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ON FAITH & MEDIA View Comments

War Horse

By
John Mulderig
Source: Catholic News Service


Jeremy Irvine stars in Steven Spielberg's "War Horse."
"War Horse" (Disney) is director Steven Spielberg's epic screen version of Michael Morpurgo's 1982 novel, the stage adaptation of which has proved a critical and popular success both in London and on Broadway.

Despite Morpurgo's tenure as the U.K.'s official children's laureate, though, Spielberg's vast canvas makes unsuitable viewing for kids—because of the intensity of the onscreen drama, the level of violence in scenes of World War I fighting and some of the vocabulary used in screenwriters Lee Hall and Richard Curtis' script. Mature audience members, on the other hand, will encounter a stirring affirmation of human solidarity amid the tragedy of the trenches.

Ironically, this realization of shared values is brought about by the heroism and endurance of the film's nonhuman protagonist, the titular equine.

We first meet the thoroughbred—who eventually acquires the sobriquet Joey—while he's in the auction pen of a small English town. There he sets off a bidding war between the local squire (David Thewlis) and one of his tenants, farmer Ted Narracott (Peter Mullan). Though he can neither afford nor use the animal, Ted stubbornly outbids his overbearing landlord just to thwart him.

When Ted brings Joey home, his good-hearted but timid wife Rosie (Emily Watson) is appalled; his teenage son Albert (newcomer Jeremy Irvine), by contrast, is delighted. Albert insists that he can transform Joey into a working horse, capable of plowing the fields. Though he eventually does so, with the onset of the Great War, continuing economic pressures prompt Ted to sell Joey to Captain Nicholls (Tom Hiddleston), an army officer bound for the Western Front.

This initiates a series of adventures and trials that are, by turns, touching and harrowing. The horrors to which Joey is subjected will likely make the substantial portion of the movie that follows a difficult slog for animal lovers, while those indifferent to our furry, feathered or hoofed friends will hardly be drawn to this tale in the first place.

But those who imitate Joey by persevering through it all will find themselves rewarded with a positive message based on humanistic values.

The film contains considerable combat and other violence, including an execution; about a half-dozen uses of crass language; and a few vague sexual references. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Gerard of Lunel: Gerard, born into a noble family in southern France, showed an early inclination to piety—so much so that he received the habit of the Third Order of St. Francis at the age of five. When he was 18, Gerard and his brother, Effrenaud, hid themselves in a cave on the banks of a river and began two years of living as hermits. Both brothers then decided to go on a pilgrimage, in part to discourage the many visitors to the hermitage who had heard of their reputation for holiness. Making their way to Rome on foot, they spent two years there, visiting its many famous churches and shrines. 
<p>They intended to continue to Jerusalem, but Gerard collapsed on the way. While his brother went to seek help, he left Gerard in a simple cottage near Montesanto, Italy, but Gerard expired before his brother's return. </p><p>Many miracles are said to have taken place at Gerard's tomb, making it a favorite place of pilgrimage. People who were afflicted with headaches or subject to epilepsy experienced special relief through his intercession. The city of Montesanto has long venerated Blessed Gerard as its principal patron. He is sometimes known as Gery, Gerius or Roger of Lunel.</p> American Catholic Blog It is an astonishing truth that God made human beings in his image. An immortal, rational, free and loving God made beings who have immortal souls and who are rational, free, and made to love and to be loved. Human life is sacred because it specifically reflects the nature of the divine.

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