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ON FAITH & MEDIA View Comments

Sherlock Holmes: A Game of Shadows

By
John Mulderig
Source: Catholic News Service

"Sherlock Holmes: A Game of Shadows" (Warner Bros.), director Guy Ritchie's second take on the classic detective fiction of Sir Arthur Conan Doyle, follows the pattern of its predecessor as it downplays old-fashioned sleuthing in favor of a constant flow of confrontations, escapades and escapes.

While the fast-paced proceedings ought to be off-limits for youngsters, adults with a high degree of tolerance for stylized violence will likely find them diverting enough.

This time out, it's 1891, and Robert Downey Jr.'s Holmes is on the trail of his ultimate adversary, evil genius par excellence Professor James Moriarty (Jared Harris). For reasons that only gradually become apparent, Moriarty is conspiring to destabilize European politics and bring on a general war.

That's bad news for Holmes' recently wed sidekick Dr. Watson (Jude Law), the chronicler of the great man's exploits, and for his bride Mary (Kelly Reilly), since their honeymoon trip is violently interrupted by Moriarty's machinations.

The tension between the two long-standing collaborators over Watson's marriage plans was a major theme of Ritchie's previous film. Here, Holmes' unspoken jealousy over his friend's prospects for domestic bliss continues to smolder, as too does his fear of abandonment.

As portrayed by husband-and-wife screenwriters Michele and Kieran Mulroney, these emotions entail—or are at least accompanied by—some vaguely homoerotic humor. At one point, for instance, Watson tussles with a drag-disguised Holmes, and the two end up in a position that could easily be mistaken for a clinch of a different kind.

Watson's nuptials, and Holmes' ongoing interest in femme fatale Irene Adler (Rachel McAdams) suggest, though, that these incidents are not to be taken as anything more than comic fluff, along the lines of director Billy Wilder's 1959 cross-dressing romp "Some Like It Hot."

As their struggle with Moriarty leads them from London to Paris to Germany and eventually on to Switzerland, the iconic pair is aided by a Gypsy fortuneteller named Sim (Noomi Rapace) and by Holmes' bon vivant older brother Mycroft (Stephen Fry).

Mycroft's eccentricities become the occasion for another scene of adult humor when he is shown to be quite uninhibited about wandering around in his birthday suit, much to the blushing confusion of other characters. Only as much of his physique is shared with the audience, however, as might be seen on a loose-belted plumber.

The fist fighting and gunplay that take up so much of the film's running time reach a climactic crescendo when the inventory of a munitions factory is employed both by and against our heroes.

This is in keeping with another of the movie's themes—namely, that Moriarty's efforts to ignite a worldwide conflict foreshadow the doom-laden real-life events of 1914. But it's also the clearest signal yet that, despite its venerable source material, this is not a family-oriented offering.

The film contains constant action violence, including a suicide, torture and some glimpses of gore; partial rear and implied full nudity; fleeting sexual humor; and a few crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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