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ON FAITH & MEDIA View Comments

The Grey

By
Kurt Jensen
Source: Catholic News Service


Liam Neeson stars in a scene from the movie "The Grey."
"The Grey" (Open Road) respectfully obeys the immutable law of all story lines in which an aircraft crashes in the Arctic: Some folks are bound to get eaten.

This film, however, with its slight spiritual bent, ducks the cannibalism cliche and makes wolves the hungry ones. The animals are doing what they're supposed to do by nature, stalking the survivors to thin out the human herd—the better, in the end, to kill them all.

Liam Neeson plays oil-rig worker John Ottway. He leads an ever-dwindling handful of men—Hendrick, Diaz, Talget, Burke and Flannery (Dallas Roberts, Frank Grillo, Dermot Mulroney, Nonso Anozie and Joe Anderson, respectively)—through howling winds, deep snow, fatigue and their own anxieties after their plane crashes while en route to Anchorage, Alaska.

That misfortune is significantly compounded by the fact that they've come down too close to the wolves' den, leaving them targeted as invaders.

As directed by Joe Carnahan—who co-scripted with Ian Mackenzie Jeffers from Jeffers' short story "Ghost Walker"—the chases, killings and feats of courage are brisk but routine. The script's attempts at profundity and spiritual reflection, moreover, are wildly uneven.

These oil-rig workers don't just swear constantly and fight among themselves as they dodge their predators. Each evening around the fire, they also debate the meaning of this life and the prospects for life after death. Additionally, they demonstrate a great deal of respect for those who perished in the crash.

As the film opens, Ottway is shown to be so lonely and depressed over missing his (unnamed) wife—Anne Openshaw, seen in flashbacks—that he attempts suicide. The crash thrusts him instantly into a strong leadership role. But he eventually proves to be a fatalist, inspired by a Kiplingesque poem his father wrote that ends, "Live and die on this day."

Toward the end, Ottway gazes into the slate-colored sky and—as though following the advice of Job's friends—curses God. He does so, moreover, with a vocabulary very far from scriptural.

His vulgarly phrased sentiments register as more macho defiance than genuine blasphemy. And the extremity of his circumstances mitigates both his blameworthiness and the potential real-life impact of his example.

But this climactic moment is the strongest element among several that, taken together, make this survival story as much a morally inhospitable wilderness as its setting is a natural one. Given the meager rewards of trekking through it, even most adults would be well advised to decline the journey altogether.

The film contains troubling themes—including suicide and one character's blasphemous expression of despair—frequent gory animal attacks, at least one use of profanity and pervasive rough, crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Cornelius: 
		<p>There was no pope for 14 months after the martyrdom of St. Fabian because of the intensity of the persecution of the Church. During the interval, the Church was governed by a college of priests. St. Cyprian, a friend of Cornelius, writes that Cornelius was elected pope "by the judgment of God and of Christ, by the testimony of most of the clergy, by the vote of the people, with the consent of aged priests and of good men." </p>
		<p>The greatest problem of Cornelius's two-year term as pope had to do with the Sacrament of Penance and centered on the readmission of Christians who had denied their faith during the time of persecution. Two extremes were finally both condemned. Cyprian, primate of North Africa, appealed to the pope to confirm his stand that the relapsed could be reconciled only by the decision of the bishop. </p>
		<p>In Rome, however, Cornelius met with the opposite view. After his election, a priest named Novatian (one of those who had governed the Church) had himself consecrated a rival bishop of Rome—one of the first antipopes. He denied that the Church had any power to reconcile not only the apostates, but also those guilty of murder, adultery, fornication or second marriage! Cornelius had the support of most of the Church (especially of Cyprian of Africa) in condemning Novatianism, though the sect persisted for several centuries. Cornelius held a synod at Rome in 251 and ordered the "relapsed" to be restored to the Church with the usual "medicines of repentance." </p>
		<p>The friendship of Cornelius and Cyprian was strained for a time when one of Cyprian's rivals made accusations about him. But the problem was cleared up. </p>
		<p>A document from Cornelius shows the extent of organization in the Church of Rome in the mid-third century: 46 priests, seven deacons, seven subdeacons. It is estimated that the number of Christians totaled about 50,000. </p>
		<p>Cornelius died as a result of the hardships of his exile in what is now Civitavecchia (near Rome). <br /> </p>
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