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ON FAITH & MEDIA View Comments

Silent House

By
Kurt Jensen
Source: Catholic News Service


Elizabeth Olsen stars in "Silent House."
Part horror flick, part psychodrama, "Silent House" (Open Road)—a low-budget remake of a similarly down-market Uruguayan film called "La Casa Muda"—ends up being an unsatisfying representative of both genres.

There's more style than substance here, and astute viewers are going to figure it all out at least 30 minutes before the ending.

Considering that the film's conceit is that it appears to be shot in a single 88-minute take, what we're left with is less than an hour's worth of modest thrills. They come, predominantly, from the pleasingly claustrophobic effect of a handheld camera prowling around a conveniently dark and boarded-up lake house.

The script by Laura Lau, who also shares directing credit with Christopher Kentis, adds a gritty subtext to the proceedings. While not dealt with explicitly, this element nonetheless renders the picture appropriate fare only for mature adults.

Elizabeth Olsen plays young Sarah, who is helping her father John (Adam Trese) and creepy Uncle Peter (Eric Sheffer Stevens) clean out and pack up their family's summer place in preparation for selling it.

As with all haunted houses, this one holds memories. But the question is—whose?

Uncle Peter's early leer at Sarah is the first clue, one that's about as subtle as the sledgehammer that later comes into play. And then there are the old Polaroid photos that keep being found.

Every door in the place creaks, and there's a mysterious visit from Sophia (Julia Taylor Ross), who claims to be Sarah's old childhood pal. Figure out who Sophia really is, of course, and you'll be holding the key to this cinematic fixer-upper.

The film contains references to incestuous sexual abuse, some mildly gory images, implied physical violence and fleeting rough and profane language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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