AmericanCatholic.org
 
Skip Navigation Links
Home
Catholic News
Saints
Seasonal
Special Reports
Movies
Shopping
Donate
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Dark Shadows

By
John Mulderig
Source: Catholic News Service


Academy Award-nominee Johnny Depp stars in Tim Burton's "Dark Shadows."
Long before "Twilight's" Edward Cullen and other Johnny-come-lately vampires, there was television's Barnabas Collins, played by the recently deceased Jonathan Frid. Time was when legions of teenage baby boomers would rush home from school each weekday afternoon to find out what Barnabas was up to by catching the latest episode of "Dark Shadows," the wildly popular gothic soap opera that largely revolved around him.

Two feature films and a long afterlife in syndication ensued, not to mention reincarnation on DVD and in any number of other media.

Mostly set in 1972, the year after the television version went off the air—it was first broadcast in 1966—director Tim Burton's big-screen homage, "Dark Shadows" (Warner Bros.), is a campy comic take on the original.

Though visually striking and initially amusing, his riff on the low-budget, but by now venerable, property introduces some discordant notes as it seeks to garner laughs from casual sexual encounters. Then the melody gets lost altogether amid a crescendo of special effects and supernatural mayhem.

Johnny Depp takes the part of Barnabas, a figure with whom the actor is said to have been obsessed since childhood. Opening scenes carry us back to the mid-18th century—and play like something between a novel by one of the Brontes and a Harlequin romance—as they recount Barnabas' back story. This culminates in the vein-drainer being buried alive by an angry mob of New England townsfolk.

Flash forward to the Age of Nixon where we find Barnabas accidentally exhumed by a construction crew—who quickly learn to regret their discovery of him.

Returning to Collinwood, the ancestral manse his parents built, Barnabas encounters the descendants who currently inhabit it: Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer), her disaffected teen daughter, Carolyn (Chloe Grace Moretz), her ne'er-do-well brother, Roger (Jonny Lee Miller), and his troubled young son, David (Gully McGrath).

Also in residence are the children's governess Victoria Winters (Bella Heathcote)—who's a dead ringer for Barnabas' true love of long ago, Josette DuPres (also Heathcote)—and David's live-in psychiatrist, Dr. Julia Hoffman (Helena Bonham Carter).

As he tries to restore the dwindling family fortune, Barnabas battles Angelique Bouchard (Eva Green), the still-living witch whose jealousy-fueled curse transformed him into a bloodsucker in the first place. She's now the Collins' main competitor in the local fishing industry.

If all that sounds a bit complicated, and indeed it is, there is ample precedent: In its later seasons, the TV iteration shuttled between the then-present day and various points in the past, ranging from the 1790s to the 1890s. But the television writers had roughly 1,200 episodes in which to elaborate their ideas, as opposed to the less-than-two hours available to Burton.

Much of the humor is derived from Barnabas' anachronistic outlook on psychedelic-era America. With his formal, not to say stilted, personal manner—which Carolyn quickly labels "weird"—Barnabas is a bemused fish out of water in the world of pot-smoking hippies, VW vans and the cocktail-quaffing antics of Dr. Hoffman. The contrast works for a while, but eventually wears thin.

Perhaps sensing that the joke has run its course, Burton and screenwriter Seth Grahame-Smith devote the last quarter-hour or so of the movie to a noisy, effects-driven showdown between Barnabas and his age-old nemesis Angelique. Neither funny nor frightening, this finale will only add to the dissatisfaction of nostalgic viewers and the bewilderment of those too young to remember Barnabas in his undead prime.

The film contains some action violence, semi-graphic sexual activity, an implied aberrant act, a suicide, drug use, mature references, a couple of uses of profanity and about a half-dozen instances each of crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



Search reviews at CatholicMovieReviews.org


Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Hugh of Grenoble: Today’s saint could be a patron for those of us who feel so overwhelmed by all the problems in the world that we don’t know where to begin. 
<p>Hugh, who served as a bishop in France for 52 years, had his work cut out for him from the start. Corruption seemed to loom in every direction: the buying and selling of Church offices, violations of clerical celibacy, lay control of Church property, religious indifference and/or ignorance. After serving as bishop for two years, he’d had his fill. He tried disappearing to a monastery, but the pope called him back to continue the work of reform. </p><p>Ironically, Hugh was reasonably effective in the role of reformer—surely because of his devotion to the Church but also because of his strong character. In conflicts between Church and state he was an unflinching defender of the Church. He fearlessly supported the papacy. He was eloquent as a preacher. He restored his own cathedral, made civic improvements in the town and weathered a brief exile. </p><p>Hugh may be best known as patron and benefactor of St. Bruno, founder of the Carthusian Order. </p><p>Hugh died in 1132. He was canonized only two years later.</p> American Catholic Blog In our lives, Lord, you make wondrous things happen that deeply impress us; then as time passes, we forget. Father, deepen my faith in you and my trust in your love and care for me, so I may be strong when difficult times occur that will test my love and loyalty to you. I ask for this grace in Jesus's name, Amen.


 
CATHOLIC GREETINGS
Wednesday of Holy Week
Today keep in prayer all the priests and ministers throughout the world who will preside at Holy Week services.

Tuesday of Holy Week
While Lent has a penitential character, it is also a time for reflecting on the baptismal commitment we make as Christians.

Monday of Holy Week
Holy Week reminds us of the price Jesus paid for our salvation. Take time for prayer at home and at church.

Palm Sunday
Holy Week services and prayers invite us to follow Jesus into Jerusalem, experiencing the events of his passion and death.

Praying for You
As they grow closer to the Easter sacraments, your parish’s RCIA candidates count on your prayers.




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2015