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ON FAITH & MEDIA View Comments

War Horse

By
John Mulderig
Source: Catholic News Service


Jeremy Irvine stars in Steven Spielberg's "War Horse."
"War Horse" (Disney) is director Steven Spielberg's epic screen version of Michael Morpurgo's 1982 novel, the stage adaptation of which has proved a critical and popular success both in London and on Broadway.

Despite Morpurgo's tenure as the U.K.'s official children's laureate, though, Spielberg's vast canvas makes unsuitable viewing for kids—because of the intensity of the onscreen drama, the level of violence in scenes of World War I fighting and some of the vocabulary used in screenwriters Lee Hall and Richard Curtis' script. Mature audience members, on the other hand, will encounter a stirring affirmation of human solidarity amid the tragedy of the trenches.

Ironically, this realization of shared values is brought about by the heroism and endurance of the film's nonhuman protagonist, the titular equine.

We first meet the thoroughbred—who eventually acquires the sobriquet Joey—while he's in the auction pen of a small English town. There he sets off a bidding war between the local squire (David Thewlis) and one of his tenants, farmer Ted Narracott (Peter Mullan). Though he can neither afford nor use the animal, Ted stubbornly outbids his overbearing landlord just to thwart him.

When Ted brings Joey home, his good-hearted but timid wife Rosie (Emily Watson) is appalled; his teenage son Albert (newcomer Jeremy Irvine), by contrast, is delighted. Albert insists that he can transform Joey into a working horse, capable of plowing the fields. Though he eventually does so, with the onset of the Great War, continuing economic pressures prompt Ted to sell Joey to Captain Nicholls (Tom Hiddleston), an army officer bound for the Western Front.

This initiates a series of adventures and trials that are, by turns, touching and harrowing. The horrors to which Joey is subjected will likely make the substantial portion of the movie that follows a difficult slog for animal lovers, while those indifferent to our furry, feathered or hoofed friends will hardly be drawn to this tale in the first place.

But those who imitate Joey by persevering through it all will find themselves rewarded with a positive message based on humanistic values.

The film contains considerable combat and other violence, including an execution; about a half-dozen uses of crass language; and a few vague sexual references. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Monica: The circumstances of St. Monica’s life could have made her a nagging wife, a bitter daughter-in-law and a despairing parent, yet she did not give way to any of these temptations. Although she was a Christian, her parents gave her in marriage to a pagan, Patricius, who lived in her hometown of Tagaste in North Africa. Patricius had some redeeming features, but he had a violent temper and was licentious. Monica also had to bear with a cantankerous mother-in-law who lived in her home. Patricius criticized his wife because of her charity and piety, but always respected her. Monica’s prayers and example finally won her husband and mother-in-law to Christianity. Her husband died in 371, one year after his baptism. 
<p>Monica had at least three children who survived infancy. The oldest, Augustine (August 28) , is the most famous. At the time of his father’s death, Augustine was 17 and a rhetoric student in Carthage. Monica was distressed to learn that her son had accepted the Manichean heresy (all flesh is evil)  and was living an immoral life. For a while, she refused to let him eat or sleep in her house. Then one night she had a vision that assured her Augustine would return to the faith. From that time on, she stayed close to her son, praying and fasting for him. In fact, she often stayed much closer than Augustine wanted. </p><p>When he was 29, Augustine decided to go to Rome to teach rhetoric. Monica was determined to go along. One night he told his mother that he was going to the dock to say goodbye to a friend. Instead, he set sail for Rome. Monica was heartbroken when she learned of Augustine’s trick, but she still followed him. She arrived in Rome only to find that he had left for Milan. Although travel was difficult, Monica pursued him to Milan. </p><p>In Milan, Augustine came under the influence of the bishop, St. Ambrose, who also became Monica’s spiritual director. She accepted his advice in everything and had the humility to give up some practices that had become second nature to her (see Quote, below). Monica became a leader of the devout women in Milan as she had been in Tagaste. </p><p>She continued her prayers for Augustine during his years of instruction. At Easter, 387, St. Ambrose baptized Augustine and several of his friends. Soon after, his party left for Africa. Although no one else was aware of it, Monica knew her life was near the end. She told Augustine, “Son, nothing in this world now affords me delight. I do not know what there is now left for me to do or why I am still here, all my hopes in this world being now fulfilled.” She became ill shortly after and suffered severely for nine days before her death. </p><p>Almost all we know about St. Monica is in the writings of St. Augustine, especially his <i>Confessions</i>.</p> American Catholic Blog Trust always and a great deal in divine providence; never, never must you let yourselves be discouraged, despite contrary winds. I say it again: trust in God and Mary Immaculate; be faithful and forge ahead! <br />-Paulina do Coração Agonizante de Jesus

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