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ON FAITH & MEDIA View Comments

Red Tails

By
Kurt Jensen
Source: Catholic News Service

The last time audiences watched flag-waving hokum on the order of "Red Tails" (Fox), the show may have included a cartoon and a newsreel, and war bonds may have been for sale in the lobby. Patriotic corn, it seems, is not a staple that ages especially well.

During World War II, combat-themed films were relentlessly upbeat because the federal government, as well as the Production Code Administration, decreed such optimism to be in the interest of home-front morale.

But what director Anthony Hemingway and screenwriters John Ridley and Aaron McGruder obviously intended as an enthusiastic fact-based homage to that type of motion picture instead comes off as shallow and cliched storytelling about a famed group of Tuskegee Airmen.

As their film opens in 1944, the 332nd Fighter Group of the Army Air Forces—made up of African-American pilots based in Italy—are shown banished to rear-guard missions such as strafing a German supply train and making coastal patrols with second-hand P-40 Warhawks.

These fliers yearn to get into the scrap. But they face racism, not only from the distant Pentagon—where Col. A.J. Bullard (Terrence Howard) fights the good fight on behalf of his subordinates—but from their nearby white counterparts.

They're finally awarded the use of the P-51 Mustang—a muscular plane suitable for bomber escorts and nimble enough to outmaneuver the first German jets. This being the time before stealth aircraft, the Mustangs' noses and tails are painted bright red. Those at the controls clearly intend to be seen and remembered.

The history lesson is easy enough to convey if the filmmakers would only focus on the task at hand. Instead, they prefer to have their flyboys cracking wise with such remarks as "How you like that, Mr. Hitler?" and aphorisms like "Experience is a cruel teacher. You get the exam first, then the lesson."

The aviators are shown to be practicing Christians, particularly David "Deke" (short for Deacon) Watkins, played by Marcus T. Paulk. Deke's cockpit carries an icon of a black Jesus, and he leads his comrades in prayer before takeoff.

Tristan Wilds as Ray "Junior" Gannon finds romance with Sofia (Daniela Ruah), an Italian girl, and Cuba Gooding Jr. as Maj. Emmanuel Stance grunts a lot and never takes his pipe out of his mouth. On the up side, despite their predictable outcomes, the extended dogfight sequences are everything you'd expect from the greatest generation.

The film contains extensive aerial combat violence, an instance of implied premarital sex as well as fleeting crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog A mother journeys with her children all the way through their lives. She does not abandon her maternal mission when they are grown, though that mission certainly takes on different characteristics. The Church, too, accompanies us every step of the way. While baptism gives us birth into the Church, the other sacraments in their own way also nurture our souls as needed.

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