AmericanCatholic.org
 
Skip Navigation Links
Home
Catholic News
Saints
Seasonal
Special Reports
Movies
Shopping
Donate
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Dark Shadows

By
John Mulderig
Source: Catholic News Service


Academy Award-nominee Johnny Depp stars in Tim Burton's "Dark Shadows."
Long before "Twilight's" Edward Cullen and other Johnny-come-lately vampires, there was television's Barnabas Collins, played by the recently deceased Jonathan Frid. Time was when legions of teenage baby boomers would rush home from school each weekday afternoon to find out what Barnabas was up to by catching the latest episode of "Dark Shadows," the wildly popular gothic soap opera that largely revolved around him.

Two feature films and a long afterlife in syndication ensued, not to mention reincarnation on DVD and in any number of other media.

Mostly set in 1972, the year after the television version went off the air—it was first broadcast in 1966—director Tim Burton's big-screen homage, "Dark Shadows" (Warner Bros.), is a campy comic take on the original.

Though visually striking and initially amusing, his riff on the low-budget, but by now venerable, property introduces some discordant notes as it seeks to garner laughs from casual sexual encounters. Then the melody gets lost altogether amid a crescendo of special effects and supernatural mayhem.

Johnny Depp takes the part of Barnabas, a figure with whom the actor is said to have been obsessed since childhood. Opening scenes carry us back to the mid-18th century—and play like something between a novel by one of the Brontes and a Harlequin romance—as they recount Barnabas' back story. This culminates in the vein-drainer being buried alive by an angry mob of New England townsfolk.

Flash forward to the Age of Nixon where we find Barnabas accidentally exhumed by a construction crew—who quickly learn to regret their discovery of him.

Returning to Collinwood, the ancestral manse his parents built, Barnabas encounters the descendants who currently inhabit it: Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer), her disaffected teen daughter, Carolyn (Chloe Grace Moretz), her ne'er-do-well brother, Roger (Jonny Lee Miller), and his troubled young son, David (Gully McGrath).

Also in residence are the children's governess Victoria Winters (Bella Heathcote)—who's a dead ringer for Barnabas' true love of long ago, Josette DuPres (also Heathcote)—and David's live-in psychiatrist, Dr. Julia Hoffman (Helena Bonham Carter).

As he tries to restore the dwindling family fortune, Barnabas battles Angelique Bouchard (Eva Green), the still-living witch whose jealousy-fueled curse transformed him into a bloodsucker in the first place. She's now the Collins' main competitor in the local fishing industry.

If all that sounds a bit complicated, and indeed it is, there is ample precedent: In its later seasons, the TV iteration shuttled between the then-present day and various points in the past, ranging from the 1790s to the 1890s. But the television writers had roughly 1,200 episodes in which to elaborate their ideas, as opposed to the less-than-two hours available to Burton.

Much of the humor is derived from Barnabas' anachronistic outlook on psychedelic-era America. With his formal, not to say stilted, personal manner—which Carolyn quickly labels "weird"—Barnabas is a bemused fish out of water in the world of pot-smoking hippies, VW vans and the cocktail-quaffing antics of Dr. Hoffman. The contrast works for a while, but eventually wears thin.

Perhaps sensing that the joke has run its course, Burton and screenwriter Seth Grahame-Smith devote the last quarter-hour or so of the movie to a noisy, effects-driven showdown between Barnabas and his age-old nemesis Angelique. Neither funny nor frightening, this finale will only add to the dissatisfaction of nostalgic viewers and the bewilderment of those too young to remember Barnabas in his undead prime.

The film contains some action violence, semi-graphic sexual activity, an implied aberrant act, a suicide, drug use, mature references, a couple of uses of profanity and about a half-dozen instances each of crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



Search reviews at CatholicMovieReviews.org


Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







James of the Marche: Meet one of the fathers of the modern pawnshop! 
<p>James was born in the Marche of Ancona, in central Italy along the Adriatic Sea. After earning doctorates in canon and civil law at the University of Perugia, he joined the Friars Minor and began a very austere life. He fasted nine months of the year; he slept three hours a night. St. Bernardine of Siena told him to moderate his penances. </p><p>James studied theology with St. John of Capistrano. Ordained in 1420, James began a preaching career that took him all over Italy and through 13 Central and Eastern European countries. This extremely popular preacher converted many people (250,000 at one estimate) and helped spread devotion to the Holy Name of Jesus. His sermons prompted numerous Catholics to reform their lives and many men joined the Franciscans under his influence. </p><p>With John of Capistrano, Albert of Sarteano and Bernardine of Siena, James is considered one of the "four pillars" of the Observant movement among the Franciscans. These friars became known especially for their preaching. </p><p>To combat extremely high interest rates, James established <i>montes pietatis</i> (literally, mountains of charity)--nonprofit credit organizations that lent money at very low rates on pawned objects. </p><p>Not everyone was happy with the work James did. Twice assassins lost their nerve when they came face to face with him. James died in 1476 and was canonized in 1726.</p> American Catholic Blog We all have fears, but we don’t have to be afraid. Jesus is always with us to protect us and give us courage. We only have to remember that the battle is the Lord’s. When Jesus gives us the victory, let’s be sure to thank Him and praise Him for what He has done.

 
PICKS OF THE WEEK
Be Extraordinary!
Can a busy, ordinary person really make a difference in the lives of others?
Advent 2014
From the First Sunday of Advent through the Feast of the Baptism of the Lord, find inspiration for your Advent prayer time with this new book.
Achieve a Deeper Christian Maturity
"Clear, compelling, and challenging." —Richard Rohr, author, Eager to Love
A Eucharistic Christmas
Advent and Christmas are the perfect time to reflect on the fact that God is with us always in the Eucharist.
Peace and Good
"A practical and appealing daily guide to the Poor Man of Assisi." --Margaret Carney, O.S.F.

 
CATHOLIC GREETINGS
Friendship
“Blessed are You for giving us family and friends to rejoice with us in moments of celebration.”
Thanksgiving Day (U.S.)
Thanks be to God for our families, our homes, our lives. Happy Thanksgiving from Catholic Greetings and AmericanCatholic.org.
Sympathy
Remember also to give thanks for departed loved ones with whom you’ll someday be reunited.
Thanksgiving
With Thursday’s menu planned and groceries purchased, now is the time to send an e-card to far-away friends.
St. Andrew Dung-Lac
Our common faith is our greatest treasure. Join Vietnamese Catholics around the world in honoring this 19th-century martyr.



Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2014