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ON FAITH & MEDIA View Comments

My Week With Marilyn

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

A few years ago I was at a lecture by film critic, academic and historian Richard A. Blake, SJ, at the University of Dayton. (In 2000 he published “Afterimage: The Indelible Catholic Imagination of Six American Film Makers”, a book every film student would do well to read. Blake also reviews films for “America” magazine.)

During the Q & A that followed his lecture about the great male film directors throughout history, I asked Fr. Blake if there was at least one female director that had made a significant contribution to the history of Hollywood. He thought for a moment and then said, “Well, if there is one woman who has done so it would be Marilyn Monroe.” He did not elaborate. All I could think of is that if Marilyn were alive today, she and Blake would be about the same age. Tragically, Marilyn died of a suspected overdose in 1962. I was ten years old and I remember her death well, though I was much more impressed and saddened by the death of my hero Superman, i.e., George Reeves in 1959. Maybe it’s an age thing.

I ran into the same adulation for Monroe when I took a History of Film course at the University of London while studying for my master’s degree. The instructor seemed besotted by Marilyn Monroe, and frankly none of us students, co-ed from twelve countries, between the ages of 23 and 63) could understand it.

But if Oscar-nominated actress Michelle Williams’ performance as Marilyn Monroe is to be believed, then perhaps Richard Blake’s opinion, as well as that of my instructor, has some substance in terms of the unattainable dream that Marilyn represented and filmmakers created.

“My Week with Marilyn” is based on a true story as told in two books by Colin Clark, the third assistant to director/actor Sir Laurence Olivier in the making of the 1956 film “The Prince and the Showgirl.” Marilyn would have been 30 years old at the time, on her third marriage, and Colin, 24, a young, likeable, single filmmaker wannabe. Colin was kind to her and they spent some free time together (one skinny dipping scene) and a comforting non-sexual night. Marilyn lacked confidence and was joined at the hip to an acting coach as well as assistants who gave her pills for everything.

Michelle Williams’ performance was spot on, but so was that of Judy Dench as the mother of the prince, though she seemed to have most of the dialogue throughout the film.

This film, directed by Simon Curtis, seemed to really be about capturing the aura and pathos of the life of two gifted and beautiful actresses: Marilyn and Michelle. I think Michelle has already learned enough lessons from the film business to last a lifetime. (Michelle Williams has a daughter with Heath Ledger, who died in 2008 of an accidental overdose.)




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Joseph the Worker: Apparently in response to the “May Day” celebrations for workers sponsored by Communists, Pius XII instituted the feast of St. Joseph the Worker in 1955. But the relationship between Joseph and the cause of workers has a much longer history. 
<p>In a constantly necessary effort to keep Jesus from being removed from ordinary human life, the Church has from the beginning proudly emphasized that Jesus was a carpenter, obviously trained by Joseph in both the satisfactions and the drudgery of that vocation. Humanity is like God not only in thinking and loving, but also in creating. Whether we make a table or a cathedral, we are called to bear fruit with our hands and mind, ultimately for the building up of the Body of Christ.</p> American Catholic Blog It is much harder to criticize or to be angry with someone who wants to listen to you rather than lecture you or get angry in turn. Let people know that you are listening, that you know their pain, and that the message of respect for life also says that their lives are precious, no matter how strongly they disagree with you.

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