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ON FAITH & MEDIA View Comments

Silent House

By
Kurt Jensen
Source: Catholic News Service


Elizabeth Olsen stars in "Silent House."
Part horror flick, part psychodrama, "Silent House" (Open Road)—a low-budget remake of a similarly down-market Uruguayan film called "La Casa Muda"—ends up being an unsatisfying representative of both genres.

There's more style than substance here, and astute viewers are going to figure it all out at least 30 minutes before the ending.

Considering that the film's conceit is that it appears to be shot in a single 88-minute take, what we're left with is less than an hour's worth of modest thrills. They come, predominantly, from the pleasingly claustrophobic effect of a handheld camera prowling around a conveniently dark and boarded-up lake house.

The script by Laura Lau, who also shares directing credit with Christopher Kentis, adds a gritty subtext to the proceedings. While not dealt with explicitly, this element nonetheless renders the picture appropriate fare only for mature adults.

Elizabeth Olsen plays young Sarah, who is helping her father John (Adam Trese) and creepy Uncle Peter (Eric Sheffer Stevens) clean out and pack up their family's summer place in preparation for selling it.

As with all haunted houses, this one holds memories. But the question is—whose?

Uncle Peter's early leer at Sarah is the first clue, one that's about as subtle as the sledgehammer that later comes into play. And then there are the old Polaroid photos that keep being found.

Every door in the place creaks, and there's a mysterious visit from Sophia (Julia Taylor Ross), who claims to be Sarah's old childhood pal. Figure out who Sophia really is, of course, and you'll be holding the key to this cinematic fixer-upper.

The film contains references to incestuous sexual abuse, some mildly gory images, implied physical violence and fleeting rough and profane language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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