's getting dark.

Things go from bad to worse when the embattled ensemble have their first violent brush with an even more sinister source of danger, the nature of which they only gradually come to understand.

In his feature debut, director Brad Parker conjures up the occasional jolt. But unlikely plot elements and largely unsympathetic—and shallow—characters work against audience involvement.

"Chernobyl Diaries" is linked to the "Paranormal Activity" franchise by the presence of Oren Peli, who wrote all three of the films in that series and directed the first of them as well.

Given his participation in this project, for which he penned the script in collaboration with Carey and Shane Van Dyke, its high levels of bloodletting—very much in contrast to the restraint which has consistently characterized the "Paranormal Activity" outings—comes as a disappointing surprise.

Along with the vocabulary issues aforesaid, such messy mayhem marks "Chernobyl Diaries," like the venue in which it unfolds, a no-go area for all but a few.

The film contains intermittent but intense violence with gore, a few uses of profanity, pervasive rough and crude language, occasional sexual references and an obscene gesture. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

****
John Mulderig is on the staff of Catholic News Service.



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Scholastica: Twins often share the same interests and ideas with an equal intensity. Therefore, it is no surprise that Scholastica and her twin brother, Benedict (July 11), established religious communities within a few miles from each other. 
<p>Born in 480 of wealthy parents, Scholastica and Benedict were brought up together until he left central Italy for Rome to continue his studies. </p><p>Little is known of Scholastica’s early life. She founded a religious community for women near Monte Cassino at Plombariola, five miles from where her brother governed a monastery. </p><p>The twins visited each other once a year in a farmhouse because Scholastica was not permitted inside the monastery. They spent these times discussing spiritual matters. </p><p>According to the <i>Dialogues of St. Gregory the Great</i>, the brother and sister spent their last day together in prayer and conversation. Scholastica sensed her death was close at hand and she begged Benedict to stay with her until the next day. </p><p>He refused her request because he did not want to spend a night outside the monastery, thus breaking his own Rule. Scholastica asked God to let her brother remain and a severe thunderstorm broke out, preventing Benedict and his monks from returning to the abbey. </p><p>Benedict cried out, “God forgive you, Sister. What have you done?” Scholastica replied, “I asked a favor of you and you refused. I asked it of God and he granted it.” </p><p>Brother and sister parted the next morning after their long discussion. Three days later, Benedict was praying in his monastery and saw the soul of his sister rising heavenward in the form of a white dove. Benedict then announced the death of his sister to the monks and later buried her in the tomb he had prepared for himself.</p> American Catholic Blog In all the sacraments, Christ gives to us the transforming power of his love, which we call “grace.” But in the Eucharist, and only in the Eucharist, Jesus gives us even more. He gives us his entire self—Body and Blood, Soul and Divinity. Of course, the proper response to a gift of this magnitude is gratitude.

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