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ON FAITH & MEDIA View Comments

The Woman in Black

By
Kurt Jensen
Source: Catholic News Service

Reputed to be one of the most frightening ghost stories ever written, Susan Hill's 1983 novel "The Woman in Black" must certainly count as one of the sturdiest: It has been adapted both for British radio and U.K. television, while the 22-year-long—and still ongoing—run of its London stage version makes that property one of the longest-lived nonmusicals in West End history.

As penned for the big screen by Jane Goldman, directed by James Watkins—and with Daniel Radcliffe headlining as barrister Arthur Kipps—the latest iteration of "The Woman in Black" (CBS) aims for a classic horror feel.

And well it might. Hill's premise, after all, offers us a remote mansion haunted by a malevolent, avenging specter.

While we're second to none in our appreciation of Gothic chillfests in which spooky creatures pop into the frame, peer out of windows or—better still—are seen in shadowy form down a hallway, this entry has a queasy and troubling feature that renders it unsettling in all the wrong ways. Not only do the proceedings include a high body count, the casualties in question are children lured to suicide by the ghost of the title.

Film being such a literal medium, one image of this kind would be problematic enough. Here they go on multiplying right up to the end.

Jennet (Liz White), the ghost of the title, doesn't kill anyone directly—she entrances them to their deaths. Her motive? Deemed mentally ill in life, Jennet had her son taken away from her to be raised by another couple. He later drowned in the body of water from which our eerie manse, Eel Marsh House, takes its uninviting name.

Ramping up the pathos, Kipps is shown to be a grieving widower with a 4-year-old son (Misha Handley). And he's in trouble: Successfully settling the affairs of Eel Marsh House represents Kipps' one chance to hang onto his job.

But with her rage reaching out from beyond the grave, Jennet, it seems, will keep on killing the children of the nearby Yorkshire village unless someone finds a way to appease her.

The fearless Kipps—one does think of Harry Potter here—finds help from Daily (Ciaran Hinds), a villager who is himself in mourning. Daily possesses religious faith of a sort, telling Kipps, "When we die, we go up there. We don't stay down here."

In that connection, some Catholic imagery—such as Daily blessing himself and the use of a rosary -- has been tossed in. But not, it would appear, for any deeper purpose than added visual effect.

The film contains numerous scenes of suicide by children and occasional gore. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Maria Bertilla Boscardin: If anyone knew rejection, ridicule and disappointment, it was today’s saint. But such trials only brought Maria Bertilla Boscardin closer to God and more determined to serve him. 
<p>Born in Italy in 1888, the young girl lived in fear of her father, a violent man prone to jealousy and drunkenness. Her schooling was limited so that she could spend more time helping at home and working in the fields. She showed few talents and was often the butt of jokes. </p><p>In 1904 she joined the Sisters of St. Dorothy and was assigned to work in the kitchen, bakery and laundry. After some time Maria received nurses’ training and began working in a hospital with children suffering from diphtheria. There the young nun seemed to find her true vocation: nursing very ill and disturbed children. Later, when the hospital was taken over by the military in World War I, Sister Maria Bertilla fearlessly cared for patients amidst the threat of constant air raids and bombings. </p><p>She died in 1922 after suffering for many years from a painful tumor. Some of the patients she had nursed many years before were present at her canonization in 1961.</p> American Catholic Blog We need to take up our crosses, but we also need to be gentle with them and with ourselves. If we sit holding our own crosses too tightly we will not be able to put our arms around anyone else, nor will they be able to put their arms around us. That includes God.


 
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