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ON FAITH & MEDIA View Comments

Man on a Ledge

By
Adam Shaw
Source: Catholic News Service


Sam Worthington is pushed to the limit in the thriller "Man on a Ledge."
When an ex-cop is falsely convicted of stealing a multimillion-dollar diamond and sentenced to 25 years in jail, there's just one course for him to follow: Break out of prison, check in to Manhattan's landmark Roosevelt Hotel, order lobster—then clamber out onto a cornice hundreds of feet above street level.

Such, apparently, is the logic of Nick Cassidy (Sam Worthington), the protagonist of the tedious thriller "Man on a Ledge" (Summit).

Sent up the river for stealing the fabulously valuable Monarch Diamond from morally stained, cigar-smoking moneybags David Englander (Ed Harris), Nick settles on a convoluted plan to vindicate his innocence. While he distracts a crowd of New Yorkers from his high-story perch, his brother, Joey (Jamie Bell), and Joey's girlfriend, Angie (Genesis Rodriguez), will crack open Englander's vault and prove that the putatively purloined jewel is still in situ.

Worthington's character is thus left in the bizarre—and soon tiresome—circumstance of spending over half the movie cavorting on that precipice, whence disgraced police negotiator Lydia Mercer (Elizabeth Banks) tries to coo him down.

Mercer is supposedly depressed at her recent failure to prevent a fellow cop from hurling himself to his death. But her habitual growls and grunts come across as little more than crabbiness.

The movie as a whole aims for cynical edginess, with results as unconvincing as they are unpleasant. Screenwriter Pablo F. Fenjves infuses his risibly bad dialogue with an unusually high amount of profanity. These assaults on the Lord's name reach a crescendo in a scene where the Second Commandment is violated a trio of times in less than 30 seconds.

So feebly cardboard are the perpetrators of this verbal sacrilege, though, that they are more likely to rouse impatience than ire.

Along with would-be remorse maven Mercer, there's stereotypically hard-edged Latina Angie. She pouts a lot and, so we're told, used to burgle houses during what was presumably a challenging youth spent on the mean streets of Anybarrio, U.S.A.

What Angie lacks in depth she makes up for on the surface by serving as all-too-obvious eye candy. When the break-in requires her to shimmy down a vent, she prepares herself by undressing down to her frilly unmentionables (seen in close-up, of course) and squeezes herself into a skintight, Catwomanesque one-piece.

Director Asger Leth's wronged-innocence caper piles conspiracy on top of collusion with dull consequences.

The one flicker of light comes from that stogy of Englander's as Harris illumines the screen whenever he's on it. Unfortunately, his appearances are far too short to prevent "Man on a Ledge" from taking a suicide leap into the depths of mediocrity.

The film contains occasional action violence, an implied premarital situation, much profanity, at least two uses of the F-word and considerable crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Adam Shaw is a guest reviewer for Catholic News Service.



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Mary Magdalene: Except for the mother of Jesus, few women are more honored in the Bible than Mary Magdalene. Yet she could well be the patron of the slandered, since there has been a persistent legend in the Church that she is the unnamed sinful woman who anointed the feet of Jesus in Luke 7:36-50. 
<p>Most Scripture scholars today point out that there is no scriptural basis for confusing the two women. Mary Magdalene, that is, “of Magdala,” was the one from whom Christ cast out “seven demons” (Luke 8:2)—an indication, at the worst, of extreme demonic possession or, possibly, severe illness. </p><p>Father Wilfrid J. Harrington, O.P., writing in the <i>New Catholic Commentary</i>, says that “seven demons” “does not mean that Mary had lived an immoral life—a conclusion reached only by means of a mistaken identification with the anonymous woman of Luke 7:36.” Father Edward Mally, S.J., writing in the <i>Jerome Biblical Commentary,</i> agrees that she “is not...the same as the sinner of Luke 7:37, despite the later Western romantic tradition about her.” </p><p>Mary Magdalene was one of the many “who were assisting them [Jesus and the Twelve] out of their means.” She was one of those who stood by the cross of Jesus with his mother. And, of all the “official” witnesses that might have been chosen for the first awareness of the Resurrection, she was the one to whom that privilege was given. She is known as the "Apostle to the Apostles."</p> American Catholic Blog Jesus does not save us as individuals, but as members of His Body. We are not just people—unconnected and isolated arms and legs. We are a people—in fact, the People of God.

 
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