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ON FAITH & MEDIA View Comments

John Carter

By
John P. McCarthy
Source: Catholic News Service


Lynn Collins and Taylor Kitsch star in Disney's "John Carter."
Thanks in no small measure to the magic of movies, Tarzan is the character most closely associated with author Edgar Rice Burroughs (1875-1950). Yet it's one of Burroughs' lesser-known heroes—introduced in his first novel, serially published in 1912—that a group of 21st-century filmmakers have chosen to bring to the screen in a mega-budgeted, sci-fi epic.

A risky and on the whole successful venture, "John Carter" (Disney) was adapted from "A Princess of Mars," the first of 11 books Burroughs centered on an ex-Confederate captain who is propelled to the Red Planet where he becomes embroiled in a war between two city states and falls in love with a comely royal.

Faithful to its source material, the film is crammed with species, plotlines and pseudoscientific jargon that multiple generations of readers and moviegoers will find familiar. And although it doesn't hang together logically, its gaps are of the kind that the folks in Hollywood are expert at papering over.

The particulars of this melange of sci-fi tropes are difficult to circumscribe.

Carter (Taylor Kitsch) arrives on Mars—"Barsoom" to its inhabitants—during a turbulent period in the planet's history. The ecosystem is rapidly deteriorating and two powers, Helium and Zadonga, are fighting a protracted war. Between them is a race of green, four-armed creatures with tusks called Tharks, one of whom, Tars Tarkas (Willem Dafoe), finds Carter after he's mysteriously plunked down on a dry lakebed having gained superhuman powers such as the gravity-defying ability to leap long distances.

Originally from Virginia, Carter is first encountered in New York City in 1881 having amassed a great fortune. He relates his incredible Mars odyssey in a journal read by his nephew and heir, the budding writer Edgar Rice Burroughs (Daryl Sabara). Marked by the trauma of America's Civil War, Carter is a precursor to Indiana Jones, Luke Skywalker, and other nobly intrepid protagonists. He's ever willing to risk his life for others and quick to stand up for the defenseless.

Of the many fascinating creatures and contraptions Carter encounters on Mars, none is more dazzling than Dejah Thoris (Lynn Collins), the princess of Helium, who is being forced to marry the puppet leader of Zadonga to end the fighting and unify the planet. A handful of immortal beings called Therns are manipulating events.

Director Andrew Stanton and his team niftily bring the story strands together in the end. Stanton's experience creating animated fare such as "Wall-E" and "Finding Nemo" at Pixar clearly benefits his first live-action film. He's accustomed to the challenge of crafting sui generis worlds without the luxury of justifying or explaining their existence.

In addition to an unwieldy plot, obstacles to success include a rather bland lead actor, a protracted running time, and less-than-scintillating dialogue used to break up the battle sequences, which are, of course, tailor-made for 3-D. Against all odds, it works. Poised to become the first blockbuster of the season, "John Carter" marries the appeal of a pulp serial with cutting-edge filmmaking techniques.

While there's relatively little of concern in the picture's content, given the elements listed below, this feature is likely best for older teens and up.

The film contains considerable, sometimes intense, action violence, scenes of cruelty, fleeting toilet humor, at least one use of profanity and several instances of crass language. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Eusebius of Vercelli: Someone has said that if there had been no Arian heresy denying Christ's divinity, it would be very difficult to write the lives of many early saints. Eusebius is another of the defenders of the Church during one of its most trying periods. 
<p>Born on the isle of Sardinia, he became a member of the Roman clergy and is the first recorded bishop of Vercelli in Piedmont in northwest Italy. He is also the first to link the monastic life with that of the clergy, establishing a community of his diocesan clergy on the principle that the best way to sanctify his people was to have them see a clergy formed in solid virtue and living in community. </p><p>He was sent by Pope Liberius to persuade the emperor to call a council to settle Catholic-Arian troubles. When it was called at Milan, Eusebius went reluctantly, sensing that the Arian block would have its way, although the Catholics were more numerous. He refused to go along with the condemnation of St. Athanasius; instead, he laid the Nicene Creed on the table and insisted that all sign it before taking up any other matter. The emperor put pressure on him, but Eusebius insisted on Athanasius’ innocence and reminded the emperor that secular force should not be used to influence Church decisions. At first the emperor threatened to kill him, but later sent him into exile in Palestine. There the Arians dragged him through the streets and shut him up in a little room, releasing him only after his four-day hunger strike. They resumed their harassment shortly after. </p><p>His exile continued in Asia Minor and Egypt, until the new emperor permitted him to be welcomed back to his see in Vercelli. He attended the Council of Alexandria with Athanasius and approved the leniency shown to bishops who had wavered. He also worked with St. Hilary of Poitiers against the Arians. </p><p>He died peacefully in his own diocese at an advanced age.</p> American Catholic Blog We become more like Jesus, not just by imitating what He ate, but by eating His very Flesh and Blood in the Eucharist.

 
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