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ON FAITH & MEDIA View Comments

The Woman in Black

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

Arthur Kipps (Daniel Radcliff) is a London lawyer around 1910 that is performing poorly since lost his wife four years previously when his son was born.
 
His boss at the law firm gives him one last chance and sends him to a remote town on the northern coast of England to go through the papers of an old woman recently deceased. On Tuesday Arthur promises his son they will soon be together as the nanny is to bring the boy to the town by train on Friday for a little holiday.
 
As soon as he gets off the train people react badly to him and want him gone. He manages to get a room at a pub but it has a terrible story. Three little girls walked out of the window years before and died. She and her husband lost a son when the tide flooded the causeway linking the house to the mainland and his body was never recovered.
 
Arthur meets one man who seems normal, Mr. Daily (Ciaran Hinds). He is the only one in town with a vehicle but he and his wife lost a son as well. But against the advice of everyone, Arthur makes his way across the causeway leading to the old mansion.
 
Arthur misses his wife and reads about séances that were very popular at the time. Arthur years to receive some kind of message from his deceased wife, Stella. A couple of days into his work, Arthur sees a woman dressed in black in the cemetery and goes to explore. Daily talks with Arthur about spiritualism and debunks the practice, but Daily’s wife is a believer. She sees things.
 
And children begin dying all around Arthur. He is greatly distraught and wants to stop his son and the nanny from coming north.
 
“The Woman in Black” is an atmospheric, gothic horror novel based on the 1983 book by Susan Hill.  It is produced by Hammer Film Productions, founded in England in 1935, sold in the 80s and now starting up again. When I was studying in England Hammer films were always being talked about, especially in relation to the underground railways.
 
In “Woman in Black”, the train is highly symbolic and plays a key role.
 
This is a film about grief and love, it is about mental illness and who decides who is ill or not. In some warped way, when Arthur tries to set the universe aright to appease the woman in black, she returns the favor.  And it is not all that upsetting except to the living. The story also has a terrible Pied Piper quality about it because vengeance for an original crime is the real horror.
  “The Woman in Black” is well scripted, acted, and filmed. But is it horror or about the power of love? Can they be the same?


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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The joy of the Lord is our strength. Therefore, each of us will accept a life of poverty in cheerful trust. We will offer cheerful obedience from our inward joy. We will minister to Christ in the distressing disguise of the poor with cheerful devotion. If our work is done with joy, we will have no reason to be unhappy.

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