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ON FAITH & MEDIA View Comments

The Lorax

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

“Unless someone like you cares a whole awful lot, nothing is going to get better. It's not” says the Lorax (voice of Danny De Vito; for other voices see the Internet Movie Database http://www.imdb.com/title/tt1482459/) to the Once-ler who has moved into the forest to make a life for himself.

He chops down the trees to make “Thneeds”, a multipurpose ShamWow kind of garment. The Once-ler builds a factory and cuts down all the trees. This destroys the habitat for the animals and pollutes the air and water.

Fast forward many years and a 12-year old boy, Ted, wants to get a real live tree for Audrey, a girl he is sweet on. Ted has to break out of the plastic town he lives in (reminiscent of “The Truman Show”) and escape the greedy mayor and his thugs to find the Once-ler who will tell him how he can find a real tree.

“The Lorax” is a 3D computer generated image (CGI) animated fable based on Dr. Seuss’ 1971 book that does indeed “speak for the trees” and chronicles the destruction of the environment for profit.
 
As a film “Dr. Seuss’ The Lorax” is a bit long and contrived. It is also more of a message movie than an entertainment. However, “The Lorax” reflects the book very well and teaches its message of doom for the environment, unless each person does care an awful lot, in a way that appeals to families. The voices of the popular actor Zac Efron and singer Taylor Swift are a draw for younger audiences.  But the clash between the artificiality of the town, the placid attitude of its citizens, the baby that turns green after falling or swimming in the water, and the destruction of the environment by industry, is strong nevertheless.

Although “Dr. Seuss’ The Lorax” was released to commemorate Dr. Seuss’s 108th birthday, it is a perfect film for Earth Day, coming up on April 22. The themes of greed, unsustainability, and a scorched earth policy by corporations for profit (I am thinking of the 2011 film “The Last Mountain” about coal mining in West Virginia and 1994 film “The Burning Season” about deforestation of the Amazon region of South America), are clear in the film and correlate well with Themes of Catholic Social Teaching http://www.usccb.org/beliefs-and-teachings/what-we-believe/catholic-social-teaching.

I think “Dr. Seuss’ The Lorax” is a must see for citizens and disciples of any age. So much to talk about, so many opportunities to do something to make a difference.




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Joseph Benedict Cottolengo: In some ways Joseph exemplified St. Francis’ advice, "Let us begin to serve the Lord God, for up to now we have made little or no progress" (<i>1 Celano, </i>#103). 
<p>Joseph was the eldest of 12 children. Born in Piedmont, he was ordained for the Diocese of Turin in 1811. Frail health and difficulty in school were obstacles he overcame to reach ordination. </p><p>During Joseph’s lifetime Italy was torn by civil war while the poor and the sick suffered from neglect. Inspired by reading the life of St. Vincent de Paul and moved by the human suffering all around him, Joseph rented some rooms to nurse the sick of his parish and recruited local young women to serve as staff. </p><p>In 1832 at Voldocco, Joseph founded the House of Providence which served many different groups (the sick, the elderly, students, the mentally ill, the blind). All of this was financed by contributions. Popularly called "the University of Charity," this testimonial to God’s goodness was serving 8,000 people by the time of Joseph’s beatification in 1917. </p><p>To carry on his work, Joseph organized two religious communities, the Brothers of St. Vincent de Paul and the Sisters of St. Vincent de Paul. Joseph, who had joined the Secular Franciscans as a young man, was canonized in 1934.</p> American Catholic Blog The image of God! This is what it means to be human! We are not just a bunch of cells randomly thrown together by some impersonal forces. Rather, we reflect an eternal God who knew us from before we were made and purposely called us into being.

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