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ON FAITH & MEDIA View Comments

Jack and Jill

By
John Mulderig
Source: Catholic News Service

The sad arithmetic of the latest Adam Sandler offering "Jack and Jill" (Columbia) is that a double serving of its star—one in drag—adds up, in the end, to a half-witted comedy. Too crude for kids and too puerile for their elders, moreover, director Dennis Dugan's grab bag of potty humor, harsh slapstick and pop-culture gags commands an appropriate audience of just about zero.

Sandler plays both titular characters—the former a successful Los Angeles advertising executive, the latter his well-meaning but irksome, Bronx-based twin sister. When Jill comes to town for her annual Thanksgiving visit, she warms the hearts of Jack's dutiful wife Erin (Katie Holmes) and their duo of young'uns, son Gary (Rohan Chand) and daughter Sofia (Elodie Tougne).

But the ad man himself can hardly wait for Jill to leave again. Until, that is, she artlessly manages to win the heart of Al Pacino (playing himself), whom Jack has been trying to convince to appear in a Dunkin' Donuts commercial.

As the unlikely second half of that sentence suggests, Pacino gamely makes fun of his own persona throughout. And there are numerous other celebrity sightings; in one, Johnny Depp shows up beside Pacino at a Lakers game, sporting a Justin Bieber T-shirt.

So much for the high end of the comic spectrum. The nadir of the other extremity is reached when Jill samples Mexican food for the first time, with grimly predictably—and raucous—results. It seems that Jack and Erin's Latino gardener, Felipe (Eugenio Derbez), who's also smitten with Jill, has taken her to a family picnic. So we're treated to some ethnic frolicking before the bathroom bombardment commences.

Incidentally (for so it's treated), as the sight of a lighted menorah in their window indicates, Jack and his close-knit clan are sufficiently observant Jews to mark Hanukkah. It's mentioned in passing that Erin is a convert to Judaism, though from what—if anything—is never specified.

This being Hollywood, one can be grateful for any respectful reference to scriptural faith, however fleeting. As for the rest, it's not worth breaking your crown.

The film contains much violent slapstick and gross scatological humor, brief implied nudity, some sexual jokes and adult references and at least one crass term. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.



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Leopold Mandic: Western Christians who are working for greater dialogue with Orthodox Christians may be reaping the fruits of Father Leopold’s prayers.
<p>A native of Croatia, Leopold joined the Capuchin Franciscans and was ordained several years later in spite of several health problems. He could not speak loudly enough to preach publicly. For many years he also suffered from severe arthritis, poor eyesight and a stomach ailment.
</p><p>Leopold taught patrology, the study of the Church Fathers, to the clerics of his province for several years, but he is best known for his work in the confessional, where he sometimes spent 13-15 hours a day. Several bishops sought out his spiritual advice.
</p><p>Leopold’s dream was to go to the Orthodox Christians and work for the reunion of Roman Catholicism and Orthodoxy. His health never permitted it. Leopold often renewed his vow to go to the Eastern Christians; the cause of unity was constantly in his prayers.
</p><p>At a time when Pope Pius XII said that the greatest sin of our time is "to have lost all sense of sin," Leopold had a profound sense of sin and an even firmer sense of God’s grace awaiting human cooperation.
</p><p>Leopold, who lived most of his life in Padua, died on July 30, 1942, and was canonized in 1982.</p> American Catholic Blog Confession is one of the greatest gifts Christ gave to His Church. The sacrament of penance offers you grace that is incomparable in your quest for sanctity.

 
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