AmericanCatholic.org
 
Skip Navigation Links
Home
Year of Mercy
Catholic News
Saints
Seasonal
Special Reports
Shopping
Donate
Blog
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Silent House

By
Kurt Jensen
Source: Catholic News Service


Elizabeth Olsen stars in "Silent House."
Part horror flick, part psychodrama, "Silent House" (Open Road)—a low-budget remake of a similarly down-market Uruguayan film called "La Casa Muda"—ends up being an unsatisfying representative of both genres.

There's more style than substance here, and astute viewers are going to figure it all out at least 30 minutes before the ending.

Considering that the film's conceit is that it appears to be shot in a single 88-minute take, what we're left with is less than an hour's worth of modest thrills. They come, predominantly, from the pleasingly claustrophobic effect of a handheld camera prowling around a conveniently dark and boarded-up lake house.

The script by Laura Lau, who also shares directing credit with Christopher Kentis, adds a gritty subtext to the proceedings. While not dealt with explicitly, this element nonetheless renders the picture appropriate fare only for mature adults.

Elizabeth Olsen plays young Sarah, who is helping her father John (Adam Trese) and creepy Uncle Peter (Eric Sheffer Stevens) clean out and pack up their family's summer place in preparation for selling it.

As with all haunted houses, this one holds memories. But the question is—whose?

Uncle Peter's early leer at Sarah is the first clue, one that's about as subtle as the sledgehammer that later comes into play. And then there are the old Polaroid photos that keep being found.

Every door in the place creaks, and there's a mysterious visit from Sophia (Julia Taylor Ross), who claims to be Sarah's old childhood pal. Figure out who Sophia really is, of course, and you'll be holding the key to this cinematic fixer-upper.

The film contains references to incestuous sexual abuse, some mildly gory images, implied physical violence and fleeting rough and profane language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog We need do no more than we are doing at present; that is, to love divine Providence and abandon ourselves in his arms and heart.<br />—St. Padre Pio

The Passion and the Cross Ronald Rolheiser

 
CATHOLIC GREETINGS
Sacrament of the Eucharist
When you are with the bread of life, you don't have to go out and look for food. You already have it in abundance.

Caregiver
Send an encouraging message to someone you know who cares for another, either professionally or at home.

Praying for You
Let your pastor know that you prayed for him today, or that you will pray for him tomorrow.

Birthday
Best wishes for a joyous and peaceful birthday!

Most Holy Trinity
The Trinity illustrates the community of love between the Father, the Son, and the Holy Spirit.




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2016