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ON FAITH & MEDIA View Comments

Breaking Dawn

By
Sr. Rose Pacatte, F.S.P.
Source: Catholic News Service

SPOLIER ALERT!
 
Last year I reviewed the “Twilight” film franchise (“Twilight”, “New Moon” and “Eclipse”) as a whole in “The Tidings” as “basically a love story.” http://www2.the-tidings.com/2010/071610/movies.htm. I wrote about the influence of author Stephenie Meyer’s Mormonism and did not think there was evidence of much, especially to anyone unfamiliar with the tenants of Mormonism. With this new film, I think there the Mormon influence is evident, at least on the level of allegory.
 
With “Breaking Dawn Part I” we are nearing the end of the benevolent (the Cullens no longer hunt for human blood like their counterparts who do) vampire-werewolf-human saga. Bella (Kristen Stewart) and Edward (Robert Pattison) finally marry after Bella has a gory vision of all the wedding guests in a huge pile, dead and bleeding.
 
A child is conceived while Edward and Bella are on their honeymoon, but something is not right. The baby is growing too rapidly. Jacob (Taylor Lautner), the shape-shifting werewolf who loved Bella since they were children, becomes angry that Edward does not intend to “turn” Bella into a vampire before their wedding night, as a pregnancy with a half-human, half-vampire child could kill her. And it nearly does.
 
Jacob, along with two others, leaves their pack to protect Bella and her unborn baby from the werewolves. The wolves fear that the mixed child (that Edward thinks is a monster that he wants Bella to abort but she refuses) will eventually destroy them. At the end of the film, Jacob “imprints” himself on the baby to save her (according to the law of the wolves, they cannot destroy an intended spouse who has been imprinted) thus claiming the child for a wife.
 
This male domination for salvation scenario is a bit creepy. Consider that Edward is a hundred years old and he has been grooming Bella for about three years now, though it seems like she is pursuing him. Now Jacob has “imprinted” on an infant girl, binding all of them. Interesting.
 
There is a lot of blood in this film and if anything links it to the Mormon faith, it is the symbolic nature of the blood connecting families, past generations, and even those yet to be born. As vampires are immortal, so are Mormon men who are the channels of salvation and immortality for their wives.
 
I wanted to see the film just to see what happens; I only read the first novel and while interesting to begin with, it seemed to turn to producing words about 2/3 of the way through.
 
Only Bella has to change in this series so far; the male figures act and react in relation to her choices. But is she really free?
 
Maybe the “Twilight” franchise is more than a romance after all.  And perhaps “Breaking Dawn Part 1” is more than a bloody mess that will introduce us to Part II due in 2012. You have to be really invested in the characters to make this film work for you.


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James Oldo: You’ve heard rags-to-riches stories. Today, we celebrate the reverse. 
<p>James of Oldo was born into a well-to-do family near Milan in 1364. He married a woman who, like him, appreciated the comforts that came with wealth. But an outbreak of plague drove James, his wife and their three children out of their home and into the countryside. Despite those precautions, two of his daughters died from the plague, James determined to use whatever time he had left to build up treasures in heaven and to build God’s realm on earth. </p><p>He and his wife became Secular Franciscans. James gave up his old lifestyle and did penance for his sins. He cared for a sick priest, who taught him Latin. Upon the death of his wife, James himself became a priest. His house was transformed into a chapel where small groups of people, many of them fellow Secular Franciscans, came for prayer and support. James focused on caring for the sick and for prisoners of war. He died in 1404 after contracting a disease from one of his patients. </p><p>James Oldo was beatified in 1933.</p> American Catholic Blog Charity for the poor is like a living flame: the more dry the wood, the brighter it burns.


 
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