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ON FAITH & MEDIA View Comments

The Hunger Games

By
John Mulderig
Source: Catholic News Service


Jennifer Lawrence and Liam Hemsworth star in "The Hunger Games."
Though presumably targeted — at least in part — at teens, the dystopian adventure "The Hunger Games" (Lionsgate) involves enough problematic content to give parents pause. Responsible oldsters will want to weigh the matter carefully before giving permission for clamoring kids to attend.

At first glance, the depressing futuristic premise of the piece — inherited from Suzanne Collins' best-selling trilogy of novels, on the first volume of which the film is based — makes it seem unlikely fare for a youthful audience.

In a post-apocalyptic North America, have-not youngsters from oppressed outlying districts are chosen at random to participate in the titular event, a televised survival tournament staged each year for the entertainment of the decadent elite who populate their society's luxurious capital city.

Since combatants are forced to battle one another — and the hostile wilderness environment in which the games are set — until only one remains alive, the fearful ordeal also serves to keep the once-rebellious, now cowed underlings intimidated.

Director and co-writer Gary Ross' script, penned in collaboration with Collins and Billy Ray, tracks two teens caught up in this gladiatorial horror show. As early scenes reveal, Peeta Mellark (Josh Hutcherson) was selected in the usual way. Heroine Katniss Everdeen (Jennifer Lawrence), by contrast, altruistically volunteered herself as a substitute after her vulnerable younger sister Primrose's (Willow Shields) name was drawn.

What follows, as this sympathetic duo confronts their doom, is an effective combination of epic spectacle and emotional drama during which humane values are pitted against Darwinian moral chaos.

Insatiable media coverage, led by smarmy TV host Caesar Flickerman (Stanley Tucci), and the wildly off-kilter values of the foppish upper crust, embodied by Peeta and Katniss' nannylike escort Effie Trinket (Elizabeth Banks), satirically mirror some darker aspects of our own time. (Interestingly, depending on the individual viewer's politics, the basic allegory can be read either as a critique of overweening big government or of the trampling under of the 99 percent.)

But sensibilities are not spared as the grim contest unfolds: painful injuries brought about by swords, arrows, hatchets and even the creative use of a hornets' nest are all portrayed unblinkingly. On the upside, foul language is entirely absent, as too is any sensual activity beyond kissing. So, despite the elements listed below, "The Hunger Games" may possibly prove acceptable for mature adolescents.

The film contains considerable, sometimes gory, hand-to-hand and weapons violence and graphic images of bloody wounds. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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