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ON FAITH & MEDIA View Comments

We Have a Pope

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

In Italian director Nanni Moretti’s latest film a pope has died and the cardinals are gathering for the consistory that will elect a new pope. A television newsman tries to interview the cardinals but they ignore him. His anxiety about being the first to announce a new pope mirrors the apprehension that the cardinals feel inside the Sistine Chapel.  At first the votes go toward the “papabili”, that is, those that the odds makers are betting on to be elected. However as no one name emerges, and various cardinals pray they will not be elected, an unknown candidate is elected: Cardinal Manville (Michel Piccoli).

He is stunned and when the secretary of state, Cardinal Gregori (Renato Scarpa) presses him repeatedly, “Do you accept?” Cardinal Manville blurts out “Yes!” But his face tells a different story.
 
Just before the new pope is presented to the faithful in St. Peter’s Square he refuses to greet the people.  Cardinal Gregori doesn’t know what to do; he is torn between presenting the pope and caring for a man obviously in distress. The lay Vatican spokesman (Jerzy Stuhr) begins to strategize about how to make sure the news of the new pope’s ambivalence does not get out.
 
They call in a psychiatrist (Nanni Moretti) who thinks he is “the best there is.”  But Cardinal Gregori will not let him speak to the pope in private and insists that he interview the pope in front of all the cardinals. When this does not work the spokesman accompanies the pope, in lay clothes, to the second best person in Italy to deal with this, a psychoanalyst, the former wife (Margherita Buy) of the psychiatrist.  On his way to the abbreviated motorcade, after meeting with the woman, the pope-in-waiting disappears. He has just admitted to the psychoanalyst that he had really wanted to be an actor when he was young,
 
This gentle man, who believes he has done some good in this world, goes on a journey around Rome where no one knows who he is. He is met with kindness, a man among many people from the world over. He encounters an acting troupe that is performing Chekov’s “The Seagull” and seems to find peace at last.
 
Of course things do not end here.
 
When I interviewed the director/writer/actor Nanni Moretti on the phone this week  I asked him if there was a subtext to his story, perhaps focusing on the human rather than the divine in a papal election. Moretti said that this story is his story, that is, the one he wanted to write, about a man who must reject his being the pope or deny himself as a person. This protagonist in the film had to admit that he is unable to represent all people, not able to accept the papacy and he does not want to. “He prefers to go through his own crisis and face his own fragility rather than be who he is not able to be.”
 
As for the very accessible humanity of most of the cardinals in the film Moretti says, “If they are not human then who is?”
 
I asked Moretti if he was familiar with the life of Pope St. Celestine V (1215-1296) who resigned the papacy, one of the reasons being “the stubbornness of the people”. He replied that he knows the story but he also read about all the recent popes who wrote about how they experienced indecision and questioned their own ability to undertake the responsibility of the papacy.  Moretti said that the story of Cardinal Manville, played to perfection by Michel Piccoli, is his own imagination at work, the story he wanted to tell. This comes out of Moretti’s respect for the cinema that “has the responsibility to create a new reality, not one filled with jealousy, intrigue and plots in stories already told. “ 
 
Michel Piccoli is very believable as a man in conflict trying to discern what he must do. Moretti, as the psychiatrist, brings humor to the plot when he devises a regional volleyball tournament for the cardinals to play as they wait for the pope to emerge. Of course, they think the pope is in his rooms praying; they don’t find out he is missing until he is found.
 
“We Have a Pope” is about the interior struggle of a simple man who wants to be honest to himself, the people, and God.


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Felix of Cantalice: Felix was the first Capuchin Franciscan ever canonized. In fact, when he was born, the Capuchins did not yet exist as a distinct group within the Franciscans. 
<p>Born of humble, God-fearing parents in the Rieti Valley, Felix worked as a farmhand and a shepherd until he was 28. He developed the habit of praying while he worked. </p><p>In 1543 he joined the Capuchins. When the guardian explained the hardships of that way of life, Felix answered: "Father, the austerity of your Order does not frighten me. I hope, with God’s help, to overcome all the difficulties which will arise from my own weakness." </p><p>Three years later Felix was assigned to the friary in Rome as its official beggar. Because he was a model of simplicity and charity, he edified many people during the 42 years he performed that service for his confreres. </p><p>As he made his rounds, he worked to convert hardened sinners and to feed the poor–as did his good friend, St. Philip Neri, who founded the Oratory, a community of priests serving the poor of Rome. When Felix wasn’t talking on his rounds, he was praying the rosary. The people named him "Brother Deo Gratias" (thanks be to God) because he was always using that blessing. </p><p>When Felix was an old man, his superior had to order him to wear sandals to protect his health. Around the same time a certain cardinal offered to suggest to Felix’s superiors that he be freed of begging so that he could devote more time to prayer. Felix talked the cardinal out of that idea. Felix was canonized in 1712.</p> American Catholic Blog I think of all the women religious in the United States who touch countless lives, alleviate the suffering of so many, strive to offer a voice to the voiceless, remember the forgotten, care for those most in need, and focus their lives on the greater good of all God's people, without concern or regard for what they could receive in return.

 
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