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ON FAITH & MEDIA View Comments

What to Expect When You're Expecting

By
John Mulderig
Source: Catholic News Service


Matthew Morrison and Cameron Diaz star in "What to Expect When You're Expecting."
"What to Expect When You're Expecting" (Lionsgate) is a fruitless reproductive comedy that awkwardly juggles the stories of five expectant couples as they prepare for four deliveries and an Ethiopian adoption.

Director Kirk Jones' fictionalization of Heidi Murkoff's best-selling advice book veers between vulgar humor and trite sentimentality. It also showcases misguided contemporary attitudes toward sexuality, pregnancy and parenthood.

A characteristic moment: After a long spell of living together, one of the duos—to say which would be a spoiler—uses the arrival of their baby as the moment to become engaged. Well, better late than never, one supposes.

Besides the implicit message that there's nothing wrong with shacking up, Shauna Cross and Heather Hach's script reinforces the modern trope of pregnancy as a disease to be dreaded. It also plays on the Hollywood stereotype of responsibility-averse males who tremble at the prospect of fatherhood—or of any other commitment, for that matter.

Made in that man-boy mold is bohemian musician and prospective adoptive dad Alex (Rodrigo Santoro). At the behest of his photographer wife, Holly (Jennifer Lopez), Alex seeks to allay his fears of growing up by joining the so-called "Dudes Group," a circle of fathers who meet at a local park to give their babies and toddlers a stroll.

But this herd of henpecked beta males—led by comedian Chris Rock—only inflame Alex's anxieties all the more by dwelling on the horrors of domestic life.

Their complaints grate more than they amuse. So, too, do the personalities of some of the other characters, especially that of personal trainer and TV celebrity Jules (Cameron Diaz). Coarse, pushy and selfish, Jules bellows her way through bringing new life into the world after becoming accidentally pregnant by her boyfriend, professional dancer Evan (Matthew Morrison).

Despite having written a book in praise of breastfeeding, which an early scene shows her reading to a roomful of alarmed schoolchildren, lactation expert Wendy (Elizabeth Banks) finds herself equally miserable when she exchanges her romanticized notions about becoming great with child for the thing itself. We're treated to an extended discussion, and display, of all her varied woes.

Bored by the lowbrow proceedings on screen, the viewer's mind is apt to wander from images of Butterfly McQueen's Prissy in "Gone With the Wind"—she of the immortal "I don't know nothin' 'bout birthin' babies!"— to wondering how soon we can get away from the subject of Wendy's swollen ankles.

The film contains errant values, including a benign view of cohabitation, out-of-wedlock pregnancy and in vitro fertilization, pervasive sexual and biological humor, some scatological humor, an implied aberrant sex act, brief rear and partial nudity, a couple of instances of profanity, at least one use of the F-word and much crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Joan of Arc: 
		<p>Burned at the stake as a heretic after a politically-motivated trial, Joan was beatified in 1909 and canonized in 1920.</p>
		<p>Born of a fairly well-to-do peasant couple in Domremy-Greux (southeast of Paris), Joan was only 12 when she experienced a vision and heard voices that she later identified as Sts. Michael the Archangel, Catherine of Alexandria, and Margaret of Antioch.</p>
		<p>During the Hundred Years War, she led French troops against the English and recaptured the cities of Orléans and Troyes. This enabled Charles VII to be crowned as king in Reims in 1429. Captured near Compiegne the following year, she was sold to the English and placed on trial for heresy and witchcraft. Professors at the University of Paris supported Bishop Pierre Cauchon of Beauvis, the judge at her trial; Cardinal Henry Beaufort of Winchester, England, participated in the questioning of Joan in prison. In the end, she was condemned for wearing men's clothes. The English resented France's military success–to which Joan contributed. </p>
		<p>On this day in 1431, she was burned at the stake in Rouen, and her ashes were scattered in the Seine River. A second Church trial 25 years later nullified the earlier verdict, which was reached under political pressure.</p>
		<p>Remembered by most people for her military exploits, Joan had a great love for the sacraments, which strengthened her compassion toward the poor. Popular devotion to her increased greatly in 19th-century France and later among French soldiers during World War I. Theologian George Tavard writes that her life "offers a perfect example of the conjunction of contemplation and action" because her spiritual insight is that there should be a "unity of heaven and earth."</p>
		<p>Joan of Arc has been the subject of many books, plays, operas, and movies. </p>
American Catholic Blog A surfer becomes a better surfer as he spends more time in the water and learns from his friends and experiences how to improve. It is so with the virtues too. They’re actionable—which means our ability to pursue the good improves with practice!

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