AmericanCatholic.org
 
Skip Navigation Links
Home
Catholic News
Saints
Seasonal
Special Reports
Movies
Shopping
Donate
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Haywire

By
John P. McCarthy
Source: Catholic News Service


Michael Fassbender and Gina Carano star in a scene from the movie "Haywire."
With the fairly suspenseful but frequently brutal thriller "Haywire" (Relativity), filmmaker Steven Soderbergh tries his hand at action-oriented espionage. Stylish and spare, the result plays like the work of a talented yet restless director ticking another genre off his list.

What moviegoers may appreciate most about "Haywire" is that it clocks in at a swift 93 minutes. What they'll likely find most disconcerting is its casual approach to violence, even after allowing for the life-and-death nature of international spying and covert military operations.

In recent years, this terrain has been dominated by the "Bourne" trilogy and slickly outlandish fare such as the Angelina Jolie vehicle "Salt." Soderbergh attempts to lend some authenticity to his variation by casting mixed martial arts fighter Gina Carano in the lead role. That choice, together with the knowledge that the film's working title was "Knockout," provides an accurate barometer of what's in store.

Carano plays Mallory Kane, a former Marine engaged in black ops for a private company contracted by the U.S. government. We first meet the lethal brunette on the lam in upstate New York. How she became a fugitive is told in flashback, beginning with a Barcelona job during which she and several colleagues, including gung-ho Aaron (Channing Tatum), free a Chinese dissident being held by unidentified thugs.

Next, Mallory's boss and former boyfriend Kenneth (Ewan McGregor) sends her to Dublin to work alongside British secret agent Paul (Michael Fassbender). It's during this assignment that she's double-crossed and forced to go rogue to find out who has betrayed her and why. American spymaster Coblenz (Michael Douglas) is somehow involved, as is Spanish diplomat Rodrigo, limned by Antonio Banderas.

Soderbergh's lively cinematography—along with a jaunty musical score, glamorous international locales, and a seasoned supporting cast—gives the picture ample flair. But since the plot and dialogue exist solely to provide Carano the chance to display her considerable fighting skills, there's not much substance to be found. Attempts to explore character and tease out the human drama in the scenario don't register.

The intense, precisely choreographed hand-to-hand fight sequences, along with several exciting chases, stand out. Kudos to Carano for performing her own acrobatic stunts (without the use of wires or special effects) and to Soderbergh for capturing them with his typical energy and panache. Unfortunately, Mallory shows no mercy as she tracks down her betrayers. Although she's clearly the wronged party, her ruthless response is nonetheless morally culpable.

Close combat is Carano's metier; as for Soderbergh, with "Haywire," he once again demonstrates that, though he's adept at making different kinds of films, he has yet to master any one form.

Obviously enthused by the challenges of staging and shooting a certain type of action film, and the opportunity to pay homage to its progenitors, he seems uninterested in its thematic or ethical content.
The door is left open to a sequel but don't expect Soderbergh to be at the helm. No doubt he'll have moved on to something completely different.

The film contains much fierce hand-to-hand violence and gunplay, brief gore, an implied nonmarital encounter, at least one use of profanity and of rough language, some crude terms and an obscene gesture. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling.

The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
McCarthy is a guest reviewer for Catholic News Service.


Search reviews at CatholicMovieReviews.org


Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Mary Magdalene de' Pazzi: Mystical ecstasy is the elevation of the spirit to God in such a way that the person is aware of this union with God while both internal and external senses are detached from the sensible world. Mary Magdalene de' Pazzi was so generously given this special gift of God that she is called the "ecstatic saint." 
<p>She was born into a noble family in Florence in 1566. The normal course would have been for Catherine de' Pazzi to have married wealth and enjoyed comfort, but she chose to follow her own path. At nine she learned to meditate from the family confessor. She made her first Communion at the then-early age of 10 and made a vow of virginity one month later. When 16, she entered the Carmelite convent in Florence because she could receive Communion daily there. </p><p>Catherine had taken the name Mary Magdalene and had been a novice for a year when she became critically ill. Death seemed near so her superiors let her make her profession of vows from a cot in the chapel in a private ceremony. Immediately after, she fell into an ecstasy that lasted about two hours. This was repeated after Communion on the following 40 mornings. These ecstasies were rich experiences of union with God and contained marvelous insights into divine truths. </p><p>As a safeguard against deception and to preserve the revelations, her confessor asked Mary Magdalene to dictate her experiences to sister secretaries. Over the next six years, five large volumes were filled. The first three books record ecstasies from May of 1584 through Pentecost week the following year. This week was a preparation for a severe five-year trial. The fourth book records that trial and the fifth is a collection of letters concerning reform and renewal. Another book, <i>Admonitions</i>, is a collection of her sayings arising from her experiences in the formation of women religious. </p><p>The extraordinary was ordinary for this saint. She read the thoughts of others and predicted future events. During her lifetime, she appeared to several persons in distant places and cured a number of sick people. </p><p>It would be easy to dwell on the ecstasies and pretend that Mary Magdalene only had spiritual highs. This is far from true. It seems that God permitted her this special closeness to prepare her for the five years of desolation that followed when she experienced spiritual dryness. She was plunged into a state of darkness in which she saw nothing but what was horrible in herself and all around her. She had violent temptations and endured great physical suffering. She died in 1607 at 41, and was canonized in 1669.</p> American Catholic Blog Let us never tire, therefore, of seeking the Lord—of letting ourselves be sought by him—of tending over our relationship with him in silence and prayerful listening. Let us keep our gaze fixed on him, the center of time and history; let us make room for his presence within us.

Conversations with a Guardian Angel

 
CATHOLIC GREETINGS
Pentecost
As Church we rely on the Holy Spirit to form us in the image of Christ.

Graduation
Let a special graduate know how proud you are of their accomplishment.

Friendship
Catholic Greetings e-cards help you connect with long-distance friends.

Reception into Full Communion
Participate in welcoming those completing their Christian initiation, and recall your own commitment to the faith.

Ordination Anniversary
Use Catholic Greetings to acknowledge your pastor’s ordination or pastoral anniversary.




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2015