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ON FAITH & MEDIA View Comments

The Lucky One

By
John Mulderig
Source: Catholic News Service


Taylor Schilling and Zac Efron star in the film "The Lucky One."
Ah, how time flies. Wasn't it only yesterday that we were watching Zac Efron sing and dance his way through high school? And here he is in "The Lucky One" (Warner Bros.), all grown up and a Marine veteran of the Iraq War to boot (no Parris-Island pun intended).

This being a Nicholas Sparks property, we linger by the troubled rivers of Babylon only long enough to learn that Efron's character—Sgt. Logan Thibault by name—has earned the titular accolade by surviving at least two close calls. Logan attributes his good fortune to the photograph of an attractive young stranger he accidentally discovered in the midst of battle. So, on returning home, he seeks her out to thank her.

By identifying the lighthouse that looms in the background of the image—what are the odds?—Logan finds himself in the Hallmark card-perfect rural setting of fictional Hamden, La. There the object of his search turns out to be local kennel owner Beth Green (Taylor Schilling).

Logan is too tongue-tied, during their first encounter, to explain the nature of his quest -- thus storing up plot complications for the future. But he makes a better impression on Beth's wise grandmother, Ellie (Blythe Danner), who hires him to help out with the dogs. And Logan soon hits it off with Beth's clever-beyond-his-years young son, Ben (Riley Thomas Stewart), as well.

Despite some initial resistance on Beth's part—it takes her a full 30 minutes of screen time to wake up and smell the pheromones—and to the dismay of her scheming ex-husband Keith (Jay R. Ferguson), the black-hat town deputy, our two destined lovebirds inevitably fall for each other.

Director Scott Hicks confects a serviceable date movie from Catholic author Sparks' novel, as written for the screen by Will Fetters. Attention is diverted from the jumbo improbabilities at work by Alar Kivilo's luxuriant cinematography of Cajun-country sunsets and such as well as by some wry observations from Granny and Ben.

But the generally amiable proceedings—which register, at times, like a prolonged iced tea commercial—are marred by a couple of overheated scenes glamorizing the as-yet unwed leads' serial bedroom encounters. Though relatively brief, they strictly preclude viewership by any but adults.

The film contains a benign view and semigraphic portrayal of premarital sexual activity, a reference to out-of-wedlock pregnancy, at least one use of profanity and a handful of crude and crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Apollonia: The persecution of Christians began in Alexandria during the reign of the Emperor Philip. The first victim of the pagan mob was an old man named Metrius, who was tortured and then stoned to death. The second person who refused to worship their false idols was a Christian woman named Quinta. Her words infuriated the mob and she was scourged and stoned. 
<p>While most of the Christians were fleeing the city, abandoning all their worldly possessions, an old deaconess, Apollonia, was seized. The crowds beat her, knocking out all of her teeth. Then they lit a large fire and threatened to throw her in it if she did not curse her God. She begged them to wait a moment, acting as if she was considering their requests. Instead, she jumped willingly into the flames and so suffered martyrdom.</p><p>There were many churches and altars dedicated to her. Apollonia is the patroness of dentists, and people suffering from toothache and other dental diseases often ask her intercession. She is pictured with a pair of pincers holding a tooth or with a golden tooth suspended from her necklace. St. Augustine explained her voluntary martyrdom as a special inspiration of the Holy Spirit, since no one is allowed to cause his or her own death.</p> American Catholic Blog We can find Christ among the despised, voiceless, and forgotten of the world. We have to move beyond that which we wish to ignore and forget about: embrace the seemingly un-embraceable, love the unlovable, and dare to know what we most fear and wish to leave unknowable.

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