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ON FAITH & MEDIA View Comments

New Year's Eve

By
John Mulderig
Source: Catholic News Service


Michelle Pfeiffer in "New Year's Eve."
A disappointing salute to an often disappointing social event, "New Year's Eve" (Warner Bros.) wastes a talented ensemble cast on a painfully forced romantic comedy.

Reuniting for a follow-up to 2010's "Valentine's Day," director Garry Marshall and screenwriter Katherine Fugate weave a web of love stories largely free of the moral tangles that marred their earlier collaboration. The humor falls flat, while the script's strained effort to transform Dec. 31st into a kind of secular High Holy Day is simply irritating.

Part of the problem may be that there are just too many thin characters on screen—with too little time devoted to any one of them—for viewers to form sympathetic connections.

The movie tracks the intersecting paths of Claire (Hilary Swank), the executive in charge of the titular holiday's iconic celebration in New York's Times Square; a rock star called Jensen (Jon Bon Jovi) who's headlining the evening's entertainment there; Laura (Katherine Heigl), the up-and-coming caterer to whom the rocker was once engaged; and Elise (Lea Michele), one of Jensen's backup singers who finds herself trapped in an elevator for hours with Randy (Ashton Kutcher), a slacker.

Also thrown into the mix are Robert De Niro as a dying hospital patient, Halle Berry as his faithful nurse, Michelle Pfeiffer as an inhibited middle-age office worker out for adventure and Zac Efron as the free-spirited bike messenger she enlists to help her find it. And that's not even mentioning the pair of married couples—played by Jessica Biel, Seth Meyers, Sarah Paulson and Til Schweiger—aggressively competing for the $25,000 prize awarded to the first baby born after midnight.

Yet another story line, this one revolving around the mother-and-daughter duo of Kim (Sarah Jessica Parker) and Hailey (Abigail Breslin), demonstrates the noticeable—and welcome—shift in tone between Marshall and Fugate's previous offering and this one. Hailey's rebellion against overly protective Kim is sparked by the 15-year-old's desire to obtain her first kiss from a classmate.

Also showing that the filmmakers have not entirely abandoned their old ways is the minor figure of a frisky grandpa. He pops up in still another plot pod, this one concerning a young record industry mogul portrayed by Josh Duhamel. As Gramps' family helps Duhamel's character return to the Big Apple after a minor car crash in the wilds, the less-than-staid patriarch evinces a prurient interest in their passenger's sex life.

The old-guy-talking-dirty gambit, needless to say, fizzles like inferior champagne. As for the attempt to celebrate year's end as an opportunity for mutual forgiveness and fresh dreaming, it's as strident as a noisemaker and achieves a similarly jarring effect.

The film contains some sexual references and humor, at least one use of the F-word as well as occasional crude language and crass slang. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

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