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ON FAITH & MEDIA View Comments

Good Deeds

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

Wesley Deeds (Tyler Perry) is a wealthy San Francisco businessman who runs the family-owned software company his now deceased father started. He’s a gentleman, 5th generation Ivy League educated,  and soon to be married to Natalie (Gabrielle Union). His brother Walt (Brian White) is spoiled, not trustworthy, and envious of his brother/ Walt wants to run the company. Their mother Wilhelmina (Phylicia Rashad) obviously favors Wesley but she quietly controls the path he walks. Wesley never questions his life; he does what is expected of him, one day pretty much the same as the next.
 
But one day a woman, Lindsay (Thandie Newton), parks in his spot and refuses to move her car. She is desperate and on the verge of being evicted from her apartment. She leaves her young daughter in the car while she goes to collect her paycheck. Walt calls the tow truck but when Welsey sees the child he tells the driver that he can go.
 
This chance encounter with Lindsay and her daughter Ariel (Jordann Thompson) has two effects: Wesley moves outside his patterned life and does selfless good deeds for strangers and begins to reflect on taking responsibility for his own life rather than just do what is expected of him.
 
A few years ago “Entertainment Weekly” listed Tyler Perry as the 7th smartest man in Hollywood. He knows his audience and the themes of his films are usually about African American life and stories. He is very well known for the Madea character he created. I saw a clip of Perry on a talk show to promote this film and he can slip from his polished professional demeanor into Madea without taking a breath. He’s very funny.
 
I have long been a fan of Tyler Perry. He is a one-man marvel. He has been writing plays since he was 18 and writes, directs, produces and acts in most of his movies.  He usually includes God in his films, but not in “Good Deeds”.  Instead, Perry lives his faith by actions. He reaches out to strangers and wants to go to Africa to dig wells for water with two of his college friends.
 
This is a movie about the very rich and the very poor. It is being released just as this topic is the fodder of the current political campaign.  “Good Deeds” has a lot of heart and Tyler Perry has the sweetest face in Hollywood.
 
That’s the good news.
 
The not-so-good news is that “Good Deeds” will remind you from the start of “The Pursuit of Happyness” (2006) where Will Smith played real life Chris Gardner, a homeless dad who had to take care of his son and eventually goes on to become a millionaire. Thandie Newton plays the wife and mother as well. The skyscape of San Francisco and the lines of the homeless made me wonder why on earth Perry didn’t at least change cities. The Lindsay-Ariel storyline seems to be the same one as that of Chris Gardner and his son, too. The scene of mother and daughter in the custodian’s closet us reminiscent of the scene of Gardner and his son sleeping in the subway bathroom.
 
Perry’s films have often been criticized for being preachy and reinforcing African-American stereotypes.  “Good Deeds” is not preachy and more than reinforce African-American stereotypes seems to support the stereotype that a woman needs a man to rescue her. There is a predictable Cinderella theme in “Good Deeds” that may annoy some folks. On the other hand Newton’s Lindsay is a strong woman and I would be willing to concede that perhaps Wesley and Lindsay end up saving each other.
 
Perry is a good actor and it was a relief not to see him turn the story into a Medea film as happened in “Diary of a Mad Black Woman” (2005).  This film started out with the feel of reading a quality paperback and turned into a farce that barely came up for a breath of redemption at the end.
 
Here’s more good news. It was refreshing to see a black man stand as a symbol of universal human experience. This cross-over appeal film, and I think it does possess this possibility, is a knife to the heart of Hollywood that pins almost all its dramas around the experience of a white middle-aged male as standing in for the life experience of the world.
 
Someone told me at the one press screening that Perry permitted in Los Angeles that his opening weekend box office is always guaranteed to be strong. His fan base is that loyal. He knows his audience. But with “Good Deeds” he is reaching beyond and if anyone can fuse audiences in America, Perry can do it.
 
Now let’s see which filmmaker will be able to tell a compelling story that holds up a female of any race as the symbol of universal human experience without relegating it to the chick-flick bin.
 
Homelessness is a fact in America and “Good Deeds” shows how one act of kindness can change the lives of everyone involved. Tyler Perry and the film’s distributor Lionsgate have teamed up with Covenant House (that offers a place to live for runaway youth)  in a campaign called “Good Deeds: Great Deeds”. Visit the website to see how you can pay it forward for the good things in your life this Lent: www.gooddeedsgreatneeds.com.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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