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ON FAITH & MEDIA View Comments

The Grey

By
Kurt Jensen
Source: Catholic News Service


Liam Neeson stars in a scene from the movie "The Grey."
"The Grey" (Open Road) respectfully obeys the immutable law of all story lines in which an aircraft crashes in the Arctic: Some folks are bound to get eaten.

This film, however, with its slight spiritual bent, ducks the cannibalism cliche and makes wolves the hungry ones. The animals are doing what they're supposed to do by nature, stalking the survivors to thin out the human herd—the better, in the end, to kill them all.

Liam Neeson plays oil-rig worker John Ottway. He leads an ever-dwindling handful of men—Hendrick, Diaz, Talget, Burke and Flannery (Dallas Roberts, Frank Grillo, Dermot Mulroney, Nonso Anozie and Joe Anderson, respectively)—through howling winds, deep snow, fatigue and their own anxieties after their plane crashes while en route to Anchorage, Alaska.

That misfortune is significantly compounded by the fact that they've come down too close to the wolves' den, leaving them targeted as invaders.

As directed by Joe Carnahan—who co-scripted with Ian Mackenzie Jeffers from Jeffers' short story "Ghost Walker"—the chases, killings and feats of courage are brisk but routine. The script's attempts at profundity and spiritual reflection, moreover, are wildly uneven.

These oil-rig workers don't just swear constantly and fight among themselves as they dodge their predators. Each evening around the fire, they also debate the meaning of this life and the prospects for life after death. Additionally, they demonstrate a great deal of respect for those who perished in the crash.

As the film opens, Ottway is shown to be so lonely and depressed over missing his (unnamed) wife—Anne Openshaw, seen in flashbacks—that he attempts suicide. The crash thrusts him instantly into a strong leadership role. But he eventually proves to be a fatalist, inspired by a Kiplingesque poem his father wrote that ends, "Live and die on this day."

Toward the end, Ottway gazes into the slate-colored sky and—as though following the advice of Job's friends—curses God. He does so, moreover, with a vocabulary very far from scriptural.

His vulgarly phrased sentiments register as more macho defiance than genuine blasphemy. And the extremity of his circumstances mitigates both his blameworthiness and the potential real-life impact of his example.

But this climactic moment is the strongest element among several that, taken together, make this survival story as much a morally inhospitable wilderness as its setting is a natural one. Given the meager rewards of trekking through it, even most adults would be well advised to decline the journey altogether.

The film contains troubling themes—including suicide and one character's blasphemous expression of despair—frequent gory animal attacks, at least one use of profanity and pervasive rough, crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Joseph the Worker: Apparently in response to the “May Day” celebrations for workers sponsored by Communists, Pius XII instituted the feast of St. Joseph the Worker in 1955. But the relationship between Joseph and the cause of workers has a much longer history. 
<p>In a constantly necessary effort to keep Jesus from being removed from ordinary human life, the Church has from the beginning proudly emphasized that Jesus was a carpenter, obviously trained by Joseph in both the satisfactions and the drudgery of that vocation. Humanity is like God not only in thinking and loving, but also in creating. Whether we make a table or a cathedral, we are called to bear fruit with our hands and mind, ultimately for the building up of the Body of Christ.</p> American Catholic Blog It is much harder to criticize or to be angry with someone who wants to listen to you rather than lecture you or get angry in turn. Let people know that you are listening, that you know their pain, and that the message of respect for life also says that their lives are precious, no matter how strongly they disagree with you.

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