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ON FAITH & MEDIA View Comments

Dark Shadows

By
John Mulderig
Source: Catholic News Service


Academy Award-nominee Johnny Depp stars in Tim Burton's "Dark Shadows."
Long before "Twilight's" Edward Cullen and other Johnny-come-lately vampires, there was television's Barnabas Collins, played by the recently deceased Jonathan Frid. Time was when legions of teenage baby boomers would rush home from school each weekday afternoon to find out what Barnabas was up to by catching the latest episode of "Dark Shadows," the wildly popular gothic soap opera that largely revolved around him.

Two feature films and a long afterlife in syndication ensued, not to mention reincarnation on DVD and in any number of other media.

Mostly set in 1972, the year after the television version went off the air—it was first broadcast in 1966—director Tim Burton's big-screen homage, "Dark Shadows" (Warner Bros.), is a campy comic take on the original.

Though visually striking and initially amusing, his riff on the low-budget, but by now venerable, property introduces some discordant notes as it seeks to garner laughs from casual sexual encounters. Then the melody gets lost altogether amid a crescendo of special effects and supernatural mayhem.

Johnny Depp takes the part of Barnabas, a figure with whom the actor is said to have been obsessed since childhood. Opening scenes carry us back to the mid-18th century—and play like something between a novel by one of the Brontes and a Harlequin romance—as they recount Barnabas' back story. This culminates in the vein-drainer being buried alive by an angry mob of New England townsfolk.

Flash forward to the Age of Nixon where we find Barnabas accidentally exhumed by a construction crew—who quickly learn to regret their discovery of him.

Returning to Collinwood, the ancestral manse his parents built, Barnabas encounters the descendants who currently inhabit it: Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer), her disaffected teen daughter, Carolyn (Chloe Grace Moretz), her ne'er-do-well brother, Roger (Jonny Lee Miller), and his troubled young son, David (Gully McGrath).

Also in residence are the children's governess Victoria Winters (Bella Heathcote)—who's a dead ringer for Barnabas' true love of long ago, Josette DuPres (also Heathcote)—and David's live-in psychiatrist, Dr. Julia Hoffman (Helena Bonham Carter).

As he tries to restore the dwindling family fortune, Barnabas battles Angelique Bouchard (Eva Green), the still-living witch whose jealousy-fueled curse transformed him into a bloodsucker in the first place. She's now the Collins' main competitor in the local fishing industry.

If all that sounds a bit complicated, and indeed it is, there is ample precedent: In its later seasons, the TV iteration shuttled between the then-present day and various points in the past, ranging from the 1790s to the 1890s. But the television writers had roughly 1,200 episodes in which to elaborate their ideas, as opposed to the less-than-two hours available to Burton.

Much of the humor is derived from Barnabas' anachronistic outlook on psychedelic-era America. With his formal, not to say stilted, personal manner—which Carolyn quickly labels "weird"—Barnabas is a bemused fish out of water in the world of pot-smoking hippies, VW vans and the cocktail-quaffing antics of Dr. Hoffman. The contrast works for a while, but eventually wears thin.

Perhaps sensing that the joke has run its course, Burton and screenwriter Seth Grahame-Smith devote the last quarter-hour or so of the movie to a noisy, effects-driven showdown between Barnabas and his age-old nemesis Angelique. Neither funny nor frightening, this finale will only add to the dissatisfaction of nostalgic viewers and the bewilderment of those too young to remember Barnabas in his undead prime.

The film contains some action violence, semi-graphic sexual activity, an implied aberrant act, a suicide, drug use, mature references, a couple of uses of profanity and about a half-dozen instances each of crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog The amazing friends I have: I didn’t “find” them; I certainly
don’t deserve them; but I do have them. And there is only one feasible reason: because my friends are God’s gift to me in proof of His love for me, His friendship.

 
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