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ON FAITH & MEDIA View Comments

The Hunger Games

By
John Mulderig
Source: Catholic News Service


Jennifer Lawrence and Liam Hemsworth star in "The Hunger Games."
Though presumably targeted — at least in part — at teens, the dystopian adventure "The Hunger Games" (Lionsgate) involves enough problematic content to give parents pause. Responsible oldsters will want to weigh the matter carefully before giving permission for clamoring kids to attend.

At first glance, the depressing futuristic premise of the piece — inherited from Suzanne Collins' best-selling trilogy of novels, on the first volume of which the film is based — makes it seem unlikely fare for a youthful audience.

In a post-apocalyptic North America, have-not youngsters from oppressed outlying districts are chosen at random to participate in the titular event, a televised survival tournament staged each year for the entertainment of the decadent elite who populate their society's luxurious capital city.

Since combatants are forced to battle one another — and the hostile wilderness environment in which the games are set — until only one remains alive, the fearful ordeal also serves to keep the once-rebellious, now cowed underlings intimidated.

Director and co-writer Gary Ross' script, penned in collaboration with Collins and Billy Ray, tracks two teens caught up in this gladiatorial horror show. As early scenes reveal, Peeta Mellark (Josh Hutcherson) was selected in the usual way. Heroine Katniss Everdeen (Jennifer Lawrence), by contrast, altruistically volunteered herself as a substitute after her vulnerable younger sister Primrose's (Willow Shields) name was drawn.

What follows, as this sympathetic duo confronts their doom, is an effective combination of epic spectacle and emotional drama during which humane values are pitted against Darwinian moral chaos.

Insatiable media coverage, led by smarmy TV host Caesar Flickerman (Stanley Tucci), and the wildly off-kilter values of the foppish upper crust, embodied by Peeta and Katniss' nannylike escort Effie Trinket (Elizabeth Banks), satirically mirror some darker aspects of our own time. (Interestingly, depending on the individual viewer's politics, the basic allegory can be read either as a critique of overweening big government or of the trampling under of the 99 percent.)

But sensibilities are not spared as the grim contest unfolds: painful injuries brought about by swords, arrows, hatchets and even the creative use of a hornets' nest are all portrayed unblinkingly. On the upside, foul language is entirely absent, as too is any sensual activity beyond kissing. So, despite the elements listed below, "The Hunger Games" may possibly prove acceptable for mature adolescents.

The film contains considerable, sometimes gory, hand-to-hand and weapons violence and graphic images of bloody wounds. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Thomas Aquinas: By universal consent, Thomas Aquinas is the preeminent spokesman of the Catholic tradition of reason and of divine revelation. He is one of the great teachers of the medieval Catholic Church, honored with the titles Doctor of the Church and Angelic Doctor. 
<p>At five he was given to the Benedictine monastery at Monte Cassino in his parents’ hopes that he would choose that way of life and eventually became abbot. In 1239 he was sent to Naples to complete his studies. It was here that he was first attracted to Aristotle’s philosophy. </p><p>By 1243, Thomas abandoned his family’s plans for him and joined the Dominicans, much to his mother’s dismay. On her order, Thomas was captured by his brother and kept at home for over a year. </p><p>Once free, he went to Paris and then to Cologne, where he finished his studies with Albert the Great. He held two professorships at Paris, lived at the court of Pope Urban IV, directed the Dominican schools at Rome and Viterbo, combated adversaries of the mendicants, as well as the Averroists, and argued with some Franciscans about Aristotelianism. </p><p>His greatest contribution to the Catholic Church is his writings. The unity, harmony and continuity of faith and reason, of revealed and natural human knowledge, pervades his writings. One might expect Thomas, as a man of the gospel, to be an ardent defender of revealed truth. But he was broad enough, deep enough, to see the whole natural order as coming from God the Creator, and to see reason as a divine gift to be highly cherished. </p><p>The <i>Summa Theologiae</i>, his last and, unfortunately, uncompleted work, deals with the whole of Catholic theology. He stopped work on it after celebrating Mass on December 6, 1273. When asked why he stopped writing, he replied, “I cannot go on.... All that I have written seems to me like so much straw compared to what I have seen and what has been revealed to me.” He died March 7, 1274.</p> American Catholic Blog We talk often about how we are God’s “hands and feet,” which is true. That being said, we can’t fall into the trap of thinking God needs us like we need Him. He’s God—which makes the reality that He wants to use us and be in a relationship with us an even sweeter, more profound truth.

 
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