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ON FAITH & MEDIA View Comments

The Darkest Hour

By
Kurt Jensen
Source: Catholic News Service


Olivia Thirlby and Emile Hirsch star in the thriller "The Darkest Hour."
In an earlier era, "The Darkest Hour" (Summit)—a weak entry about plucky youngsters running away from invading aliens—would have been marketed as cheap thrills for drive-in moviegoers.

That era having passed, the flick is instead being retailed as a collection of expensive 3-D thrills, a ploy that only serves to highlight its stale plot. As sketched for us by director Chris Gorak and screenwriter Jon Spaihts, said story line depends on characters making bad decisions about going through the deserted streets of Moscow to see whether someone will get blown up by those aggressive intruders.

Moral behavior, for good or ill, doesn't enter into it.

Sean, Natalie, Ben, Anne and Skyler (Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor and Joel Kinnaman, respectively) are Americans visiting the brightly lit Russian capital for a variety of purposes. Just as everything starts hopping at a noisy disco, though, the aliens, in the form of lethal golden balls of microwave radiation, drop from the heavens like so many untoward versions of Peter Pan's Tinkerbell.

They promptly suck all the power from the electrical grid and all electronic devices, and display further bad manners by slaying folks—right, left and center. The first time it happens, it's perhaps morbidly interesting to see someone explode in a shower of 3-D crystalline flakes. The second, third and umpteenth time, not so much.

The aliens always give themselves away because their presence makes the lights flicker. So it's relatively easy to hide from them.

Viewers of any cinematic taste, however, would be better advised not to seek them in the first place.

The film contains action violence and fleeting profane, crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
Kurt Jensen is a guest reviewer for Catholic News Service.



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John Joseph of the Cross: Self-denial is never an end in itself but is only a help toward greater charity—as the life of St. John Joseph shows. 
<p>John Joseph was very ascetic even as a young man. At 16 he joined the Franciscans in Naples; he was the first Italian to follow the reform movement of St. Peter Alcantara. John Joseph’s reputation for holiness prompted his superiors to put him in charge of establishing a new friary even before he was ordained. </p><p>Obedience moved John Joseph to accept appointments as novice master, guardian and, finally, provincial. His years of mortification enabled him to offer these services to the friars with great charity. As guardian he was not above working in the kitchen or carrying the wood and water needed by the friars. </p><p>When his term as provincial expired, John Joseph dedicated himself to hearing confessions and practicing mortification, two concerns contrary to the spirit of the dawning Age of Enlightenment. John Joseph was canonized in 1839.</p> American Catholic Blog Humility is possible only for the free. Those who are secure in the Father’s love, have no need of pomp and circumstance or people fawning on them. They know who they are, where they’ve come from, and where they are going. Not taking themselves too seriously, they can laugh at themselves. The proud cannot.


 
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