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ON FAITH & MEDIA View Comments

Extremely Loud & Incredibly Close

By
John Mulderig
Source: Catholic News Service


Thomas Horn and Tom Hanks star in "Extremely Loud and Incredibly Close."
Few events in recent history have exerted as deeply personal an impact on the lives of millions of Americans, and of people across the globe, as the attacks of 9/11.

So it's odd and a little baffling that a film based on our national tragedy of a decade ago should register—for most of its two-hour-plus running time, at least—as uninvolving.

Yet such is the case with "Extremely Loud & Incredibly Close" (Warner Bros.), director Stephen Daldry's grim screen version of the best-selling novel by Jonathan Safran Foer. Though his drama focuses on community, shared suffering and familial solidarity, and upholds positive, humanistic values, various factors within it seem to conspire to keep the audience at a distance.

To begin with, there's the eccentric personality of the movie's main character, introverted grade schooler Oskar Schell. While newcomer Thomas Horn does an admirable job of inhabiting Oskar, this young Manhattanite is anything but an Everyman—or perhaps Everyboy.

Oskar may or may not have the mild form of autism known as Asperger's syndrome; tests, he tells us at one point, were inconclusive. But he is undeniably pan-phobic, and the only thing that seems to soothe him—as he runs the gauntlet of such fear-inducing elements of New York life as subways, elevators and loud noises—is his ever-present tambourine.

Of course, Oskar has more reason to be fearful than most, given that his devoted father, Thomas (Tom Hanks), perished in the World Trade Center.

Devastated by his sudden loss, Oskar seeks diversion, as well as a prolonged sense of closeness to his dad, in an unusual quest. He's out to identify the purpose of a mysterious key he discovered among Thomas' belongings.

His search gains him the friendship of the traumatized German immigrant (Max von Sydow) who lodges with his grandmother. And it ultimately brings him closer to his seemingly grief-paralyzed mom, Linda (Sandra Bullock).

But the diffuse nature of his journey, which brings him into contact with a whole series of strangers—including, among others, a sympathetic transvestite—is another alienating, or at least distracting element for viewers.

While not suitable for Oskar's real-life peers, his story is presented in a way that most adults will find acceptable, a few rude puns exchanged with his building's doorman Stan (John Goodman) notwithstanding. But, as scripted by Eric Roth, his tale is likely to prove more emotionally trying than genuinely cathartic.

The film contains mature themes, some disturbing images, a transvestite character, a couple of crude terms and occasional vulgar wordplay. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Augustine of Canterbury: In the year 596, some 40 monks set out from Rome to evangelize the Anglo-Saxons in England. Leading the group was Augustine, the prior of their monastery in Rome. Hardly had he and his men reached Gaul (France) when they heard stories of the ferocity of the Anglo-Saxons and of the treacherous waters of the English Channel. Augustine returned to Rome and to the pope who had sent them—St. Gregory the Great (September 3 )—only to be assured by him that their fears were groundless. 
<p>Augustine again set out. This time the group crossed the English Channel and landed in the territory of Kent, ruled by King Ethelbert, a pagan married to a Christian, Bertha. Ethelbert received them kindly, set up a residence for them in Canterbury and within the year, on Pentecost Sunday, 597, was himself baptized. After being consecrated a bishop in France, Augustine returned to Canterbury, where he founded his see. He constructed a church and monastery near where the present cathedral, begun in 1070, now stands. As the faith spread, additional sees were established at London and Rochester. </p><p>Work was sometimes slow and Augustine did not always meet with success. Attempts to reconcile the Anglo-Saxon Christians with the original Briton Christians (who had been driven into western England by Anglo-Saxon invaders) ended in dismal failure. Augustine failed to convince the Britons to give up certain Celtic customs at variance with Rome and to forget their bitterness, helping him evangelize their Anglo-Saxon conquerors </p><p>Laboring patiently, Augustine wisely heeded the missionary principles—quite enlightened for the times—suggested by Pope Gregory the Great: purify rather than destroy pagan temples and customs; let pagan rites and festivals be transformed into Christian feasts; retain local customs as far as possible. The limited success Augustine achieved in England before his death in 605, a short eight years after he arrived in England, would eventually bear fruit long after in the conversion of England. Augustine of Canterbury can truly be called the “Apostle of England.”</p> American Catholic Blog When we go through pain it is easy to feel abandoned or forgotten, but suffering doesn’t mean God doesn’t love us, He does. Even Jesus suffered, and He was completely without sin.

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