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ON FAITH & MEDIA View Comments

A Very Harold & Kumar 3D Christmas

By
John Mulderig
Source: Catholic News Service

Viewers of faith beware: In its largely vain pursuit of laughs, the comedy sequel "A Very Harold & Kumar 3D Christmas" (Warner Bros.) stoops not only to sexual excess but to anti-Catholic animus and even blasphemy.

The result—as written by Jon Hurwitz and Hayden Schlossberg and directed by Todd Strauss-Schulson—is a consistently vulgar, intermittently loathsome insult to the holiday.

The plot—such as it is—begins with reformed pothead Harold (John Cho) and unrepentant stoner Kumar (Kal Penn) accidentally burning down the former's family Christmas tree. Since the now-married Harold's intimidating Hispanic father-in-law (Danny Trejo) is a devotee of all things Yule—and grew the destroyed stately fir himself—this sets off a frenzied but rambling quest for a replacement.

Along the journey that follows, a secondary character is revealed to have a rendezvous with a teenage virgin named Mary who ardently longs to be deflowered on Christmas Eve. Similarly, when the titular duo concocts a plot to steal a church's evergreen, their imagined scenario involves pornographic images of lesbian nuns as well as pedophile priests chasing choirboys. Another fantasy is set in heaven where a playboy version of Jesus appears, accompanied by two topless angels.

That's not to mention the attempt to mine amusement from repeated incidents where a toddler is inadvertently made high on a variety of narcotics or the claymation sequence that exploits 3-D in a manner the fertility gods of pagan antiquity might have envied.

The general tastelessness on display, but more particularly the assault on Catholic sensibilities, make it sobering to reflect that Penn left his job as an associate director of the White House Office of Public Engagement to be involved in this misbegotten mess.

Anything less engaging than the defamatory interludes and overall "nothing sacred" outlook of his latest project would be difficult to imagine.

The film contains sacrilegious humor, graphic nonmarital and aberrant sexual activity, full nudity, a benign view of drug use, about a half-dozen instances of profanity and pervasive rough and crude language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Grassi: Anthony’s father died when his son was only 10 years old, but the young lad inherited his father’s devotion to Our Lady of Loreto. As a schoolboy he frequented the local church of the Oratorian Fathers, joining the religious order when he was 17.
<p>Already a fine student, he soon gained a reputation in his religious community as a "walking dictionary" who quickly grasped Scripture and theology. For some time he was tormented by scruples, but they reportedly left him at the very hour he celebrated his first Mass. From that day, serenity penetrated his very being.
</p><p>In 1621, at age 29, Anthony was struck by lightning while praying in the church of the Holy House at Loreto. He was carried paralyzed from the church, expecting to die. When he recovered in a few days he realized that he had been cured of acute indigestion. His scorched clothes were donated to the Loreto church as an offering of thanks for his new gift of life.
</p><p>More important, Anthony now felt that his life belonged entirely to God. Each year thereafter he made a pilgrimage to Loreto to express his thanks.
</p><p>He also began hearing confessions, and came to be regarded as an outstanding confessor. Simple and direct, he listened carefully to penitents, said a few words and gave a penance and absolution, frequently drawing on his gift of reading consciences.
</p><p>In 1635 he was elected superior of the Fermo Oratory. He was so well regarded that he was reelected every three years until his death. He was a quiet person and a gentle superior who did not know how to be severe. At the same time he kept the Oratorian constitutions literally, encouraging the community to do likewise.
</p><p>He refused social or civic commitments and instead would go out day or night to visit the sick or dying or anyone else needing his services. As he grew older, he had a God-given awareness of the future, a gift which he frequently used to warn or to console.
</p><p>But age brought its challenges as well. He suffered the humility of having to give up his physical faculties one by one. First was his preaching, necessitated after he lost his teeth. Then he could no longer hear confessions. Finally, after a fall, he was confined to his room. The archbishop himself came each day to give him holy Communion. One of Anthony’s final acts was to reconcile two fiercely quarreling brothers.</p> American Catholic Blog God of love, as I come to the end of this Advent season, my heart is ready to celebrate the birth of Jesus. I join with Mary in saying, “Here am I, the servant of the Lord; let it be with me according to your word.” Nothing is impossible with you, O God.

 
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