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ON FAITH & MEDIA View Comments

The Grey

By
Kurt Jensen
Source: Catholic News Service


Liam Neeson stars in a scene from the movie "The Grey."
"The Grey" (Open Road) respectfully obeys the immutable law of all story lines in which an aircraft crashes in the Arctic: Some folks are bound to get eaten.

This film, however, with its slight spiritual bent, ducks the cannibalism cliche and makes wolves the hungry ones. The animals are doing what they're supposed to do by nature, stalking the survivors to thin out the human herd—the better, in the end, to kill them all.

Liam Neeson plays oil-rig worker John Ottway. He leads an ever-dwindling handful of men—Hendrick, Diaz, Talget, Burke and Flannery (Dallas Roberts, Frank Grillo, Dermot Mulroney, Nonso Anozie and Joe Anderson, respectively)—through howling winds, deep snow, fatigue and their own anxieties after their plane crashes while en route to Anchorage, Alaska.

That misfortune is significantly compounded by the fact that they've come down too close to the wolves' den, leaving them targeted as invaders.

As directed by Joe Carnahan—who co-scripted with Ian Mackenzie Jeffers from Jeffers' short story "Ghost Walker"—the chases, killings and feats of courage are brisk but routine. The script's attempts at profundity and spiritual reflection, moreover, are wildly uneven.

These oil-rig workers don't just swear constantly and fight among themselves as they dodge their predators. Each evening around the fire, they also debate the meaning of this life and the prospects for life after death. Additionally, they demonstrate a great deal of respect for those who perished in the crash.

As the film opens, Ottway is shown to be so lonely and depressed over missing his (unnamed) wife—Anne Openshaw, seen in flashbacks—that he attempts suicide. The crash thrusts him instantly into a strong leadership role. But he eventually proves to be a fatalist, inspired by a Kiplingesque poem his father wrote that ends, "Live and die on this day."

Toward the end, Ottway gazes into the slate-colored sky and—as though following the advice of Job's friends—curses God. He does so, moreover, with a vocabulary very far from scriptural.

His vulgarly phrased sentiments register as more macho defiance than genuine blasphemy. And the extremity of his circumstances mitigates both his blameworthiness and the potential real-life impact of his example.

But this climactic moment is the strongest element among several that, taken together, make this survival story as much a morally inhospitable wilderness as its setting is a natural one. Given the meager rewards of trekking through it, even most adults would be well advised to decline the journey altogether.

The film contains troubling themes—including suicide and one character's blasphemous expression of despair—frequent gory animal attacks, at least one use of profanity and pervasive rough, crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Thomas Aquinas: By universal consent, Thomas Aquinas is the preeminent spokesman of the Catholic tradition of reason and of divine revelation. He is one of the great teachers of the medieval Catholic Church, honored with the titles Doctor of the Church and Angelic Doctor. 
<p>At five he was given to the Benedictine monastery at Monte Cassino in his parents’ hopes that he would choose that way of life and eventually became abbot. In 1239 he was sent to Naples to complete his studies. It was here that he was first attracted to Aristotle’s philosophy. </p><p>By 1243, Thomas abandoned his family’s plans for him and joined the Dominicans, much to his mother’s dismay. On her order, Thomas was captured by his brother and kept at home for over a year. </p><p>Once free, he went to Paris and then to Cologne, where he finished his studies with Albert the Great. He held two professorships at Paris, lived at the court of Pope Urban IV, directed the Dominican schools at Rome and Viterbo, combated adversaries of the mendicants, as well as the Averroists, and argued with some Franciscans about Aristotelianism. </p><p>His greatest contribution to the Catholic Church is his writings. The unity, harmony and continuity of faith and reason, of revealed and natural human knowledge, pervades his writings. One might expect Thomas, as a man of the gospel, to be an ardent defender of revealed truth. But he was broad enough, deep enough, to see the whole natural order as coming from God the Creator, and to see reason as a divine gift to be highly cherished. </p><p>The <i>Summa Theologiae</i>, his last and, unfortunately, uncompleted work, deals with the whole of Catholic theology. He stopped work on it after celebrating Mass on December 6, 1273. When asked why he stopped writing, he replied, “I cannot go on.... All that I have written seems to me like so much straw compared to what I have seen and what has been revealed to me.” He died March 7, 1274.</p> American Catholic Blog We talk often about how we are God’s “hands and feet,” which is true. That being said, we can’t fall into the trap of thinking God needs us like we need Him. He’s God—which makes the reality that He wants to use us and be in a relationship with us an even sweeter, more profound truth.

 
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