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ON FAITH & MEDIA View Comments

The Grey

By
Kurt Jensen
Source: Catholic News Service


Liam Neeson stars in a scene from the movie "The Grey."
"The Grey" (Open Road) respectfully obeys the immutable law of all story lines in which an aircraft crashes in the Arctic: Some folks are bound to get eaten.

This film, however, with its slight spiritual bent, ducks the cannibalism cliche and makes wolves the hungry ones. The animals are doing what they're supposed to do by nature, stalking the survivors to thin out the human herd—the better, in the end, to kill them all.

Liam Neeson plays oil-rig worker John Ottway. He leads an ever-dwindling handful of men—Hendrick, Diaz, Talget, Burke and Flannery (Dallas Roberts, Frank Grillo, Dermot Mulroney, Nonso Anozie and Joe Anderson, respectively)—through howling winds, deep snow, fatigue and their own anxieties after their plane crashes while en route to Anchorage, Alaska.

That misfortune is significantly compounded by the fact that they've come down too close to the wolves' den, leaving them targeted as invaders.

As directed by Joe Carnahan—who co-scripted with Ian Mackenzie Jeffers from Jeffers' short story "Ghost Walker"—the chases, killings and feats of courage are brisk but routine. The script's attempts at profundity and spiritual reflection, moreover, are wildly uneven.

These oil-rig workers don't just swear constantly and fight among themselves as they dodge their predators. Each evening around the fire, they also debate the meaning of this life and the prospects for life after death. Additionally, they demonstrate a great deal of respect for those who perished in the crash.

As the film opens, Ottway is shown to be so lonely and depressed over missing his (unnamed) wife—Anne Openshaw, seen in flashbacks—that he attempts suicide. The crash thrusts him instantly into a strong leadership role. But he eventually proves to be a fatalist, inspired by a Kiplingesque poem his father wrote that ends, "Live and die on this day."

Toward the end, Ottway gazes into the slate-colored sky and—as though following the advice of Job's friends—curses God. He does so, moreover, with a vocabulary very far from scriptural.

His vulgarly phrased sentiments register as more macho defiance than genuine blasphemy. And the extremity of his circumstances mitigates both his blameworthiness and the potential real-life impact of his example.

But this climactic moment is the strongest element among several that, taken together, make this survival story as much a morally inhospitable wilderness as its setting is a natural one. Given the meager rewards of trekking through it, even most adults would be well advised to decline the journey altogether.

The film contains troubling themes—including suicide and one character's blasphemous expression of despair—frequent gory animal attacks, at least one use of profanity and pervasive rough, crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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John of Capistrano: It has been said the Christian saints are the world’s greatest optimists. Not blind to the existence and consequences of evil, they base their confidence on the power of Christ’s redemption. The power of conversion through Christ extends not only to sinful people but also to calamitous events. 
<p>Imagine being born in the 14th century. One-third of the population and nearly 40 percent of the clergy were wiped out by the bubonic plague. The Western Schism split the Church with two or three claimants to the Holy See at one time. England and France were at war. The city-states of Italy were constantly in conflict. No wonder that gloom dominated the spirit of the culture and the times. </p><p>John Capistrano was born in 1386. His education was thorough. His talents and success were great. When he was 26 he was made governor of Perugia. Imprisoned after a battle against the Malatestas, he resolved to change his way of life completely. At the age of 30 he entered the Franciscan novitiate and was ordained a priest four years later. </p><p>His preaching attracted great throngs at a time of religious apathy and confusion. He and 12 Franciscan brethren were received in the countries of central Europe as angels of God. They were instrumental in reviving a dying faith and devotion. </p><p>The Franciscan Order itself was in turmoil over the interpretation and observance of the Rule of St. Francis. Through John’s tireless efforts and his expertise in law, the heretical Fraticelli were suppressed and the "Spirituals" were freed from interference in their stricter observance. </p><p>He helped bring about a reunion with the Greek and Armenian Churches, unfortunately only a brief arrangement. </p><p>When the Turks captured Constantinople in 1453, he was commissioned to preach a crusade for the defense of Europe. Gaining little response in Bavaria and Austria, he decided to concentrate his efforts in Hungary. He led the army to Belgrade. Under the great General John Hunyadi, they gained an overwhelming victory, and the siege of Belgrade was lifted. Worn out by his superhuman efforts, Capistrano was an easy prey to an infection after the battle. He died October 23, 1456.</p> American Catholic Blog When we are linked by the power of prayer, we as it were, hold each other’s hand as we walk side by side along a slippery path; and thus by the bounteous disposition of charity, it comes about that the harder each one leans on the other, the more firmly we are riveted together in brotherly love. —St. Gregory the Great

 
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