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ON FAITH & MEDIA View Comments

Extremely Loud & Incredibly Close

By
John Mulderig
Source: Catholic News Service


Thomas Horn and Tom Hanks star in "Extremely Loud and Incredibly Close."
Few events in recent history have exerted as deeply personal an impact on the lives of millions of Americans, and of people across the globe, as the attacks of 9/11.

So it's odd and a little baffling that a film based on our national tragedy of a decade ago should register—for most of its two-hour-plus running time, at least—as uninvolving.

Yet such is the case with "Extremely Loud & Incredibly Close" (Warner Bros.), director Stephen Daldry's grim screen version of the best-selling novel by Jonathan Safran Foer. Though his drama focuses on community, shared suffering and familial solidarity, and upholds positive, humanistic values, various factors within it seem to conspire to keep the audience at a distance.

To begin with, there's the eccentric personality of the movie's main character, introverted grade schooler Oskar Schell. While newcomer Thomas Horn does an admirable job of inhabiting Oskar, this young Manhattanite is anything but an Everyman—or perhaps Everyboy.

Oskar may or may not have the mild form of autism known as Asperger's syndrome; tests, he tells us at one point, were inconclusive. But he is undeniably pan-phobic, and the only thing that seems to soothe him—as he runs the gauntlet of such fear-inducing elements of New York life as subways, elevators and loud noises—is his ever-present tambourine.

Of course, Oskar has more reason to be fearful than most, given that his devoted father, Thomas (Tom Hanks), perished in the World Trade Center.

Devastated by his sudden loss, Oskar seeks diversion, as well as a prolonged sense of closeness to his dad, in an unusual quest. He's out to identify the purpose of a mysterious key he discovered among Thomas' belongings.

His search gains him the friendship of the traumatized German immigrant (Max von Sydow) who lodges with his grandmother. And it ultimately brings him closer to his seemingly grief-paralyzed mom, Linda (Sandra Bullock).

But the diffuse nature of his journey, which brings him into contact with a whole series of strangers—including, among others, a sympathetic transvestite—is another alienating, or at least distracting element for viewers.

While not suitable for Oskar's real-life peers, his story is presented in a way that most adults will find acceptable, a few rude puns exchanged with his building's doorman Stan (John Goodman) notwithstanding. But, as scripted by Eric Roth, his tale is likely to prove more emotionally trying than genuinely cathartic.

The film contains mature themes, some disturbing images, a transvestite character, a couple of crude terms and occasional vulgar wordplay. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Columban: Columban was the greatest of the Irish missionaries who worked on the European continent. As a young man who was greatly tormented by temptations of the flesh, he sought the advice of a religious woman who had lived a hermit’s life for years. He saw in her answer a call to leave the world. He went first to a monk on an island in Lough Erne, then to the great monastic seat of learning at Bangor. 
<p>After many years of seclusion and prayer, he traveled to Gaul (modern-day France) with 12 companion missionaries. They won wide respect for the rigor of their discipline, their preaching, and their commitment to charity and religious life in a time characterized by clerical laxity and civil strife. Columban established several monasteries in Europe which became centers of religion and culture. </p><p>Like all saints, he met opposition. Ultimately he had to appeal to the pope against complaints of Frankish bishops, for vindication of his orthodoxy and approval of Irish customs. He reproved the king for his licentious life, insisting that he marry. Since this threatened the power of the queen mother, Columban was deported to Ireland. His ship ran aground in a storm, and he continued his work in Europe, ultimately arriving in Italy, where he found favor with the king of the Lombards. In his last years he established the famous monastery of Bobbio, where he died. His writings include a treatise on penance and against Arianism, sermons, poetry and his monastic rule.</p> American Catholic Blog There are not a hundred people in America who hate the Catholic Church. There are millions of people who hate what they wrongly believe to be the Catholic Church—which is, of course, quite a different thing. –Bishop Fulton Sheen

 
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