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ON FAITH & MEDIA View Comments

Wrath of the Titans

By
John Mulderig
Source: Catholic News Service


Ralph Fiennes stars in a scene from the movie "Wrath of the Titans."
Nothing less than the fate of the universe, so we're assured, is at stake in the mythological sequel "Wrath of the Titans" (Warner Bros.). Who would have guessed that an Olympian-scale near-apocalypse could prove such a bore?

Director Jonathan Liebesman's stilted 3-D follow-up to 2010's "Clash of the Titans" — itself a remake of the 1981 cult hit of the same title — centers, like its predecessor, on the conflicted demigod Perseus (Sam Worthington). Retired from the Kraken-killing biz and recently widowed, Perseus asks nothing more than to be allowed to ignore his semi-divinity and instead pursue a quiet life among mortals as a hardworking fisherman and devoted dad to his young son Helius (John Bell).

But that, of course, is not to be: Destiny and a massive special-effects budget dictate otherwise.

So Perseus' pa Zeus (Liam Neeson) comes calling. He's out to enlist the hardy lad's help in an impending cosmic war that will ultimately pit the King of the Gods against Perseus' Uncle Hades (Ralph Fiennes) and half-brother Ares (Edgar Ramirez).

Despite his daddy issues, a sweat-soaked nightmare convinces Perseus to go along with the plan. His allies in the struggle eventually include earthly warrior queen Andromeda (Rosamund Pike), Poseidon's shifty son Agenor (Toby Kebbell) and the exiled smithy to the gods, Hephaestus (Bill Nighy).

Boulders fly and monsters die along the path of Perseus' quest. But the effects- and action-driven proceedings are all spectacle and no substance.

The pagan theologizing to which some of the pompous dialogue is devoted, moreover, may confuse the impressionable.

Thus we learn that the gods depend on the prayers of their human devotees for strength. Since people have become indifferent to them, Zeus et al. are not only unable to hold back the evil Titans they long ago imprisoned, they themselves are in very real danger of death. And, unlike human beings who have a place to go once they shuffle off this mortal coil, for a god, it seems, death means oblivion.

Adults, of course, will have no difficulty in dismissing the above, along with many of the other tedious ins and outs of Perseus' world. Given that most of the violence on view is restrained, and the language problems in Dan Mazeau and David Leslie Johnson's script minimal, "Wrath of the Titans" is also possibly acceptable for older teens, at least those who have been well catechized.

The film contains pagan religious themes; constant, occasionally bloody, action violence; at least one mildly sexual joke; and a single crass term. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Grassi: Anthony’s father died when his son was only 10 years old, but the young lad inherited his father’s devotion to Our Lady of Loreto. As a schoolboy he frequented the local church of the Oratorian Fathers, joining the religious order when he was 17.
<p>Already a fine student, he soon gained a reputation in his religious community as a "walking dictionary" who quickly grasped Scripture and theology. For some time he was tormented by scruples, but they reportedly left him at the very hour he celebrated his first Mass. From that day, serenity penetrated his very being.
</p><p>In 1621, at age 29, Anthony was struck by lightning while praying in the church of the Holy House at Loreto. He was carried paralyzed from the church, expecting to die. When he recovered in a few days he realized that he had been cured of acute indigestion. His scorched clothes were donated to the Loreto church as an offering of thanks for his new gift of life.
</p><p>More important, Anthony now felt that his life belonged entirely to God. Each year thereafter he made a pilgrimage to Loreto to express his thanks.
</p><p>He also began hearing confessions, and came to be regarded as an outstanding confessor. Simple and direct, he listened carefully to penitents, said a few words and gave a penance and absolution, frequently drawing on his gift of reading consciences.
</p><p>In 1635 he was elected superior of the Fermo Oratory. He was so well regarded that he was reelected every three years until his death. He was a quiet person and a gentle superior who did not know how to be severe. At the same time he kept the Oratorian constitutions literally, encouraging the community to do likewise.
</p><p>He refused social or civic commitments and instead would go out day or night to visit the sick or dying or anyone else needing his services. As he grew older, he had a God-given awareness of the future, a gift which he frequently used to warn or to console.
</p><p>But age brought its challenges as well. He suffered the humility of having to give up his physical faculties one by one. First was his preaching, necessitated after he lost his teeth. Then he could no longer hear confessions. Finally, after a fall, he was confined to his room. The archbishop himself came each day to give him holy Communion. One of Anthony’s final acts was to reconcile two fiercely quarreling brothers.</p> American Catholic Blog God of love, as I come to the end of this Advent season, my heart is ready to celebrate the birth of Jesus. I join with Mary in saying, “Here am I, the servant of the Lord; let it be with me according to your word.” Nothing is impossible with you, O God.

 
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