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ON FAITH & MEDIA View Comments

Red Tails

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

During World War II an Army Air Corps unit of African American was established in Alabama that came to be known as the Tuskegee Airman. Although the men were highly skilled, segregation in the Army and distrust of the pilots’ skills based on racial bias, limited the scope of their operations. They were also given old planes to fly and assigned to bomb sites that had already been destroyed.
 
In Italy in 1944 the men chaff against orders that make no sense. One of the men falls in love with a local girl while the others have to spend their free time at an Italian dance hall because white soldiers won’t allow them in their club. Fights break out.
 
Col. Bullard (Terrence Howard) lobbies the pentagon for new planes and real assignments that can save American lives and help the war effort. In Italy Major Stance (Cuba Gooding, Jr.) oversees missions, tries to keep the men from trouble, and trains them hard, believing in their intelligence, skills, and patriotism.
 
When the Pentagon finally agrees to take the Tuskegee Airmen seriously, Bullard demands new planes and gets them. The ground crew paints the tails red so the Germans will know whose coming.
 
“Red Tails” is based on true facts but the script is tedious and the action slow throughout most of the film. Director Anthony Hemmingway has made a fine reputation for himself for television, but here the pace is so slow that I think such an important movie may not receive the audience it so deserves.  The writing obviously struggled to create tension and friendship among the men, but it was so obvious it was a cliché.  The actors have so much potential but their performances are stilted.
 
The final half hour of the film is where things come together. The audience I saw it with got into it completely and cheered and clapped, and I shed a tear or two,  at the victories of the awesome Tuskegee Airmen. This is a worthy story even if the film isn’t flying off the screen, so to speak.


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<p>The principal biblical references to Mary's sorrows are in Luke 2:35 and John 19:26-27. The Lucan passage is Simeon's prediction about a sword piercing Mary's soul; the Johannine passage relates Jesus' words to Mary and to the beloved disciple. </p><p>Many early Church writers interpret the sword as Mary's sorrows, especially as she saw Jesus die on the cross. Thus, the two passages are brought together as prediction and fulfillment. </p><p>St. Ambrose (December7) in particular sees Mary as a sorrowful yet powerful figure at the cross. Mary stood fearlessly at the cross while others fled. Mary looked on her Son's wounds with pity, but saw in them the salvation of the world. As Jesus hung on the cross, Mary did not fear to be killed but offered herself to her persecutors.</p> American Catholic Blog For mercy is an indispensable dimension of love; it is as it were love’s second name. —Blessed John Paul II

 
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