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ON FAITH & MEDIA View Comments

Mirror Mirror

By
Joseph McAleer
Source: Catholic News Service


Julia Roberts and Armie Hammer star in a scene from the movie "Mirror Mirror."
"Who's the fairest one of all?" The answer may surprise you in "Mirror Mirror" (Relativity), a fresh live-action take on the Brothers Grimm fairy tale "Snow White and the Seven Dwarfs."

This go-round, the handsome prince is the center of attention, as the wicked queen and her lovely stepdaughter stage a battle royal for his hand, and the fate of a kingdom hangs in the balance.

Directed with high camp by Tarsem Singh ("Immortals"), "Mirror Mirror" piles on the one-liners and innuendos, along with life lessons that range from the need to help the poor and fight discrimination to the importance of promoting feminism. The end result is a bit leaden and somewhat charmless for a children's fairy tale. But remarkable costumes and grand set pieces go a long way to compensate.

Playing against type, Julia Roberts is the evil Queen, chewing up the scenery in glamorous ball gowns, and revealing her character to be insecure and afraid of growing old. The magic mirror offers a creepy-looking self-image that dispenses bad advice.

With her stepdaughter, Snow White (Lily Collins), locked away in the tower, the Queen sets out to find a rich husband, whose fortune will save her bankrupt realm. The populace is poor and starving as a result of the crippling taxes exacted to support the monarch's lavish lifestyle. Her luxuries of choice include some gross-out spa treatments -- who knew pigeon droppings made the best ingredient for a facial?

Enter on horseback the fabulously wealthy Prince Alcott (Armie Hammer), who catches the eye of both the Queen and Snow White. The Queen eliminates the competition by banishing Snow White and ordering her killed. But the hapless royal butler, Brighton (Nathan Lane), weakens, and Snow White escapes into the forest. There she stumbles upon the Seven Dwarfs.

Viewer, beware: These are not the endearing dwarfs of Disney lore. They are a wisecracking band of hoodlums with names like Napoleon (Jordan Prentice), Wolf (Sebastian Saraceno), and Butcher (Martin Klebba). They steal for a living, but Snow White persuades them to spare the poor and take from the Queen instead. They, in turn, teach her the ins and outs of street fighting.

Cross Robin Hood with Joan of Arc and you get the picture, as Snow White leads a crusade of diminutive warriors to overthrow the Queen, snag her Prince Charming, and live happily ... well, you know.

"Mirror Mirror" takes none of this seriously, and inside jokes abound. At one point, when it looks like the Queen may triumph, Prince Alcott interjects, "Don't change the ending! It's been focus-grouped, and it works."

It does, in its own unique fashion.

The film contains mild action violence, some rude humor, and one semi-profane utterance. The Catholic News Service classification is A-II — adults and adolescents. The Motion Picture Association of America rating is PG — parental guidance suggested. Some material may not be suitable for children.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Anthony Grassi: Anthony’s father died when his son was only 10 years old, but the young lad inherited his father’s devotion to Our Lady of Loreto. As a schoolboy he frequented the local church of the Oratorian Fathers, joining the religious order when he was 17.
<p>Already a fine student, he soon gained a reputation in his religious community as a "walking dictionary" who quickly grasped Scripture and theology. For some time he was tormented by scruples, but they reportedly left him at the very hour he celebrated his first Mass. From that day, serenity penetrated his very being.
</p><p>In 1621, at age 29, Anthony was struck by lightning while praying in the church of the Holy House at Loreto. He was carried paralyzed from the church, expecting to die. When he recovered in a few days he realized that he had been cured of acute indigestion. His scorched clothes were donated to the Loreto church as an offering of thanks for his new gift of life.
</p><p>More important, Anthony now felt that his life belonged entirely to God. Each year thereafter he made a pilgrimage to Loreto to express his thanks.
</p><p>He also began hearing confessions, and came to be regarded as an outstanding confessor. Simple and direct, he listened carefully to penitents, said a few words and gave a penance and absolution, frequently drawing on his gift of reading consciences.
</p><p>In 1635 he was elected superior of the Fermo Oratory. He was so well regarded that he was reelected every three years until his death. He was a quiet person and a gentle superior who did not know how to be severe. At the same time he kept the Oratorian constitutions literally, encouraging the community to do likewise.
</p><p>He refused social or civic commitments and instead would go out day or night to visit the sick or dying or anyone else needing his services. As he grew older, he had a God-given awareness of the future, a gift which he frequently used to warn or to console.
</p><p>But age brought its challenges as well. He suffered the humility of having to give up his physical faculties one by one. First was his preaching, necessitated after he lost his teeth. Then he could no longer hear confessions. Finally, after a fall, he was confined to his room. The archbishop himself came each day to give him holy Communion. One of Anthony’s final acts was to reconcile two fiercely quarreling brothers.</p> American Catholic Blog God of love, as I come to the end of this Advent season, my heart is ready to celebrate the birth of Jesus. I join with Mary in saying, “Here am I, the servant of the Lord; let it be with me according to your word.” Nothing is impossible with you, O God.

 
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