AmericanCatholic.org
 
Skip Navigation Links
Home
Catholic News
Saints
Seasonal
Special Reports
Movies
Shopping
Donate
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Hugo

By
John Mulderig
Source: Catholic News Service


Asa Butterfield and Jude Law star in a scene from the movie "Hugo."
Set against the luminous background of 1930s Paris, the family-oriented 3-D fable "Hugo" (Paramount) is a visually rich, emotionally warm adaptation of author Brian Selznick's best-selling novel, "The Invention of Hugo Cabret."

While it represents a suitable holiday treat for most, though, director Martin Scorsese's film includes fleeting passages of dialogue touching on adult matters and some mild misbehavior that hinder recommendation for all.

Scorsese's canvas is broad and crowded, but at its center stands the diminutive figure of the title character (Asa Butterfield), a 12-year-old orphan who passes a hand-to-mouth existence in one of the City of Light's great train stations. Early scenes only gradually reveal the circumstances that have left Hugo in this precarious and vulnerable situation.

Following his beloved father's death in a fire—his mother's demise had taken place some years previously—Hugo was taken in by his drunken Uncle Claude (Ray Winstone), who lived and worked in the terminal servicing its many clocks. Claude, however, has subsequently disappeared.

To disguise the fact that he no longer has a guardian—and so avoid being shipped off to an orphanage by the seemingly merciless officer responsible for station security (Sacha Baron Cohen)—the mechanically gifted lad clandestinely carries on Claude's labors. In his spare time, Hugo draws on the same talents in his struggle to repair a mysterious automaton he and Dad had been tinkering with at the time of the latter's death.

Knowing that, when operative, the automaton is able to write, Hugo feels sure that his father will use the primitive robot to send him a message from beyond the grave.

Driven to shoplift the spare parts needed for his project, Hugo incurs the wrath of Georges (Ben Kingsley), an embittered toymaker who keeps shop within the terminus. But he draws a very different reaction from Georges' adopted daughter Isabelle (Chloe Grace Moretz), a vivacious girl of his own age—as well as a fellow orphan—who swiftly befriends him.

These primary proceedings are embellished by the amusing romantic endeavors of Baron Cohen's increasingly sympathetic, though enduringly nameless, character as well as those of two more peripheral figures.

Along with his paean to the wondrous city by the Seine and to the realm of the imagination—a territory of dreams and eccentric inventiveness that the film skillfully navigates—Scorsese uses late-reel plot developments concerning Georges' mysterious past to celebrate the pioneers of early cinema.

Yet, while childlike in many respects, "Hugo" does raise a few red flags for the youngest. A brief side story, for instance, concerns a policeman who doubts the paternity of the child his wife is carrying and there's also a scene where Hugo—whom we've seen pilfering food stands for survival—picks the lock of a movie theater so that he and Isabelle can sneak in for free.

Additionally, kids might be frightened by Hugo's more spectacular—sometimes life-threatening—scrapes.

For teens and their elders, nonetheless, and especially for film enthusiasts, "Hugo" manages to cast a charming spell.

The film contains a few mature references, occasional peril and some implicitly endorsed petty lawbreaking. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.



Search reviews at CatholicMovieReviews.org


Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
PICKS OF THE WEEK
Spiritual Questions, Catholic Advice

Fr. John's advice on Catholic spiritual questions will speak to your soul and touch your heart.

Four Women Who Shaped Christianity
Learn about four Doctors of the Church and their key teachings about Christian belief and practice.
Adventures in Assisi

“I highly recommend this charming book for every Christian family, school, and faith formation library.” – Donna Marie Cooper O’Boyle, EWTN host

The Wisdom of Merton

This book distills wisdom from Merton's books and journals on enduring themes still relevant to readers today.

A Wild Ride

Enter the world of medieval England in this account of a rare and courageous woman, a saint of the Anglican church.


 
CATHOLIC GREETINGS
Labor Day (U.S.)
As we thank God for the blessing of work we also pray for those less fortunate than ourselves.
Ordination
Remember to pray for the Church, especially for those who have been ordained to the priesthood.
Friends
Reconnect with your BFF. Send an e-card to arrange a meal together.
Labor Day
As we thank God for the blessing of work we also pray for those less fortunate than ourselves.
St. Augustine
Catholic Greetings e-cards remind us to explore the lives of our Catholic heroes, the saints.



Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic