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ON FAITH & MEDIA View Comments

Joyful Noise

By
John Mulderig
Source: Catholic News Service


Dolly Parton and Kris Kristofferson star in a scene from the movie "Joyful Noise."
Divas duel and a red-state Romeo and Juliet fall for each other in "Joyful Noise" (Warner Bros.).

Though it gives a pass to an incidental out-of-wedlock fling, and showcases some humor and vocabulary that make it unsuitable for youngsters, writer-director Todd Graff's otherwise uplifting celebration of traditional values emphasizes trust in God and illustrates the positive effects of compassionate and forgiving behavior.

Set in the small, recession-ravaged fictional burgh of Pacashau, Ga., this vibrant, faith-driven blend of comedy, drama and music focuses on the sometimes raucous, but ultimately friendly rivalry between Vi Rose Hill (Queen Latifah) and G.G. Sparrow (Dolly Parton), two leading members of a local church choir.

Just as their ensemble is preparing to compete in the higher rounds of the singing competition from which the film takes its title, G.G.'s husband, Bernie (Kris Kristofferson), the chorus' long-standing director, suddenly dies. In his place, the pastor (Courtney B. Vance) appoints, not G.G. herself, but her nemesis, Vi Rose.

While the two jostle over whether to alter the group's repertoire and performing style—despite her enduring love for her late spouse, it's G.G. who urges innovation—G.G.'s free-spirited, mildly prodigal grandson Randy (Jeremy Jordan) returns to town. There he's promptly wowed by another of the chorale's stars, Vi Rose's strictly reared daughter, Olivia (Keke Palmer).

Despite his reputation as a wayward kid, and his taste for such dubious musical selections as a rap tune called "I'm 'n Luv (Wit a Stripper)," Randy proves himself, in most respects, a model teen.

Not only does his relationship with Olivia unfold in a respectful and restrained manner, but he also takes the opportunity to befriend Olivia's vulnerable brother, Walter (Dexter Darden), whose Asperger's syndrome renders him an outcast. Additionally, though Randy has a fistfight with a competitor for Olivia's affections, he later reconciles with the lad in an exemplary manner.

(With a kind of Andy Hardy, let's-put-on-a-show inevitability, all three of the aforementioned characters turn out to have musical gifts that are eventually deployed for the greater glory of God and the exultation of Pacashau's Divinity Church Choir.)

Though burdened with a difficult lifestyle—she's effectively separated, against her will, from her absent Army officer husband, Marcus (Jesse L. Martin), and works long hours as a nurse—Vi Rose's faith never falters. She gives eloquent expression to it both in no-nonsense dialogue and in song; her rendition of the traditional spiritual "Fix Me, Jesus" is one of the movie's emotional highlights.

Catholic viewers may be a bit put off to find Vi Rose, G.G. et al. eventually competing against a choir from "Our Lady of Perpetual Tears." Whether this conflation of two genuine Marian titles—Our Lady of Perpetual Help and the lesser-known Our Lady of Tears—is intended as a passing satire on Catholic devotions, or merely arises from unfamiliarity with them, is difficult to determine.

In terms of the broad patrimony of Christian faith and Gospel values, however, "Joyful Noise" is unapologetically, unabashedly affirmative to a degree rarely seen in contemporary Hollywood offerings.

The film contains a premarital situation, occasional sexual references and jokes, about a half-dozen crude expressions and some crass language. The Catholic News Service classification is A-III— adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Augustine of Hippo: A Christian at 33, a priest at 36, a bishop at 41: Many people are familiar with the biographical sketch of Augustine of Hippo, sinner turned saint. But really to get to know the man is a rewarding experience. 
<p>There quickly surfaces the intensity with which he lived his life, whether his path led away from or toward God. The tears of his mother, the instructions of Ambrose and, most of all, God himself speaking to him in the Scriptures redirected Augustine’s love of life to a life of love. </p><p>Having been so deeply immersed in creature-pride of life in his early days and having drunk deeply of its bitter dregs, it is not surprising that Augustine should have turned, with a holy fierceness, against the many demon-thrusts rampant in his day. His times were truly decadent—politically, socially, morally. He was both feared and loved, like the Master. The perennial criticism leveled against him: a fundamental rigorism. </p><p>In his day, he providentially fulfilled the office of prophet. Like Jeremiah and other greats, he was hard-pressed but could not keep quiet. “I say to myself, I will not mention him,/I will speak in his name no more./But then it becomes like fire burning in my heart,/imprisoned in my bones;/I grow weary holding it in,/I cannot endure it” (Jeremiah 20:9).</p> American Catholic Blog Pope Francis said, “The Church gives us the life of faith in Baptism: that is the moment in which she gives birth to us as children of God, the moment she gives us the life of God, she engenders us as a mother would.”

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