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ON FAITH & MEDIA View Comments

The Vow

By
John Mulderig
Source: Catholic News Service


Channing Tatum and Rachel McAdams star in "The Vow."
Poor Channing Tatum! Though he isn't gone, he is forgotten in "The Vow" (Screen Gems), director and co-writer Michael Sucsy's well-intentioned but flawed love story based on real events.

Tatum plays Chicago recording engineer Leo, whose romance with — and marriage to — artist Paige (Rachel McAdams) have made him a happy man. That all changes, however, when a car accident injures them both, and leaves Paige stricken with partial amnesia.

She awakens from a coma with no memory of their idyllic courtship or successful life together. Instead, she has mentally reverted to her pre-Leo days as a law school student engaged to go-getter ex-fiance Jeremy (Scott Speedman).

When her estranged parents, Rita (Jessica Lange) and Bill (Sam Neill), appear on the scene, it develops that Paige also has lost all recollection of the traumatic events that led her to separate from them.

Leo sets out to win Paige's heart all over again. But Rita and Bill are angling to put their bewildered daughter back on the path to a legal career and drive her back into the arms of conventionally respectable Jeremy.

As penned by Sucsy in collaboration with Abby Kohn, Marc Silverstein and Jason Katims, this romantic drama certainly celebrates Leo's extraordinarily determined marital fidelity. And it manages to strike a generally amiable tone as it does so.

But characterizations are shallow: Mildly bohemian Leo, for example, takes on his conniving 1-percenter in-laws, who we know must be evil because they, um, occupy an Architectural Digest-worthy home in Lake Forest.

The tale's credibility — and therefore its impact — is also undercut by the excessive cuteness of the initial relationship between Leo and Paige. They're shown popping chocolates into each other's mouths and they later write out their self-composed wedding vows on menus from their favorite eatery.

Presumably in a nod to Paige's profession, those promises are exchanged, not in a church or even at city hall but in a museum gallery. A friend of the bride and groom's, who has somehow gotten himself temporarily vested with the necessary power by the state of Illinois, presides.

The film contains brief nongraphic marital lovemaking, a premarital situation, fleeting rear nudity, an adultery theme, numerous sexual references and jokes, at least one use of profanity as well as a couple of rough and about a half-dozen crude terms. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Conrad of Parzham: Conrad spent most of his life as porter in Altoetting, Bavaria, letting people into the friary and indirectly encouraging them to let God into their lives. 
<p>His parents, Bartholomew and Gertrude Birndorfer, lived near Parzham, Bavaria. In those days this region was recovering from the Napoleonic wars. A lover of solitary prayer and a peacemaker as a young man, Conrad joined the Capuchins as a brother. He made his profession in 1852 and was assigned to the friary in Altoetting. That city’s shrine to Mary was very popular; at the nearby Capuchin friary there was a lot of work for the porter, a job Conrad held for 41 years. </p><p>At first some of the other friars were jealous that such a young friar held this important job. Conrad’s patience and holy life overcame their doubts. As porter he dealt with many people, obtaining many of the friary supplies and generously providing for the poor who came to the door. He treated them all with the courtesy Francis expected of his followers. </p><p>Conrad’s helpfulness was sometimes unnerving. Once Father Vincent, seeking quiet to prepare a sermon, went up the belltower of the church. Conrad tracked him down when someone wanting to go to confession specifically requested Father Vincent. </p><p>Conrad also developed a special rapport with the children of the area. He enthusiastically promoted the Seraphic Work of Charity, which aided neglected children. </p><p>Conrad spent hours in prayer before the Blessed Sacrament. He regularly asked the Blessed Mother to intercede for him and for the many people he included in his prayers. The ever-patient Conrad was canonized in 1934.</p> American Catholic Blog The Resurrection is neither optimism nor idealism; it is truth. Atheism proclaims the tomb is full; Christians know it is empty.

 
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