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ON FAITH & MEDIA View Comments

Mirror Mirror

By
Joseph McAleer
Source: Catholic News Service


Julia Roberts and Armie Hammer star in a scene from the movie "Mirror Mirror."
"Who's the fairest one of all?" The answer may surprise you in "Mirror Mirror" (Relativity), a fresh live-action take on the Brothers Grimm fairy tale "Snow White and the Seven Dwarfs."

This go-round, the handsome prince is the center of attention, as the wicked queen and her lovely stepdaughter stage a battle royal for his hand, and the fate of a kingdom hangs in the balance.

Directed with high camp by Tarsem Singh ("Immortals"), "Mirror Mirror" piles on the one-liners and innuendos, along with life lessons that range from the need to help the poor and fight discrimination to the importance of promoting feminism. The end result is a bit leaden and somewhat charmless for a children's fairy tale. But remarkable costumes and grand set pieces go a long way to compensate.

Playing against type, Julia Roberts is the evil Queen, chewing up the scenery in glamorous ball gowns, and revealing her character to be insecure and afraid of growing old. The magic mirror offers a creepy-looking self-image that dispenses bad advice.

With her stepdaughter, Snow White (Lily Collins), locked away in the tower, the Queen sets out to find a rich husband, whose fortune will save her bankrupt realm. The populace is poor and starving as a result of the crippling taxes exacted to support the monarch's lavish lifestyle. Her luxuries of choice include some gross-out spa treatments -- who knew pigeon droppings made the best ingredient for a facial?

Enter on horseback the fabulously wealthy Prince Alcott (Armie Hammer), who catches the eye of both the Queen and Snow White. The Queen eliminates the competition by banishing Snow White and ordering her killed. But the hapless royal butler, Brighton (Nathan Lane), weakens, and Snow White escapes into the forest. There she stumbles upon the Seven Dwarfs.

Viewer, beware: These are not the endearing dwarfs of Disney lore. They are a wisecracking band of hoodlums with names like Napoleon (Jordan Prentice), Wolf (Sebastian Saraceno), and Butcher (Martin Klebba). They steal for a living, but Snow White persuades them to spare the poor and take from the Queen instead. They, in turn, teach her the ins and outs of street fighting.

Cross Robin Hood with Joan of Arc and you get the picture, as Snow White leads a crusade of diminutive warriors to overthrow the Queen, snag her Prince Charming, and live happily ... well, you know.

"Mirror Mirror" takes none of this seriously, and inside jokes abound. At one point, when it looks like the Queen may triumph, Prince Alcott interjects, "Don't change the ending! It's been focus-grouped, and it works."

It does, in its own unique fashion.

The film contains mild action violence, some rude humor, and one semi-profane utterance. The Catholic News Service classification is A-II — adults and adolescents. The Motion Picture Association of America rating is PG — parental guidance suggested. Some material may not be suitable for children.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog When we suffer, we don’t just come to understand the pain of Christ’s cross more, we come to understand the depth of God’s love for us: that he would endure such pain for us—in our place. We have a God who endured death so we would never have to do so.

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