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ON FAITH & MEDIA View Comments

New Year's Eve

By
John Mulderig
Source: Catholic News Service


Michelle Pfeiffer in "New Year's Eve."
A disappointing salute to an often disappointing social event, "New Year's Eve" (Warner Bros.) wastes a talented ensemble cast on a painfully forced romantic comedy.

Reuniting for a follow-up to 2010's "Valentine's Day," director Garry Marshall and screenwriter Katherine Fugate weave a web of love stories largely free of the moral tangles that marred their earlier collaboration. The humor falls flat, while the script's strained effort to transform Dec. 31st into a kind of secular High Holy Day is simply irritating.

Part of the problem may be that there are just too many thin characters on screen—with too little time devoted to any one of them—for viewers to form sympathetic connections.

The movie tracks the intersecting paths of Claire (Hilary Swank), the executive in charge of the titular holiday's iconic celebration in New York's Times Square; a rock star called Jensen (Jon Bon Jovi) who's headlining the evening's entertainment there; Laura (Katherine Heigl), the up-and-coming caterer to whom the rocker was once engaged; and Elise (Lea Michele), one of Jensen's backup singers who finds herself trapped in an elevator for hours with Randy (Ashton Kutcher), a slacker.

Also thrown into the mix are Robert De Niro as a dying hospital patient, Halle Berry as his faithful nurse, Michelle Pfeiffer as an inhibited middle-age office worker out for adventure and Zac Efron as the free-spirited bike messenger she enlists to help her find it. And that's not even mentioning the pair of married couples—played by Jessica Biel, Seth Meyers, Sarah Paulson and Til Schweiger—aggressively competing for the $25,000 prize awarded to the first baby born after midnight.

Yet another story line, this one revolving around the mother-and-daughter duo of Kim (Sarah Jessica Parker) and Hailey (Abigail Breslin), demonstrates the noticeable—and welcome—shift in tone between Marshall and Fugate's previous offering and this one. Hailey's rebellion against overly protective Kim is sparked by the 15-year-old's desire to obtain her first kiss from a classmate.

Also showing that the filmmakers have not entirely abandoned their old ways is the minor figure of a frisky grandpa. He pops up in still another plot pod, this one concerning a young record industry mogul portrayed by Josh Duhamel. As Gramps' family helps Duhamel's character return to the Big Apple after a minor car crash in the wilds, the less-than-staid patriarch evinces a prurient interest in their passenger's sex life.

The old-guy-talking-dirty gambit, needless to say, fizzles like inferior champagne. As for the attempt to celebrate year's end as an opportunity for mutual forgiveness and fresh dreaming, it's as strident as a noisemaker and achieves a similarly jarring effect.

The film contains some sexual references and humor, at least one use of the F-word as well as occasional crude language and crass slang. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Peter Canisius: The energetic life of Peter Canisius should demolish any stereotypes we may have of the life of a saint as dull or routine. Peter lived his 76 years at a pace which must be considered heroic, even in our time of rapid change. A man blessed with many talents, Peter is an excellent example of the scriptural man who develops his talents for the sake of the Lord’s work. 
<p>He was one of the most important figures in the Catholic Reformation in Germany. His was such a key role that he has often been called the “second apostle of Germany” in that his life parallels the earlier work of Boniface (June 5). </p><p>Although Peter once accused himself of idleness in his youth, he could not have been idle too long, for at the age of 19 he received a master’s degree from the university at Cologne. Soon afterwards he met Peter Faber, the first disciple of Ignatius Loyola (July 31), who influenced Peter so much that he joined the recently formed Society of Jesus. </p><p>At this early age Peter had already taken up a practice he continued throughout his life—a process of study, reflection, prayer and writing. After his ordination in 1546, he became widely known for his editions of the writings of St. Cyril of Alexandria and St. Leo the Great. Besides this reflective literary bent, Peter had a zeal for the apostolate. He could often be found visiting the sick or prisoners, even when his assigned duties in other areas were more than enough to keep most people fully occupied. </p><p>In 1547 Peter attended several sessions of the Council of Trent, whose decrees he was later assigned to implement. After a brief teaching assignment at the Jesuit college at Messina, Peter was entrusted with the mission to Germany—from that point on his life’s work. He taught in several universities and was instrumental in establishing many colleges and seminaries. He wrote a catechism that explained the Catholic faith in a way which common people could understand—a great need of that age. </p><p>Renowned as a popular preacher, Peter packed churches with those eager to hear his eloquent proclamation of the gospel. He had great diplomatic ability, often serving as a reconciler between disputing factions. In his letters (filling eight volumes) one finds words of wisdom and counsel to people in all walks of life. At times he wrote unprecedented letters of criticism to leaders of the Church—yet always in the context of a loving, sympathetic concern. </p><p>At 70 Peter suffered a paralytic seizure, but he continued to preach and write with the aid of a secretary until his death in his hometown (Nijmegen, Netherlands) on December 21, 1597.</p> American Catholic Blog While we await the full and unending experience of God drawing near to us, we must continue to work in the vineyard. We must continue to make God’s love real in every condition and circumstance of our lives.

 
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