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ON FAITH & MEDIA View Comments

The Hunger Games

By
John Mulderig
Source: Catholic News Service


Jennifer Lawrence and Liam Hemsworth star in "The Hunger Games."
Though presumably targeted — at least in part — at teens, the dystopian adventure "The Hunger Games" (Lionsgate) involves enough problematic content to give parents pause. Responsible oldsters will want to weigh the matter carefully before giving permission for clamoring kids to attend.

At first glance, the depressing futuristic premise of the piece — inherited from Suzanne Collins' best-selling trilogy of novels, on the first volume of which the film is based — makes it seem unlikely fare for a youthful audience.

In a post-apocalyptic North America, have-not youngsters from oppressed outlying districts are chosen at random to participate in the titular event, a televised survival tournament staged each year for the entertainment of the decadent elite who populate their society's luxurious capital city.

Since combatants are forced to battle one another — and the hostile wilderness environment in which the games are set — until only one remains alive, the fearful ordeal also serves to keep the once-rebellious, now cowed underlings intimidated.

Director and co-writer Gary Ross' script, penned in collaboration with Collins and Billy Ray, tracks two teens caught up in this gladiatorial horror show. As early scenes reveal, Peeta Mellark (Josh Hutcherson) was selected in the usual way. Heroine Katniss Everdeen (Jennifer Lawrence), by contrast, altruistically volunteered herself as a substitute after her vulnerable younger sister Primrose's (Willow Shields) name was drawn.

What follows, as this sympathetic duo confronts their doom, is an effective combination of epic spectacle and emotional drama during which humane values are pitted against Darwinian moral chaos.

Insatiable media coverage, led by smarmy TV host Caesar Flickerman (Stanley Tucci), and the wildly off-kilter values of the foppish upper crust, embodied by Peeta and Katniss' nannylike escort Effie Trinket (Elizabeth Banks), satirically mirror some darker aspects of our own time. (Interestingly, depending on the individual viewer's politics, the basic allegory can be read either as a critique of overweening big government or of the trampling under of the 99 percent.)

But sensibilities are not spared as the grim contest unfolds: painful injuries brought about by swords, arrows, hatchets and even the creative use of a hornets' nest are all portrayed unblinkingly. On the upside, foul language is entirely absent, as too is any sensual activity beyond kissing. So, despite the elements listed below, "The Hunger Games" may possibly prove acceptable for mature adolescents.

The film contains considerable, sometimes gory, hand-to-hand and weapons violence and graphic images of bloody wounds. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The joy of the Lord is our strength. Therefore, each of us will accept a life of poverty in cheerful trust. We will offer cheerful obedience from our inward joy. We will minister to Christ in the distressing disguise of the poor with cheerful devotion. If our work is done with joy, we will have no reason to be unhappy.

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