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ON FAITH & MEDIA View Comments

Man on a Ledge

By
Adam Shaw
Source: Catholic News Service


Sam Worthington is pushed to the limit in the thriller "Man on a Ledge."
When an ex-cop is falsely convicted of stealing a multimillion-dollar diamond and sentenced to 25 years in jail, there's just one course for him to follow: Break out of prison, check in to Manhattan's landmark Roosevelt Hotel, order lobster—then clamber out onto a cornice hundreds of feet above street level.

Such, apparently, is the logic of Nick Cassidy (Sam Worthington), the protagonist of the tedious thriller "Man on a Ledge" (Summit).

Sent up the river for stealing the fabulously valuable Monarch Diamond from morally stained, cigar-smoking moneybags David Englander (Ed Harris), Nick settles on a convoluted plan to vindicate his innocence. While he distracts a crowd of New Yorkers from his high-story perch, his brother, Joey (Jamie Bell), and Joey's girlfriend, Angie (Genesis Rodriguez), will crack open Englander's vault and prove that the putatively purloined jewel is still in situ.

Worthington's character is thus left in the bizarre—and soon tiresome—circumstance of spending over half the movie cavorting on that precipice, whence disgraced police negotiator Lydia Mercer (Elizabeth Banks) tries to coo him down.

Mercer is supposedly depressed at her recent failure to prevent a fellow cop from hurling himself to his death. But her habitual growls and grunts come across as little more than crabbiness.

The movie as a whole aims for cynical edginess, with results as unconvincing as they are unpleasant. Screenwriter Pablo F. Fenjves infuses his risibly bad dialogue with an unusually high amount of profanity. These assaults on the Lord's name reach a crescendo in a scene where the Second Commandment is violated a trio of times in less than 30 seconds.

So feebly cardboard are the perpetrators of this verbal sacrilege, though, that they are more likely to rouse impatience than ire.

Along with would-be remorse maven Mercer, there's stereotypically hard-edged Latina Angie. She pouts a lot and, so we're told, used to burgle houses during what was presumably a challenging youth spent on the mean streets of Anybarrio, U.S.A.

What Angie lacks in depth she makes up for on the surface by serving as all-too-obvious eye candy. When the break-in requires her to shimmy down a vent, she prepares herself by undressing down to her frilly unmentionables (seen in close-up, of course) and squeezes herself into a skintight, Catwomanesque one-piece.

Director Asger Leth's wronged-innocence caper piles conspiracy on top of collusion with dull consequences.

The one flicker of light comes from that stogy of Englander's as Harris illumines the screen whenever he's on it. Unfortunately, his appearances are far too short to prevent "Man on a Ledge" from taking a suicide leap into the depths of mediocrity.

The film contains occasional action violence, an implied premarital situation, much profanity, at least two uses of the F-word and considerable crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Adam Shaw is a guest reviewer for Catholic News Service.



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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog Disrespect comes with many faces. Sometimes what’s unspoken speaks louder than any words.

 
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