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ON FAITH & MEDIA View Comments

Wrath of the Titans

By
John Mulderig
Source: Catholic News Service


Ralph Fiennes stars in a scene from the movie "Wrath of the Titans."
Nothing less than the fate of the universe, so we're assured, is at stake in the mythological sequel "Wrath of the Titans" (Warner Bros.). Who would have guessed that an Olympian-scale near-apocalypse could prove such a bore?

Director Jonathan Liebesman's stilted 3-D follow-up to 2010's "Clash of the Titans" — itself a remake of the 1981 cult hit of the same title — centers, like its predecessor, on the conflicted demigod Perseus (Sam Worthington). Retired from the Kraken-killing biz and recently widowed, Perseus asks nothing more than to be allowed to ignore his semi-divinity and instead pursue a quiet life among mortals as a hardworking fisherman and devoted dad to his young son Helius (John Bell).

But that, of course, is not to be: Destiny and a massive special-effects budget dictate otherwise.

So Perseus' pa Zeus (Liam Neeson) comes calling. He's out to enlist the hardy lad's help in an impending cosmic war that will ultimately pit the King of the Gods against Perseus' Uncle Hades (Ralph Fiennes) and half-brother Ares (Edgar Ramirez).

Despite his daddy issues, a sweat-soaked nightmare convinces Perseus to go along with the plan. His allies in the struggle eventually include earthly warrior queen Andromeda (Rosamund Pike), Poseidon's shifty son Agenor (Toby Kebbell) and the exiled smithy to the gods, Hephaestus (Bill Nighy).

Boulders fly and monsters die along the path of Perseus' quest. But the effects- and action-driven proceedings are all spectacle and no substance.

The pagan theologizing to which some of the pompous dialogue is devoted, moreover, may confuse the impressionable.

Thus we learn that the gods depend on the prayers of their human devotees for strength. Since people have become indifferent to them, Zeus et al. are not only unable to hold back the evil Titans they long ago imprisoned, they themselves are in very real danger of death. And, unlike human beings who have a place to go once they shuffle off this mortal coil, for a god, it seems, death means oblivion.

Adults, of course, will have no difficulty in dismissing the above, along with many of the other tedious ins and outs of Perseus' world. Given that most of the violence on view is restrained, and the language problems in Dan Mazeau and David Leslie Johnson's script minimal, "Wrath of the Titans" is also possibly acceptable for older teens, at least those who have been well catechized.

The film contains pagan religious themes; constant, occasionally bloody, action violence; at least one mildly sexual joke; and a single crass term. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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