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ON FAITH & MEDIA View Comments

Coriolanus

By
Joseph McAleer
Source: Catholic News Service


Gerard Butler and Ralph Fiennes star in the movie "Coriolanus."
When your lead character proclaims, "The blood I drip is more medicinal than painful for me," you know someone's gonna get hurt. Or maybe hundreds.

Welcome to the big-screen treatment of William Shakespeare's tragedy "Coriolanus" (Weinstein), a consistently brutal and violent film which, when not shedding blood, offers a searing commentary on power, betrayal and revenge.

Making his directorial debut, Ralph Fiennes also takes on the starring role as the Roman general originally called Caius Marcius. Personifying evil and megalomania seems to be second nature to Fiennes by now, having cut his teeth as Lord Voldemort in all those "Harry Potter" films.

Screenwriter John Logan updates the drama's setting from ancient Rome to an imaginary version of the same locale in the present day.

The Eternal City is torn by strife and street fighting, resembling a bombed-out Baghdad. The people are hungry and ready to riot. Marcius has saved Rome, once again, from its enemies. But the mob blames him for diverting supplies to feed his troops.

"Coriolanus," however, is the antithesis of "Gladiator." Marcius pays no attention to public opinion or the nascent forces of democracy. Peace makes him restless. He lives only to fight and protect the city he loves.

War flares again, and Marcius gets back to doing what he does best. This time it's the Volscians who march on Rome, led by Marcius' nemesis, Tullus Aufidius (Gerard Butler). The Volscians are vanquished in the town of Corioles, earning our anti-hero general a new moniker, Coriolanus.

Coriolanus' redoubled fame inspires both Volumnia (Vanessa Redgrave), his viper of a mother, and scheming politician Menenius (Brian Cox). Together, they persuade Coriolanus to run for consul, harnessing social media and television in the effort. They see in him a messianic figure who could rule at will. (While they, of course, pull the strings.)

But his campaign goes disastrously awry. Before long, Coriolanus is accused of treason and disgraced — banished, ironically, from the city he once saved from destruction.

Suffice it to say, hell hath no fury like a warlord scorned. Revenge is in the cards, and Coriolanus thinks the Volscians just might be interested in his plans.

Which side wins in "Coriolanus," good or evil? That's a moral conundrum Shakespeare scholars have been trying to unravel for 500 years. One thing at least is certain: "Coriolanus" is not for the faint of heart.

The film contains intense and pervasive violence, including shootings, stabbings, explosions and torture. The Catholic News Service classification is L — limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R —restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Bridget: From age seven on, Bridget had visions of Christ crucified. Her visions formed the basis for her activity—always with the emphasis on charity rather than spiritual favors. 
<p>She lived her married life in the court of the Swedish king Magnus II. Mother of eight children (the second eldest was St. Catherine of Sweden), she lived the strict life of a penitent after her husband’s death. </p><p>Bridget constantly strove to exert her good influence over Magnus; while never fully reforming, he did give her land and buildings to found a monastery for men and women. This group eventually expanded into an Order known as the Bridgetines (still in existence). </p><p>In 1350, a year of jubilee, Bridget braved a plague-stricken Europe to make a pilgrimage to Rome. Although she never returned to Sweden, her years in Rome were far from happy, being hounded by debts and by opposition to her work against Church abuses. </p><p>A final pilgrimage to the Holy Land, marred by shipwreck and the death of her son, Charles, eventually led to her death in 1373. In 1999, she, Saints Catherine of Siena (April 29) and Teresa Benedicts of the Cross (Edith Stein, August 9) were named co-patronesses of Europe.</p> American Catholic Blog In prayer we discover what we already have. You start where you are and you deepen what you already have and you realize that you are already there. We already have everything, but we don’t know it and we don’t experience it.

 
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