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ON FAITH & MEDIA View Comments

Contraband

By
John P. McCarthy
Source: Catholic News Service

Movies set in criminal milieus are often less than life-affirming because of the nature of the felonious activity being depicted. Yet there's something especially dispiriting about a crime thriller that only succeeds in being gritty on the surface because it doesn't follow through on its own logic.

In the case of "Contraband" (Universal), a movie that promptly bogs down in a sea of expletives, the protagonist is an ex-smuggler who not only thwarts the bad guys while miraculously avoiding harm, but has no compunction about enjoying ill-gotten plunder. This revelation doesn't qualify as a plot spoiler since the story follows a very predictable trajectory.

Moreover, considering all the vulgar language and violence one must endure before the falsely happy ending, the morally suspect message ultimately transmitted by "Contraband" amounts to adding insult to injury.

Mark Wahlberg plays putative hero Chris Farraday. Chris and his best friend, Sebastian Abney, (Ben Foster) are celebrated in New Orleans crime circles as "the Lennon and McCartney" of smuggling. That's in the past, however. When the movie begins, Chris has quit the racket, started a legitimate alarm installation business, and moved to a quiet parish with his wife, Kate (Kate Beckinsale), and their two young sons.

When Kate's little brother, Andy (Caleb Landry Jones), lands in hot water while trafficking cocaine, Chris decides he must pull one more job to raise the funds Andy owes drug dealer Briggs (Giovanni Ribisi), who threatens the entire Farraday family. Reuniting with some of his old associates, Chris joins the crew of a container ship and heads to Panama where there's a stash of counterfeit greenbacks waiting for him to smuggle into the United States.

Sebastian stays in New Orleans and vows to protect Kate and the boys.

Based on the 2008 Nordic thriller "Reykjavik-Rotterdam," "Contraband" features energetic cinematography and ample heist tension. But Baltasar Kormakur, who produced and starred in the original, directs this Hollywood reboot without taking advantage of Big Easy atmospherics, exploiting the relatively novel shipboard setting, or revealing the ins and outs of high-seas smuggling. Plot twists are telegraphed and many of the supporting performances are over the top.

Adults who fancy hard-boiled crime flicks might be willing to withstand the nonstop obscenities (which threaten to sink the picture even before the opening title sequence concludes), if Chris' repudiation of the criminal life wasn't so short-lived and insincere.

Aaron Guzikowski's script, however, shows him profiting from the escapade, and unrealistically avoiding any lasting damage, thus sending the message that crime does pay if you're clever enough. We're asked to believe that the ability to outwit the authorities and your fellow thugs renders a person immune from moral corruption.

The film contains skewed values, much lethal but only moderately graphic violence, one instance of drug use, some profanity and pervasive rough, crude and crass language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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<p>At an early age Bede was entrusted to the care of the abbot of the Monastery of St. Paul, Jarrow. The happy combination of genius and the instruction of scholarly, saintly monks produced a saint and an extraordinary scholar, perhaps the most outstanding one of his day. He was deeply versed in all the sciences of his times: natural philosophy, the philosophical principles of Aristotle, astronomy, arithmetic, grammar, ecclesiastical history, the lives of the saints and, especially, Holy Scripture.</p><p>From the time of his ordination to the priesthood at 30 (he had been ordained deacon at 19) till his death, he was ever occupied with learning, writing and teaching. Besides the many books that he copied, he composed 45 of his own, including 30 commentaries on books of the Bible. </p><p>Although eagerly sought by kings and other notables, even Pope Sergius, Bede managed to remain in his own monastery till his death. Only once did he leave for a few months in order to teach in the school of the archbishop of York. Bede died in 735 praying his favorite prayer: “Glory be to the Father, and to the Son, and to the Holy Spirit. As in the beginning, so now, and forever.” </p><p>His <i>Ecclesiastical History of the English People</i> is commonly regarded as of decisive importance in the art and science of writing history. A unique era was coming to an end at the time of Bede’s death: It had fulfilled its purpose of preparing Western Christianity to assimilate the non-Roman barbarian North. Bede recognized the opening to a new day in the life of the Church even as it was happening.</p> American Catholic Blog The truth is that suffering can be a beautiful thing, if we have the courage to trust God with everything, like Jesus did upon the cross.

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