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ON FAITH & MEDIA View Comments

Silent House

By
Kurt Jensen
Source: Catholic News Service


Elizabeth Olsen stars in "Silent House."
Part horror flick, part psychodrama, "Silent House" (Open Road)—a low-budget remake of a similarly down-market Uruguayan film called "La Casa Muda"—ends up being an unsatisfying representative of both genres.

There's more style than substance here, and astute viewers are going to figure it all out at least 30 minutes before the ending.

Considering that the film's conceit is that it appears to be shot in a single 88-minute take, what we're left with is less than an hour's worth of modest thrills. They come, predominantly, from the pleasingly claustrophobic effect of a handheld camera prowling around a conveniently dark and boarded-up lake house.

The script by Laura Lau, who also shares directing credit with Christopher Kentis, adds a gritty subtext to the proceedings. While not dealt with explicitly, this element nonetheless renders the picture appropriate fare only for mature adults.

Elizabeth Olsen plays young Sarah, who is helping her father John (Adam Trese) and creepy Uncle Peter (Eric Sheffer Stevens) clean out and pack up their family's summer place in preparation for selling it.

As with all haunted houses, this one holds memories. But the question is—whose?

Uncle Peter's early leer at Sarah is the first clue, one that's about as subtle as the sledgehammer that later comes into play. And then there are the old Polaroid photos that keep being found.

Every door in the place creaks, and there's a mysterious visit from Sophia (Julia Taylor Ross), who claims to be Sarah's old childhood pal. Figure out who Sophia really is, of course, and you'll be holding the key to this cinematic fixer-upper.

The film contains references to incestuous sexual abuse, some mildly gory images, implied physical violence and fleeting rough and profane language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Mary Magdalene: Except for the mother of Jesus, few women are more honored in the Bible than Mary Magdalene. Yet she could well be the patron of the slandered, since there has been a persistent legend in the Church that she is the unnamed sinful woman who anointed the feet of Jesus in Luke 7:36-50. 
<p>Most Scripture scholars today point out that there is no scriptural basis for confusing the two women. Mary Magdalene, that is, “of Magdala,” was the one from whom Christ cast out “seven demons” (Luke 8:2)—an indication, at the worst, of extreme demonic possession or, possibly, severe illness. </p><p>Father Wilfrid J. Harrington, O.P., writing in the <i>New Catholic Commentary</i>, says that “seven demons” “does not mean that Mary had lived an immoral life—a conclusion reached only by means of a mistaken identification with the anonymous woman of Luke 7:36.” Father Edward Mally, S.J., writing in the <i>Jerome Biblical Commentary,</i> agrees that she “is not...the same as the sinner of Luke 7:37, despite the later Western romantic tradition about her.” </p><p>Mary Magdalene was one of the many “who were assisting them [Jesus and the Twelve] out of their means.” She was one of those who stood by the cross of Jesus with his mother. And, of all the “official” witnesses that might have been chosen for the first awareness of the Resurrection, she was the one to whom that privilege was given. She is known as the "Apostle to the Apostles."</p> American Catholic Blog Jesus does not save us as individuals, but as members of His Body. We are not just people—unconnected and isolated arms and legs. We are a people—in fact, the People of God.

 
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