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ON FAITH & MEDIA View Comments

Wrath of the Titans

By
John Mulderig
Source: Catholic News Service


Ralph Fiennes stars in a scene from the movie "Wrath of the Titans."
Nothing less than the fate of the universe, so we're assured, is at stake in the mythological sequel "Wrath of the Titans" (Warner Bros.). Who would have guessed that an Olympian-scale near-apocalypse could prove such a bore?

Director Jonathan Liebesman's stilted 3-D follow-up to 2010's "Clash of the Titans" — itself a remake of the 1981 cult hit of the same title — centers, like its predecessor, on the conflicted demigod Perseus (Sam Worthington). Retired from the Kraken-killing biz and recently widowed, Perseus asks nothing more than to be allowed to ignore his semi-divinity and instead pursue a quiet life among mortals as a hardworking fisherman and devoted dad to his young son Helius (John Bell).

But that, of course, is not to be: Destiny and a massive special-effects budget dictate otherwise.

So Perseus' pa Zeus (Liam Neeson) comes calling. He's out to enlist the hardy lad's help in an impending cosmic war that will ultimately pit the King of the Gods against Perseus' Uncle Hades (Ralph Fiennes) and half-brother Ares (Edgar Ramirez).

Despite his daddy issues, a sweat-soaked nightmare convinces Perseus to go along with the plan. His allies in the struggle eventually include earthly warrior queen Andromeda (Rosamund Pike), Poseidon's shifty son Agenor (Toby Kebbell) and the exiled smithy to the gods, Hephaestus (Bill Nighy).

Boulders fly and monsters die along the path of Perseus' quest. But the effects- and action-driven proceedings are all spectacle and no substance.

The pagan theologizing to which some of the pompous dialogue is devoted, moreover, may confuse the impressionable.

Thus we learn that the gods depend on the prayers of their human devotees for strength. Since people have become indifferent to them, Zeus et al. are not only unable to hold back the evil Titans they long ago imprisoned, they themselves are in very real danger of death. And, unlike human beings who have a place to go once they shuffle off this mortal coil, for a god, it seems, death means oblivion.

Adults, of course, will have no difficulty in dismissing the above, along with many of the other tedious ins and outs of Perseus' world. Given that most of the violence on view is restrained, and the language problems in Dan Mazeau and David Leslie Johnson's script minimal, "Wrath of the Titans" is also possibly acceptable for older teens, at least those who have been well catechized.

The film contains pagan religious themes; constant, occasionally bloody, action violence; at least one mildly sexual joke; and a single crass term. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog Disrespect comes with many faces. Sometimes what’s unspoken speaks louder than any words.

 
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