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ON FAITH & MEDIA View Comments

What to Expect When You're Expecting

By
John Mulderig
Source: Catholic News Service


Matthew Morrison and Cameron Diaz star in "What to Expect When You're Expecting."
"What to Expect When You're Expecting" (Lionsgate) is a fruitless reproductive comedy that awkwardly juggles the stories of five expectant couples as they prepare for four deliveries and an Ethiopian adoption.

Director Kirk Jones' fictionalization of Heidi Murkoff's best-selling advice book veers between vulgar humor and trite sentimentality. It also showcases misguided contemporary attitudes toward sexuality, pregnancy and parenthood.

A characteristic moment: After a long spell of living together, one of the duos—to say which would be a spoiler—uses the arrival of their baby as the moment to become engaged. Well, better late than never, one supposes.

Besides the implicit message that there's nothing wrong with shacking up, Shauna Cross and Heather Hach's script reinforces the modern trope of pregnancy as a disease to be dreaded. It also plays on the Hollywood stereotype of responsibility-averse males who tremble at the prospect of fatherhood—or of any other commitment, for that matter.

Made in that man-boy mold is bohemian musician and prospective adoptive dad Alex (Rodrigo Santoro). At the behest of his photographer wife, Holly (Jennifer Lopez), Alex seeks to allay his fears of growing up by joining the so-called "Dudes Group," a circle of fathers who meet at a local park to give their babies and toddlers a stroll.

But this herd of henpecked beta males—led by comedian Chris Rock—only inflame Alex's anxieties all the more by dwelling on the horrors of domestic life.

Their complaints grate more than they amuse. So, too, do the personalities of some of the other characters, especially that of personal trainer and TV celebrity Jules (Cameron Diaz). Coarse, pushy and selfish, Jules bellows her way through bringing new life into the world after becoming accidentally pregnant by her boyfriend, professional dancer Evan (Matthew Morrison).

Despite having written a book in praise of breastfeeding, which an early scene shows her reading to a roomful of alarmed schoolchildren, lactation expert Wendy (Elizabeth Banks) finds herself equally miserable when she exchanges her romanticized notions about becoming great with child for the thing itself. We're treated to an extended discussion, and display, of all her varied woes.

Bored by the lowbrow proceedings on screen, the viewer's mind is apt to wander from images of Butterfly McQueen's Prissy in "Gone With the Wind"—she of the immortal "I don't know nothin' 'bout birthin' babies!"— to wondering how soon we can get away from the subject of Wendy's swollen ankles.

The film contains errant values, including a benign view of cohabitation, out-of-wedlock pregnancy and in vitro fertilization, pervasive sexual and biological humor, some scatological humor, an implied aberrant sex act, brief rear and partial nudity, a couple of instances of profanity, at least one use of the F-word and much crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Bernadette Soubirous: Bernadette Soubirous was born in 1844, the first child of an extremely poor miller in the town of Lourdes in southern France. The family was living in the basement of a dilapidated building when on February 11,1858, the Blessed Virgin Mary appeared to Bernadette in a cave above the banks of the Gave River near Lourdes. Bernadette, 14 years old, was known as a virtuous girl though a dull student who had not even made her first Holy Communion. In poor health, she had suffered from asthma from an early age. 
<p>There were 18 appearances in all, the final one occurring on the feast of Our Lady of Mt. Carmel, July 16. Although Bernadette's initial reports provoked skepticism, her daily visions of "the Lady" brought great crowds of the curious. The Lady, Bernadette explained, had instructed her to have a chapel built on the spot of the visions. There the people were to come to wash in and drink of the water of the spring that had welled up from the very spot where Bernadette had been instructed to dig. </p><p>According to Bernadette, the Lady of her visions was a girl of 16 or 17 who wore a white robe with a blue sash. Yellow roses covered her feet, a large rosary was on her right arm. In the vision on March 25 she told Bernadette, "I am the Immaculate Conception." It was only when the words were explained to her that Bernadette came to realize who the Lady was. </p><p>Few visions have ever undergone the scrutiny that these appearances of the Immaculate Virgin were subject to. Lourdes became one of the most popular Marian shrines in the world, attracting millions of visitors. Miracles were reported at the shrine and in the waters of the spring. After thorough investigation Church authorities confirmed the authenticity of the apparitions in 1862. </p><p>During her life Bernadette suffered much. She was hounded by the public as well as by civic officials until at last she was protected in a convent of nuns. Five years later she petitioned to enter the Sisters of Notre Dame. After a period of illness she was able to make the journey from Lourdes and enter the novitiate. But within four months of her arrival she was given the last rites of the Church and allowed to profess her vows. She recovered enough to become infirmarian and then sacristan, but chronic health problems persisted. She died on April 16, 1879, at the age of 35. </p><p>She was canonized in 1933.</p> American Catholic Blog In humility, a woman ultimately forgets 
herself; forgets both her shortcomings and accomplishments equally and 
strives to remain empty of self to make room for Jesus, just as Mary 
did.

 
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