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ON FAITH & MEDIA View Comments

Extremely Loud & Incredibly Close

By
John Mulderig
Source: Catholic News Service


Thomas Horn and Tom Hanks star in "Extremely Loud and Incredibly Close."
Few events in recent history have exerted as deeply personal an impact on the lives of millions of Americans, and of people across the globe, as the attacks of 9/11.

So it's odd and a little baffling that a film based on our national tragedy of a decade ago should register—for most of its two-hour-plus running time, at least—as uninvolving.

Yet such is the case with "Extremely Loud & Incredibly Close" (Warner Bros.), director Stephen Daldry's grim screen version of the best-selling novel by Jonathan Safran Foer. Though his drama focuses on community, shared suffering and familial solidarity, and upholds positive, humanistic values, various factors within it seem to conspire to keep the audience at a distance.

To begin with, there's the eccentric personality of the movie's main character, introverted grade schooler Oskar Schell. While newcomer Thomas Horn does an admirable job of inhabiting Oskar, this young Manhattanite is anything but an Everyman—or perhaps Everyboy.

Oskar may or may not have the mild form of autism known as Asperger's syndrome; tests, he tells us at one point, were inconclusive. But he is undeniably pan-phobic, and the only thing that seems to soothe him—as he runs the gauntlet of such fear-inducing elements of New York life as subways, elevators and loud noises—is his ever-present tambourine.

Of course, Oskar has more reason to be fearful than most, given that his devoted father, Thomas (Tom Hanks), perished in the World Trade Center.

Devastated by his sudden loss, Oskar seeks diversion, as well as a prolonged sense of closeness to his dad, in an unusual quest. He's out to identify the purpose of a mysterious key he discovered among Thomas' belongings.

His search gains him the friendship of the traumatized German immigrant (Max von Sydow) who lodges with his grandmother. And it ultimately brings him closer to his seemingly grief-paralyzed mom, Linda (Sandra Bullock).

But the diffuse nature of his journey, which brings him into contact with a whole series of strangers—including, among others, a sympathetic transvestite—is another alienating, or at least distracting element for viewers.

While not suitable for Oskar's real-life peers, his story is presented in a way that most adults will find acceptable, a few rude puns exchanged with his building's doorman Stan (John Goodman) notwithstanding. But, as scripted by Eric Roth, his tale is likely to prove more emotionally trying than genuinely cathartic.

The film contains mature themes, some disturbing images, a transvestite character, a couple of crude terms and occasional vulgar wordplay. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Peter Canisius: The energetic life of Peter Canisius should demolish any stereotypes we may have of the life of a saint as dull or routine. Peter lived his 76 years at a pace which must be considered heroic, even in our time of rapid change. A man blessed with many talents, Peter is an excellent example of the scriptural man who develops his talents for the sake of the Lord’s work. 
<p>He was one of the most important figures in the Catholic Reformation in Germany. His was such a key role that he has often been called the “second apostle of Germany” in that his life parallels the earlier work of Boniface (June 5). </p><p>Although Peter once accused himself of idleness in his youth, he could not have been idle too long, for at the age of 19 he received a master’s degree from the university at Cologne. Soon afterwards he met Peter Faber, the first disciple of Ignatius Loyola (July 31), who influenced Peter so much that he joined the recently formed Society of Jesus. </p><p>At this early age Peter had already taken up a practice he continued throughout his life—a process of study, reflection, prayer and writing. After his ordination in 1546, he became widely known for his editions of the writings of St. Cyril of Alexandria and St. Leo the Great. Besides this reflective literary bent, Peter had a zeal for the apostolate. He could often be found visiting the sick or prisoners, even when his assigned duties in other areas were more than enough to keep most people fully occupied. </p><p>In 1547 Peter attended several sessions of the Council of Trent, whose decrees he was later assigned to implement. After a brief teaching assignment at the Jesuit college at Messina, Peter was entrusted with the mission to Germany—from that point on his life’s work. He taught in several universities and was instrumental in establishing many colleges and seminaries. He wrote a catechism that explained the Catholic faith in a way which common people could understand—a great need of that age. </p><p>Renowned as a popular preacher, Peter packed churches with those eager to hear his eloquent proclamation of the gospel. He had great diplomatic ability, often serving as a reconciler between disputing factions. In his letters (filling eight volumes) one finds words of wisdom and counsel to people in all walks of life. At times he wrote unprecedented letters of criticism to leaders of the Church—yet always in the context of a loving, sympathetic concern. </p><p>At 70 Peter suffered a paralytic seizure, but he continued to preach and write with the aid of a secretary until his death in his hometown (Nijmegen, Netherlands) on December 21, 1597.</p> American Catholic Blog While we await the full and unending experience of God drawing near to us, we must continue to work in the vineyard. We must continue to make God’s love real in every condition and circumstance of our lives.

 
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