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ON FAITH & MEDIA View Comments

Man on a Ledge

By
Adam Shaw
Source: Catholic News Service


Sam Worthington is pushed to the limit in the thriller "Man on a Ledge."
When an ex-cop is falsely convicted of stealing a multimillion-dollar diamond and sentenced to 25 years in jail, there's just one course for him to follow: Break out of prison, check in to Manhattan's landmark Roosevelt Hotel, order lobster—then clamber out onto a cornice hundreds of feet above street level.

Such, apparently, is the logic of Nick Cassidy (Sam Worthington), the protagonist of the tedious thriller "Man on a Ledge" (Summit).

Sent up the river for stealing the fabulously valuable Monarch Diamond from morally stained, cigar-smoking moneybags David Englander (Ed Harris), Nick settles on a convoluted plan to vindicate his innocence. While he distracts a crowd of New Yorkers from his high-story perch, his brother, Joey (Jamie Bell), and Joey's girlfriend, Angie (Genesis Rodriguez), will crack open Englander's vault and prove that the putatively purloined jewel is still in situ.

Worthington's character is thus left in the bizarre—and soon tiresome—circumstance of spending over half the movie cavorting on that precipice, whence disgraced police negotiator Lydia Mercer (Elizabeth Banks) tries to coo him down.

Mercer is supposedly depressed at her recent failure to prevent a fellow cop from hurling himself to his death. But her habitual growls and grunts come across as little more than crabbiness.

The movie as a whole aims for cynical edginess, with results as unconvincing as they are unpleasant. Screenwriter Pablo F. Fenjves infuses his risibly bad dialogue with an unusually high amount of profanity. These assaults on the Lord's name reach a crescendo in a scene where the Second Commandment is violated a trio of times in less than 30 seconds.

So feebly cardboard are the perpetrators of this verbal sacrilege, though, that they are more likely to rouse impatience than ire.

Along with would-be remorse maven Mercer, there's stereotypically hard-edged Latina Angie. She pouts a lot and, so we're told, used to burgle houses during what was presumably a challenging youth spent on the mean streets of Anybarrio, U.S.A.

What Angie lacks in depth she makes up for on the surface by serving as all-too-obvious eye candy. When the break-in requires her to shimmy down a vent, she prepares herself by undressing down to her frilly unmentionables (seen in close-up, of course) and squeezes herself into a skintight, Catwomanesque one-piece.

Director Asger Leth's wronged-innocence caper piles conspiracy on top of collusion with dull consequences.

The one flicker of light comes from that stogy of Englander's as Harris illumines the screen whenever he's on it. Unfortunately, his appearances are far too short to prevent "Man on a Ledge" from taking a suicide leap into the depths of mediocrity.

The film contains occasional action violence, an implied premarital situation, much profanity, at least two uses of the F-word and considerable crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Adam Shaw is a guest reviewer for Catholic News Service.



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Gabriel of Our Lady of Sorrows: Born in Italy into a large family and baptized Francis, he lost his mother when he was only four years old. He was educated by the Jesuits and, having been cured twice of serious illnesses, came to believe that God was calling him to the religious life. Young Francis wished to join the Jesuits but was turned down, probably because of his age, not yet 17. Following the death of a sister to cholera, his resolve to enter religious life became even stronger and he was accepted by the Passionists. Upon entering the novitiate he was given the name Gabriel of Our Lady of Sorrows.
<p>Ever popular and cheerful, Gabriel quickly was successful in his effort to be faithful in little things. His spirit of prayer, love for the poor, consideration of the feelings of others, exact observance of the Passionist Rule as well as his bodily penances—always subject to the will of his wise superiors— made a deep impression on everyone.
</p><p>His superiors had great expectations of Gabriel as he prepared for the priesthood, but after only four years of religious life symptoms of tuberculosis appeared. Ever obedient, he patiently bore the painful effects of the disease and the restrictions it required, seeking no special notice. He died peacefully on February 27, 1862, at age 24, having been an example to both young and old.
</p><p>Gabriel of Our Lady of Sorrows was canonized in 1920.</p> American Catholic Blog Life is not always happy, but our connections to others can create a simple and grace-filled quiet celebration of our own and others’ lives. These others are the presence of Christ in our lives.


 
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