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ON FAITH & MEDIA View Comments

Tower Heist

By
John P. McCarthy
Source: Catholic News Service


Ben Stiller and Eddie Murphy star in a scene from the movie "Tower Heist."
Workers at a luxury Manhattan apartment building plan to rob a felonious financier in the action-comedy "Tower Heist" (Universal).

What could have been a crowd-pleasing caper is marred by a steady stream of crude language. Though it features some amusing moments courtesy of a talented ensemble, the topical romp is also short-circuited by manic energy that comes across as more slapdash than extemporaneously madcap.

Alan Alda plays Arthur Shaw, a Bernie Madoff-like money manager living in the opulent penthouse of "The Tower," which occupies prime New York City real estate across from Central Park.

After Shaw is arrested by the FBI for securities fraud, Tower employees learn he looted their pension fund. Building manager Josh Kovacs (Ben Stiller), whose job it is to cater to the wealthy residents, feels responsible since he asked Shaw to invest the staff's money. Shaw's patronizing attitude toward him exacerbates Josh's thirst for payback.

Recruiting Slide (Eddie Murphy), a petty criminal from his Queens neighborhood, Josh hatches a scheme to steal Shaw's hidden stash of $20 million. Together with concierge Charlie (Casey Affleck), maid Odessa (Gabourey Sidibe), elevator operator Dev'Reaux (Michael Pena), and bankrupt preppy Mr. Fitzhugh (Matthew Broderick), they put their risky plan into action during the Macy's Thanksgiving Day parade.

Relying on stereotypical ethnic humor, and using expletives to express most every emotion, screenwriters Ted Griffin and Jeff Nathanson don't score high marks for imagination. Their main attempt at being clever involves a famous chess move, which they incorporate in a manner that serves to telegraph the plot.

For his part, director Brett Ratner—known as much for throwing lavish Hollywood parties as for helming raucous comedies—stages scenes with little regard for logical continuity and an engaging flow. Loud and fast are his default settings.

The humor in "Tower Heist" is broad, so much so that parents thinking it might be acceptable for older children and teens should be forewarned. Inappropriate expressions, combined with some fairly explicit sexual talk, render the movie morally dubious, regardless of the fact it's being offered in the spirit of "harmless fun."

By underestimating their premise as well as their audience, the filmmakers prove there are better ways to give power to the people and seek justice at the multiplex.

The film contains some profanity, frequent crude and crass language, much sexual banter and innuendo, a suicide attempt and a scene glamorizing alcohol abuse. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Anthony Grassi: Anthony’s father died when his son was only 10 years old, but the young lad inherited his father’s devotion to Our Lady of Loreto. As a schoolboy he frequented the local church of the Oratorian Fathers, joining the religious order when he was 17.
<p>Already a fine student, he soon gained a reputation in his religious community as a "walking dictionary" who quickly grasped Scripture and theology. For some time he was tormented by scruples, but they reportedly left him at the very hour he celebrated his first Mass. From that day, serenity penetrated his very being.
</p><p>In 1621, at age 29, Anthony was struck by lightning while praying in the church of the Holy House at Loreto. He was carried paralyzed from the church, expecting to die. When he recovered in a few days he realized that he had been cured of acute indigestion. His scorched clothes were donated to the Loreto church as an offering of thanks for his new gift of life.
</p><p>More important, Anthony now felt that his life belonged entirely to God. Each year thereafter he made a pilgrimage to Loreto to express his thanks.
</p><p>He also began hearing confessions, and came to be regarded as an outstanding confessor. Simple and direct, he listened carefully to penitents, said a few words and gave a penance and absolution, frequently drawing on his gift of reading consciences.
</p><p>In 1635 he was elected superior of the Fermo Oratory. He was so well regarded that he was reelected every three years until his death. He was a quiet person and a gentle superior who did not know how to be severe. At the same time he kept the Oratorian constitutions literally, encouraging the community to do likewise.
</p><p>He refused social or civic commitments and instead would go out day or night to visit the sick or dying or anyone else needing his services. As he grew older, he had a God-given awareness of the future, a gift which he frequently used to warn or to console.
</p><p>But age brought its challenges as well. He suffered the humility of having to give up his physical faculties one by one. First was his preaching, necessitated after he lost his teeth. Then he could no longer hear confessions. Finally, after a fall, he was confined to his room. The archbishop himself came each day to give him holy Communion. One of Anthony’s final acts was to reconcile two fiercely quarreling brothers.</p> American Catholic Blog God of love, as I come to the end of this Advent season, my heart is ready to celebrate the birth of Jesus. I join with Mary in saying, “Here am I, the servant of the Lord; let it be with me according to your word.” Nothing is impossible with you, O God.

 
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