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ON FAITH & MEDIA View Comments

Hugo

By
John Mulderig
Source: Catholic News Service


Asa Butterfield and Jude Law star in a scene from the movie "Hugo."
Set against the luminous background of 1930s Paris, the family-oriented 3-D fable "Hugo" (Paramount) is a visually rich, emotionally warm adaptation of author Brian Selznick's best-selling novel, "The Invention of Hugo Cabret."

While it represents a suitable holiday treat for most, though, director Martin Scorsese's film includes fleeting passages of dialogue touching on adult matters and some mild misbehavior that hinder recommendation for all.

Scorsese's canvas is broad and crowded, but at its center stands the diminutive figure of the title character (Asa Butterfield), a 12-year-old orphan who passes a hand-to-mouth existence in one of the City of Light's great train stations. Early scenes only gradually reveal the circumstances that have left Hugo in this precarious and vulnerable situation.

Following his beloved father's death in a fire—his mother's demise had taken place some years previously—Hugo was taken in by his drunken Uncle Claude (Ray Winstone), who lived and worked in the terminal servicing its many clocks. Claude, however, has subsequently disappeared.

To disguise the fact that he no longer has a guardian—and so avoid being shipped off to an orphanage by the seemingly merciless officer responsible for station security (Sacha Baron Cohen)—the mechanically gifted lad clandestinely carries on Claude's labors. In his spare time, Hugo draws on the same talents in his struggle to repair a mysterious automaton he and Dad had been tinkering with at the time of the latter's death.

Knowing that, when operative, the automaton is able to write, Hugo feels sure that his father will use the primitive robot to send him a message from beyond the grave.

Driven to shoplift the spare parts needed for his project, Hugo incurs the wrath of Georges (Ben Kingsley), an embittered toymaker who keeps shop within the terminus. But he draws a very different reaction from Georges' adopted daughter Isabelle (Chloe Grace Moretz), a vivacious girl of his own age—as well as a fellow orphan—who swiftly befriends him.

These primary proceedings are embellished by the amusing romantic endeavors of Baron Cohen's increasingly sympathetic, though enduringly nameless, character as well as those of two more peripheral figures.

Along with his paean to the wondrous city by the Seine and to the realm of the imagination—a territory of dreams and eccentric inventiveness that the film skillfully navigates—Scorsese uses late-reel plot developments concerning Georges' mysterious past to celebrate the pioneers of early cinema.

Yet, while childlike in many respects, "Hugo" does raise a few red flags for the youngest. A brief side story, for instance, concerns a policeman who doubts the paternity of the child his wife is carrying and there's also a scene where Hugo—whom we've seen pilfering food stands for survival—picks the lock of a movie theater so that he and Isabelle can sneak in for free.

Additionally, kids might be frightened by Hugo's more spectacular—sometimes life-threatening—scrapes.

For teens and their elders, nonetheless, and especially for film enthusiasts, "Hugo" manages to cast a charming spell.

The film contains a few mature references, occasional peril and some implicitly endorsed petty lawbreaking. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.



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Ignatius of Loyola: The founder of the Jesuits was on his way to military fame and fortune when a cannon ball shattered his leg. Because there were no books of romance on hand during his convalescence, Ignatius whiled away the time reading a life of Christ and lives of the saints. His conscience was deeply touched, and a long, painful turning to Christ began. Having seen the Mother of God in a vision, he made a pilgrimage to her shrine at Montserrat (near Barcelona). He remained for almost a year at nearby Manresa, sometimes with the Dominicans, sometimes in a pauper’s hospice, often in a cave in the hills praying. After a period of great peace of mind, he went through a harrowing trial of scruples. There was no comfort in anything—prayer, fasting, sacraments, penance. At length, his peace of mind returned. 
<p>It was during this year of conversion that Ignatius began to write down material that later became his greatest work, the <em>Spiritual Exercises</em>. </p><p>He finally achieved his purpose of going to the Holy Land, but could not remain, as he planned, because of the hostility of the Turks. He spent the next 11 years in various European universities, studying with great difficulty, beginning almost as a child. Like many others, his orthodoxy was questioned; Ignatius was twice jailed for brief periods. </p><p>In 1534, at the age of 43, he and six others (one of whom was St. Francis Xavier, December 2) vowed to live in poverty and chastity and to go to the Holy Land. If this became impossible, they vowed to offer themselves to the apostolic service of the pope. The latter became the only choice. Four years later Ignatius made the association permanent. The new Society of Jesus was approved by Paul III, and Ignatius was elected to serve as the first general. </p><p>When companions were sent on various missions by the pope, Ignatius remained in Rome, consolidating the new venture, but still finding time to found homes for orphans, catechumens and penitents. He founded the Roman College, intended to be the model of all other colleges of the Society. </p><p>Ignatius was a true mystic. He centered his spiritual life on the essential foundations of Christianity—the Trinity, Christ, the Eucharist. His spirituality is expressed in the Jesuit motto, <i>ad majorem Dei gloriam</i>—“for the greater glory of God.” In his concept, obedience was to be the prominent virtue, to assure the effectiveness and mobility of his men. All activity was to be guided by a true love of the Church and unconditional obedience to the Holy Father, for which reason all professed members took a fourth vow to go wherever the pope should send them for the salvation of souls.</p> American Catholic Blog When we are angry with someone we put up a wall between us and this person. And so we deprive ourselves of that person’s love. Included in this love—which is probably the warmest love you can ever receive—is the love of God. So, I hope when the time is right, you can let the wall come down and let God love you.

The Gospel of John the Gospel of Relationship

 
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St. Ignatius Loyola
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We continue to fall in love again and again throughout our years together.

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