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ON FAITH & MEDIA View Comments

Dark Shadows

By
John Mulderig
Source: Catholic News Service


Academy Award-nominee Johnny Depp stars in Tim Burton's "Dark Shadows."
Long before "Twilight's" Edward Cullen and other Johnny-come-lately vampires, there was television's Barnabas Collins, played by the recently deceased Jonathan Frid. Time was when legions of teenage baby boomers would rush home from school each weekday afternoon to find out what Barnabas was up to by catching the latest episode of "Dark Shadows," the wildly popular gothic soap opera that largely revolved around him.

Two feature films and a long afterlife in syndication ensued, not to mention reincarnation on DVD and in any number of other media.

Mostly set in 1972, the year after the television version went off the air—it was first broadcast in 1966—director Tim Burton's big-screen homage, "Dark Shadows" (Warner Bros.), is a campy comic take on the original.

Though visually striking and initially amusing, his riff on the low-budget, but by now venerable, property introduces some discordant notes as it seeks to garner laughs from casual sexual encounters. Then the melody gets lost altogether amid a crescendo of special effects and supernatural mayhem.

Johnny Depp takes the part of Barnabas, a figure with whom the actor is said to have been obsessed since childhood. Opening scenes carry us back to the mid-18th century—and play like something between a novel by one of the Brontes and a Harlequin romance—as they recount Barnabas' back story. This culminates in the vein-drainer being buried alive by an angry mob of New England townsfolk.

Flash forward to the Age of Nixon where we find Barnabas accidentally exhumed by a construction crew—who quickly learn to regret their discovery of him.

Returning to Collinwood, the ancestral manse his parents built, Barnabas encounters the descendants who currently inhabit it: Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer), her disaffected teen daughter, Carolyn (Chloe Grace Moretz), her ne'er-do-well brother, Roger (Jonny Lee Miller), and his troubled young son, David (Gully McGrath).

Also in residence are the children's governess Victoria Winters (Bella Heathcote)—who's a dead ringer for Barnabas' true love of long ago, Josette DuPres (also Heathcote)—and David's live-in psychiatrist, Dr. Julia Hoffman (Helena Bonham Carter).

As he tries to restore the dwindling family fortune, Barnabas battles Angelique Bouchard (Eva Green), the still-living witch whose jealousy-fueled curse transformed him into a bloodsucker in the first place. She's now the Collins' main competitor in the local fishing industry.

If all that sounds a bit complicated, and indeed it is, there is ample precedent: In its later seasons, the TV iteration shuttled between the then-present day and various points in the past, ranging from the 1790s to the 1890s. But the television writers had roughly 1,200 episodes in which to elaborate their ideas, as opposed to the less-than-two hours available to Burton.

Much of the humor is derived from Barnabas' anachronistic outlook on psychedelic-era America. With his formal, not to say stilted, personal manner—which Carolyn quickly labels "weird"—Barnabas is a bemused fish out of water in the world of pot-smoking hippies, VW vans and the cocktail-quaffing antics of Dr. Hoffman. The contrast works for a while, but eventually wears thin.

Perhaps sensing that the joke has run its course, Burton and screenwriter Seth Grahame-Smith devote the last quarter-hour or so of the movie to a noisy, effects-driven showdown between Barnabas and his age-old nemesis Angelique. Neither funny nor frightening, this finale will only add to the dissatisfaction of nostalgic viewers and the bewilderment of those too young to remember Barnabas in his undead prime.

The film contains some action violence, semi-graphic sexual activity, an implied aberrant act, a suicide, drug use, mature references, a couple of uses of profanity and about a half-dozen instances each of crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Teresa of Kolkata (Calcutta): Mother Teresa of Kolkata, the tiny woman recognized throughout the world for her work among the poorest of the poor, was beatified October 19, 2003. Among those present were hundreds of Missionaries of Charity, the order she founded in 1950 as a diocesan religious community. Today the congregation also includes contemplative sisters and brothers and an order of priests. 
<p>Born to Albanian parents in what is now Skopje, Macedonia (then part of the Ottoman Empire), Gonxha (Agnes) Bojaxhiu was the youngest of the three children who survived. For a time, the family lived comfortably, and her father's construction business thrived. But life changed overnight following his unexpected death. </p><p>During her years in public school Agnes participated in a Catholic sodality and showed a strong interest in the foreign missions. At age 18 she entered the Loreto Sisters of Dublin. It was 1928 when she said goodbye to her mother for the final time and made her way to a new land and a new life. The following year she was sent to the Loreto novitiate in Darjeeling, India. There she chose the name Teresa and prepared for a life of service. She was assigned to a high school for girls in Kolkata, where she taught history and geography to the daughters of the wealthy. But she could not escape the realities around her—the poverty, the suffering, the overwhelming numbers of destitute people. </p><p>In 1946, while riding a train to Darjeeling to make a retreat, Sister Teresa heard what she later explained as “a call within a call. The message was clear. I was to leave the convent and help the poor while living among them.” She also heard a call to give up her life with the Sisters of Loreto and, instead, to “follow Christ into the slums to serve him among the poorest of the poor.” </p><p>After receiving permission to leave Loreto, establish a new religious community and undertake her new work, she took a nursing course for several months. She returned to Kolkata, where she lived in the slums and opened a school for poor children. Dressed in a white sari and sandals (the ordinary dress of an Indian woman) she soon began getting to know her neighbors—especially the poor and sick—and getting to know their needs through visits. </p><p>The work was exhausting, but she was not alone for long. Volunteers who came to join her in the work, some of them former students, became the core of the Missionaries of Charity. Others helped by donating food, clothing, supplies, the use of buildings. In 1952 the city of Kolkata gave Mother Teresa a former hostel, which became a home for the dying and the destitute. As the order expanded, services were also offered to orphans, abandoned children, alcoholics, the aging, and street people. </p><p>For the next four decades Mother Teresa worked tirelessly on behalf of the poor. Her love knew no bounds. Nor did her energy, as she crisscrossed the globe pleading for support and inviting others to see the face of Jesus in the poorest of the poor. In 1979 she was awarded the Nobel Peace Prize. On September 5, 1997, God called her home.</p> American Catholic Blog A healthy marriage is that it is a witness of Jesus’s love for the 
Church. We are the bride of Christ, and the greatest declaration of the groom’s love is found at the cross. The complete gift of self by Jesus at Calvary is so entire that it is life-giving.

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