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ON FAITH & MEDIA View Comments

The Lucky One

By
John Mulderig
Source: Catholic News Service


Taylor Schilling and Zac Efron star in the film "The Lucky One."
Ah, how time flies. Wasn't it only yesterday that we were watching Zac Efron sing and dance his way through high school? And here he is in "The Lucky One" (Warner Bros.), all grown up and a Marine veteran of the Iraq War to boot (no Parris-Island pun intended).

This being a Nicholas Sparks property, we linger by the troubled rivers of Babylon only long enough to learn that Efron's character—Sgt. Logan Thibault by name—has earned the titular accolade by surviving at least two close calls. Logan attributes his good fortune to the photograph of an attractive young stranger he accidentally discovered in the midst of battle. So, on returning home, he seeks her out to thank her.

By identifying the lighthouse that looms in the background of the image—what are the odds?—Logan finds himself in the Hallmark card-perfect rural setting of fictional Hamden, La. There the object of his search turns out to be local kennel owner Beth Green (Taylor Schilling).

Logan is too tongue-tied, during their first encounter, to explain the nature of his quest -- thus storing up plot complications for the future. But he makes a better impression on Beth's wise grandmother, Ellie (Blythe Danner), who hires him to help out with the dogs. And Logan soon hits it off with Beth's clever-beyond-his-years young son, Ben (Riley Thomas Stewart), as well.

Despite some initial resistance on Beth's part—it takes her a full 30 minutes of screen time to wake up and smell the pheromones—and to the dismay of her scheming ex-husband Keith (Jay R. Ferguson), the black-hat town deputy, our two destined lovebirds inevitably fall for each other.

Director Scott Hicks confects a serviceable date movie from Catholic author Sparks' novel, as written for the screen by Will Fetters. Attention is diverted from the jumbo improbabilities at work by Alar Kivilo's luxuriant cinematography of Cajun-country sunsets and such as well as by some wry observations from Granny and Ben.

But the generally amiable proceedings—which register, at times, like a prolonged iced tea commercial—are marred by a couple of overheated scenes glamorizing the as-yet unwed leads' serial bedroom encounters. Though relatively brief, they strictly preclude viewership by any but adults.

The film contains a benign view and semigraphic portrayal of premarital sexual activity, a reference to out-of-wedlock pregnancy, at least one use of profanity and a handful of crude and crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Catherine of Siena: The value Catherine makes central in her short life and which sounds clearly and consistently through her experience is complete surrender to Christ. What is most impressive about her is that she learns to view her surrender to her Lord as a goal to be reached through time. 
<p>She was the 23rd child of Jacopo and Lapa Benincasa and grew up as an intelligent, cheerful and intensely religious person. Catherine disappointed her mother by cutting off her hair as a protest against being overly encouraged to improve her appearance in order to attract a husband. Her father ordered her to be left in peace, and she was given a room of her own for prayer and meditation. </p><p>She entered the Dominican Third Order at 18 and spent the next three years in seclusion, prayer and austerity. Gradually a group of followers gathered around her—men and women, priests and religious. An active public apostolate grew out of her contemplative life. Her letters, mostly for spiritual instruction and encouragement of her followers, began to take more and more note of public affairs. Opposition and slander resulted from her mixing fearlessly with the world and speaking with the candor and authority of one completely committed to Christ. She was cleared of all charges at the Dominican General Chapter of 1374. </p><p>Her public influence reached great heights because of her evident holiness, her membership in the Dominican Third Order, and the deep impression she made on the pope. She worked tirelessly for the crusade against the Turks and for peace between Florence and the pope </p><p>In 1378, the Great Schism began, splitting the allegiance of Christendom between two, then three, popes and putting even saints on opposing sides. Catherine spent the last two years of her life in Rome, in prayer and pleading on behalf of the cause of Urban VI and the unity of the Church. She offered herself as a victim for the Church in its agony. She died surrounded by her "children" and was canonized in 1461. </p><p>Catherine ranks high among the mystics and spiritual writers of the Church. In 1939, she and Francis of Assisi were declared co-patrons of Italy. Paul VI named her and Teresa of Avila doctors of the Church in 1970. Her spiritual testament is found in <i>The Dialogue</i>.</p> American Catholic Blog The gates of hell cannot withstand the power of heaven. Gates of sin melt in the presence of saving grace; gates of death fall in the presence of eternal life; gates of falsehood collapse in the presence of living truth; gates of violence are flattened in the presence of divine love. These are the tools with which Christ has equipped his Church.

Divine Science Michael Dennin

 
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