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ON FAITH & MEDIA View Comments

The Secret World of Arrietty

By
John Mulderig
Source: Catholic News Service


A scene from the animated movie "The Secret World of Arrietty."
From Japan's celebrated animation outfit Studio Ghibli and director Hiromasa Yonebayashi comes the poignant fable "The Secret World of Arrietty" (Disney).

As remade in English under the supervision of Gary Rydstrom — the Japanese original was released in 2010 — this kid-friendly feature can be wholeheartedly recommended for all but easily terrified tots, who might be put off by its few interludes of looming menace.

Based on Mary Norton's Carnegie Medal-winning 1952 children's novel "The Borrowers," the film begins with the arrival at a secluded country house of sickly 14-year-old Shawn (voice of David Henrie). A heart patient, Shawn has been sent to the quiet manse to prepare for a risky operation.

There he accidentally discovers a family of miniature people — dad Pod (voice of Will Arnett), mom Homily (voice of Amy Poehler) and daughter Arrietty (voice of Bridgit Mendler) — sharing the dwelling with him and with its other usual human inhabitant, meddlesome housekeeper Hara (voice of Carol Burnett).

Like others of their kind, known collectively as Borrowers, Arrietty's diminutive clan survive by "borrowing" small, easily overlooked items from their towering neighbors — a single cube of sugar, for example, or an individual tissue. In addition to daring nighttime raids into the oversized human world, however, this lifestyle also requires absolute secrecy.

So, despite his best intentions to the contrary, Shawn's insistence on befriending Arrietty — and trying to help her parents — imperils the little trio's previously happy life together.

Beautifully crafted visuals and a tone of gentle melancholy characterize this meditative tale. Shawn's temporary home is surrounded by the kind of garden in which Monet might have flourished. But nearby are dark, mysterious woods — and the rains come often.

As penned by Hayao Miyazaki and Keiko Niwa, and translated by Karey Kirkpatrick, the script contrasts the materialism of Shawn's unseen parents — who, we learn, are too busy with their careers to accompany their ailing son and tend to his needs — with the deep bonds and traditional values that unite Shawn's newfound pal and her devoted folks. The ingenuity, frugality and close cooperation that enable the Borrowers to flourish are also implicitly celebrated.

The film contains brief mild peril. The Catholic News Service classification is A-I — general patronage. The Motion Picture Association of America rating is G — general audiences. All ages admitted.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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