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ON FAITH & MEDIA View Comments

Battleship

By
John Mulderig
Source: Catholic News Service


Taylor Kitsch and Liam Neeson star in a scene from the movie "Battleship."
The great 18th-century lexicographer and sage Samuel Johnson once observed that "patriotism is the last refuge of a scoundrel."

He was referring, of course, not to genuine love of country, but to the kind of frantic, chauvinistic flag-waving meant to divert attention from faults, scandals and hidden agendas.

Such jingoism can also serve to mask artistic weakness or even exhaustion, and to paper over innumerable improbabilities. Once the cavalry shows up on the horizon, after all, who really cares what's come before?

Though it summons the Navy—rather than men on horseback—to rescue the world from nothing less than a seemingly invincible alien invasion, the action adventure "Battleship" (Universal) amounts to little more than feel-good nonsense. Even as it pulls out every patriotic stop within reach, however, director Peter Berg's project does manage to offer a largely harmless, if quickly forgotten, diversion for mature viewers.

Also functioning as a (somewhat belated) coming-of-age tale, "Battleship" opens with the rowdy misadventures of directionless twentysomething Alex Hopper (Taylor Kitsch). Alex's adolescent-style high jinks draw the understandable ire of his steadier older brother Stone (Alexander Skarsgard), a straight-arrow naval officer.

Stone eventually browbeats his baby bro into joining him in the service. But even there, Alex's misbehavior continues, endangering both his nascent career and his romance with his gal Sam (Brooklyn Decker).

Sam's a physical therapist for wounded vets—most prominent among them, Lt. Col. Mick Canales played by real-life Purple Heart winner and screen newcomer Gregory D. Gadson, who lost both his legs in the conflict in Iraq. Not surprisingly, Sam's father, Admiral Shane (Liam Neeson), takes a dim view of her relationship with our hero.

Cue the extraterrestrials whose arrival on earth could not be better timed to force Alex to grow up fast and prove his mettle. This being the 21st century and all, he does so shoulder to shoulder with Petty Officer 2nd Class Cora Raikes (music star Rihanna), who seems to have been thrown into the mix to represent the tough-as-nails distaff side of the duty roster. Sam, too, provides some shore-side assistance in the fight.

Thus we have the luxury of interspersing our lusty cries of "Hooray for America!" with the odd "You go, girl!"

As Hollywood continues to ransack the baby boomer generation's attic of collective memory, all this is supposed to have something to do with the titular Hasbro game, first marketed by the Milton Bradley Co. in board-game format in 1967. (Paper-and-pencil predecessors can, it seems, be traced back as far as the 1930s.)

One lengthy scene does recognizably reference the characteristic "Battleship" grid, together with the location-guessing that drives the game. But otherwise, this is really a special effects-heavy salute to the power—past and present—of seaborne artillery, unmoored from the ingenious simplicity that made the eponymous pastime a popular staple.

But, then again, who can oppose opening up the guns on malevolent space travelers who sport porcupine-stiff goatees and only four—or was it three—digits on each hand? Certainly not those grownups who go to a summer movie in search of air-conditioning, popcorn and mindless fun.

The film contains much action violence and some painful slapstick, at least one use of profanity and about a dozen crude as well as a handful of crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Joachim and Anne: In the Scriptures, Matthew and Luke furnish a legal family history of Jesus, tracing ancestry to show that Jesus is the culmination of great promises. Not only is his mother’s family neglected, we also know nothing factual about them except that they existed. Even the names <i>Joachim</i> and <i>Anne</i> come from a legendary source written more than a century after Jesus died. 
<p>The heroism and holiness of these people, however, is inferred from the whole family atmosphere around Mary in the Scriptures. Whether we rely on the legends about Mary’s childhood or make guesses from the information in the Bible, we see in her a fulfillment of many generations of prayerful persons, herself steeped in the religious traditions of her people. </p><p>The strong character of Mary in making decisions, her continuous practice of prayer, her devotion to the laws of her faith, her steadiness at moments of crisis, and her devotion to her relatives—all indicate a close-knit, loving family that looked forward to the next generation even while retaining the best of the past. </p><p>Joachim and Anne—whether these are their real names or not—represent that entire quiet series of generations who faithfully perform their duties, practice their faith and establish an atmosphere for the coming of the Messiah, but remain obscure.</p> American Catholic Blog Don’t pretend to be a saint—intend to be one. Bend your knees but never your morals.

 
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