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ON FAITH & MEDIA View Comments

The Descendants

By
Kurt Jensen
Source: Catholic News Service


Shailene Woodley and George Clooney star in Alexander Payne's "The Descendants."
"The Descendants" (Fox Searchlight) is sensitive, thoughtful—and spiritually bereft. That's exceedingly sad, especially considering that the key plot point in this adaptation of the novel by Kaui Hart Hemmings concerns a wife and mother of two young daughters left brain-dead after a boating accident. The fact that she's made a living will, to which her family feels legally bound, means that any moral exploration of her status is also forestalled.

Instead, as Elizabeth King (Patricia Hastie) lies motionless in her hospital bed, the audience is called on to watch husband Matt (George Clooney) and daughters Alexandra (Shailene Woodley) and Scottie (Amara Miller) suffer in their various stoic and dysfunctional manners.
Directed by Alexander Payne, who co-wrote the screenplay with Nat Faxon and Jim Rash, the movie —intended as bitterly comedic—is hostile neither to religion nor to people of faith. It's just that belief of any sort is conspicuously absent, and the lack of spiritual support—apart from a single conversation with a hospital grief counselor—seems especially cruel to the girls.
Matt is a successful lawyer in Hawaii. His respective relationships with his two frequently foul-mouthed daughters are strained. At the time of Elizabeth's accident, he's already dealing with one familial crisis, since his extended clan wants to sell their ancestral property—held in trust for generations—on the island of Kauai. A resort developer, we learn, has offered them many millions for the pristine beachfront acreage.
Matt also belatedly discovers—he's the last to know—that Elizabeth had been having an adulterous relationship with real estate agent Brian Speer (Matthew Lillard). Matt spends much of the running time trying to locate Brian as well as contemplating how to confront him and inform him of Elizabeth's fate.
With all of this going on, pathos runs amok, emotions run the gamut and everyone takes turns weeping. Portraying grief on film always earns points for actors' emotive skills, but this astringent tale of the turmoil provoked by death offers viewers nothing in the way of comfort or resolution.
The film contains mature themes, including end-of-life issues and adultery; frequent rough and crude language; and fleeting profanity. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.
*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Josephine Bakhita: For many years, Josephine Bakhita was a slave but her spirit was always free and eventually that spirit prevailed. 
<p>Born in Olgossa in the Darfur region of southern Sudan, Josephine was kidnapped at the age of seven, sold into slavery and given the name Bakhita, which means <i>fortunate</i>. She was re-sold several times, finally in 1883 to Callisto Legnani, Italian consul in Khartoum, Sudan. </p><p>Two years later he took Josephine to Italy and gave her to his friend Augusto Michieli. Bakhita became babysitter to Mimmina Michieli, whom she accompanied to Venice's Institute of the Catechumens, run by the Canossian Sisters. While Mimmina was being instructed, Josephine felt drawn to the Catholic Church. She was baptized and confirmed in 1890, taking the name Josephine. </p><p>When the Michielis returned from Africa and wanted to take Mimmina and Josephine back with them, the future saint refused to go. During the ensuing court case, the Canossian sisters and the patriarch of Venice intervened on Josephine's behalf. The judge concluded that since slavery was illegal in Italy, she had actually been free since 1885. </p><p>Josephine entered the Institute of St. Magdalene of Canossa in 1893 and made her profession three years later. In 1902, she was transferred to the city of Schio (northeast of Verona), where she assisted her religious community through cooking, sewing, embroidery and welcoming visitors at the door. She soon became well loved by the children attending the sisters' school and the local citizens. She once said, "Be good, love the Lord, pray for those who do not know Him. What a great grace it is to know God!" </p><p>The first steps toward her beatification began in 1959. She was beatified in 1992 and canonized eight years later.</p> American Catholic Blog St. Paul talks about the Christian life as a race, and encourages us to run so as to win. So it’s not just OK, it’s commanded to be competitive, to strive to excel. But true greatness consists in sharing in the sacrificial love of Christ, who comes to serve rather than to be served. That means that this race St. Paul is talking about is a race to the bottom.

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