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ON FAITH & MEDIA View Comments

Joyful Noise

By
John Mulderig
Source: Catholic News Service


Dolly Parton and Kris Kristofferson star in a scene from the movie "Joyful Noise."
Divas duel and a red-state Romeo and Juliet fall for each other in "Joyful Noise" (Warner Bros.).

Though it gives a pass to an incidental out-of-wedlock fling, and showcases some humor and vocabulary that make it unsuitable for youngsters, writer-director Todd Graff's otherwise uplifting celebration of traditional values emphasizes trust in God and illustrates the positive effects of compassionate and forgiving behavior.

Set in the small, recession-ravaged fictional burgh of Pacashau, Ga., this vibrant, faith-driven blend of comedy, drama and music focuses on the sometimes raucous, but ultimately friendly rivalry between Vi Rose Hill (Queen Latifah) and G.G. Sparrow (Dolly Parton), two leading members of a local church choir.

Just as their ensemble is preparing to compete in the higher rounds of the singing competition from which the film takes its title, G.G.'s husband, Bernie (Kris Kristofferson), the chorus' long-standing director, suddenly dies. In his place, the pastor (Courtney B. Vance) appoints, not G.G. herself, but her nemesis, Vi Rose.

While the two jostle over whether to alter the group's repertoire and performing style—despite her enduring love for her late spouse, it's G.G. who urges innovation—G.G.'s free-spirited, mildly prodigal grandson Randy (Jeremy Jordan) returns to town. There he's promptly wowed by another of the chorale's stars, Vi Rose's strictly reared daughter, Olivia (Keke Palmer).

Despite his reputation as a wayward kid, and his taste for such dubious musical selections as a rap tune called "I'm 'n Luv (Wit a Stripper)," Randy proves himself, in most respects, a model teen.

Not only does his relationship with Olivia unfold in a respectful and restrained manner, but he also takes the opportunity to befriend Olivia's vulnerable brother, Walter (Dexter Darden), whose Asperger's syndrome renders him an outcast. Additionally, though Randy has a fistfight with a competitor for Olivia's affections, he later reconciles with the lad in an exemplary manner.

(With a kind of Andy Hardy, let's-put-on-a-show inevitability, all three of the aforementioned characters turn out to have musical gifts that are eventually deployed for the greater glory of God and the exultation of Pacashau's Divinity Church Choir.)

Though burdened with a difficult lifestyle—she's effectively separated, against her will, from her absent Army officer husband, Marcus (Jesse L. Martin), and works long hours as a nurse—Vi Rose's faith never falters. She gives eloquent expression to it both in no-nonsense dialogue and in song; her rendition of the traditional spiritual "Fix Me, Jesus" is one of the movie's emotional highlights.

Catholic viewers may be a bit put off to find Vi Rose, G.G. et al. eventually competing against a choir from "Our Lady of Perpetual Tears." Whether this conflation of two genuine Marian titles—Our Lady of Perpetual Help and the lesser-known Our Lady of Tears—is intended as a passing satire on Catholic devotions, or merely arises from unfamiliarity with them, is difficult to determine.

In terms of the broad patrimony of Christian faith and Gospel values, however, "Joyful Noise" is unapologetically, unabashedly affirmative to a degree rarely seen in contemporary Hollywood offerings.

The film contains a premarital situation, occasional sexual references and jokes, about a half-dozen crude expressions and some crass language. The Catholic News Service classification is A-III— adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Conrad of Parzham: Conrad spent most of his life as porter in Altoetting, Bavaria, letting people into the friary and indirectly encouraging them to let God into their lives. 
<p>His parents, Bartholomew and Gertrude Birndorfer, lived near Parzham, Bavaria. In those days this region was recovering from the Napoleonic wars. A lover of solitary prayer and a peacemaker as a young man, Conrad joined the Capuchins as a brother. He made his profession in 1852 and was assigned to the friary in Altoetting. That city’s shrine to Mary was very popular; at the nearby Capuchin friary there was a lot of work for the porter, a job Conrad held for 41 years. </p><p>At first some of the other friars were jealous that such a young friar held this important job. Conrad’s patience and holy life overcame their doubts. As porter he dealt with many people, obtaining many of the friary supplies and generously providing for the poor who came to the door. He treated them all with the courtesy Francis expected of his followers. </p><p>Conrad’s helpfulness was sometimes unnerving. Once Father Vincent, seeking quiet to prepare a sermon, went up the belltower of the church. Conrad tracked him down when someone wanting to go to confession specifically requested Father Vincent. </p><p>Conrad also developed a special rapport with the children of the area. He enthusiastically promoted the Seraphic Work of Charity, which aided neglected children. </p><p>Conrad spent hours in prayer before the Blessed Sacrament. He regularly asked the Blessed Mother to intercede for him and for the many people he included in his prayers. The ever-patient Conrad was canonized in 1934.</p> American Catholic Blog The Resurrection is neither optimism nor idealism; it is truth. Atheism proclaims the tomb is full; Christians know it is empty.

 
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