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ON FAITH & MEDIA View Comments

Dark Shadows

By
John Mulderig
Source: Catholic News Service


Academy Award-nominee Johnny Depp stars in Tim Burton's "Dark Shadows."
Long before "Twilight's" Edward Cullen and other Johnny-come-lately vampires, there was television's Barnabas Collins, played by the recently deceased Jonathan Frid. Time was when legions of teenage baby boomers would rush home from school each weekday afternoon to find out what Barnabas was up to by catching the latest episode of "Dark Shadows," the wildly popular gothic soap opera that largely revolved around him.

Two feature films and a long afterlife in syndication ensued, not to mention reincarnation on DVD and in any number of other media.

Mostly set in 1972, the year after the television version went off the air—it was first broadcast in 1966—director Tim Burton's big-screen homage, "Dark Shadows" (Warner Bros.), is a campy comic take on the original.

Though visually striking and initially amusing, his riff on the low-budget, but by now venerable, property introduces some discordant notes as it seeks to garner laughs from casual sexual encounters. Then the melody gets lost altogether amid a crescendo of special effects and supernatural mayhem.

Johnny Depp takes the part of Barnabas, a figure with whom the actor is said to have been obsessed since childhood. Opening scenes carry us back to the mid-18th century—and play like something between a novel by one of the Brontes and a Harlequin romance—as they recount Barnabas' back story. This culminates in the vein-drainer being buried alive by an angry mob of New England townsfolk.

Flash forward to the Age of Nixon where we find Barnabas accidentally exhumed by a construction crew—who quickly learn to regret their discovery of him.

Returning to Collinwood, the ancestral manse his parents built, Barnabas encounters the descendants who currently inhabit it: Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer), her disaffected teen daughter, Carolyn (Chloe Grace Moretz), her ne'er-do-well brother, Roger (Jonny Lee Miller), and his troubled young son, David (Gully McGrath).

Also in residence are the children's governess Victoria Winters (Bella Heathcote)—who's a dead ringer for Barnabas' true love of long ago, Josette DuPres (also Heathcote)—and David's live-in psychiatrist, Dr. Julia Hoffman (Helena Bonham Carter).

As he tries to restore the dwindling family fortune, Barnabas battles Angelique Bouchard (Eva Green), the still-living witch whose jealousy-fueled curse transformed him into a bloodsucker in the first place. She's now the Collins' main competitor in the local fishing industry.

If all that sounds a bit complicated, and indeed it is, there is ample precedent: In its later seasons, the TV iteration shuttled between the then-present day and various points in the past, ranging from the 1790s to the 1890s. But the television writers had roughly 1,200 episodes in which to elaborate their ideas, as opposed to the less-than-two hours available to Burton.

Much of the humor is derived from Barnabas' anachronistic outlook on psychedelic-era America. With his formal, not to say stilted, personal manner—which Carolyn quickly labels "weird"—Barnabas is a bemused fish out of water in the world of pot-smoking hippies, VW vans and the cocktail-quaffing antics of Dr. Hoffman. The contrast works for a while, but eventually wears thin.

Perhaps sensing that the joke has run its course, Burton and screenwriter Seth Grahame-Smith devote the last quarter-hour or so of the movie to a noisy, effects-driven showdown between Barnabas and his age-old nemesis Angelique. Neither funny nor frightening, this finale will only add to the dissatisfaction of nostalgic viewers and the bewilderment of those too young to remember Barnabas in his undead prime.

The film contains some action violence, semi-graphic sexual activity, an implied aberrant act, a suicide, drug use, mature references, a couple of uses of profanity and about a half-dozen instances each of crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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James: This James is the brother of John the Evangelist. The two were called by Jesus as they worked with their father in a fishing boat on the Sea of Galilee. Jesus had already called another pair of brothers from a similar occupation: Peter and Andrew. “He walked along a little farther and saw James, the son of Zebedee, and his brother John. They too were in a boat mending their nets. Then he called them. So they left their father Zebedee in the boat along with the hired men and followed him” (Mark 1:19-20). 
<p>James was one of the favored three who had the privilege of witnessing the Transfiguration, the raising to life of the daughter of Jairus and the agony in Gethsemani. </p><p>Two incidents in the Gospels describe the temperament of this man and his brother. St. Matthew tells that their mother came (Mark says it was the brothers themselves) to ask that they have the seats of honor (one on the right, one on the left of Jesus) in the kingdom. “Jesus said in reply, ‘You do not know what you are asking. Can you drink the cup that I am going to drink?’ They said to him, ‘We can’” (Matthew 20:22). Jesus then told them they would indeed drink the cup and share his baptism of pain and death, but that sitting at his right hand or left was not his to give—it “is for those for whom it has been prepared by my Father” (Matthew 20:23b). It remained to be seen how long it would take to realize the implications of their confident “We can!” </p><p>The other disciples became indignant at the ambition of James and John. Then Jesus taught them all the lesson of humble service: The purpose of authority is to serve. They are not to impose their will on others, or lord it over them. This is the position of Jesus himself. He was the servant of all; the service imposed on him was the supreme sacrifice of his own life. </p><p>On another occasion, James and John gave evidence that the nickname Jesus gave them—“sons of thunder”—was an apt one. The Samaritans would not welcome Jesus because he was on his way to hated Jerusalem. “When the disciples James and John saw this they asked, ‘Lord, do you want us to call down fire from heaven to consume them?’ Jesus turned and rebuked them...” (Luke 9:54-55). </p><p>James was apparently the first of the apostles to be martyred. “About that time King Herod laid hands upon some members of the church to harm them. He had James, the brother of John, killed by the sword, and when he saw that this was pleasing to the Jews he proceeded to arrest Peter also” (Acts 12:1-3a). </p><p>This James, sometimes called James the Greater, is not to be confused with James the Lesser (May 3) or with the author of the Letter of James and the leader of the Jerusalem community.</p> American Catholic Blog Walk the talk. Show, don’t tell. Values are caught, not taught—all variations of one theme: A good example is essential for good parenting.

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