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ON FAITH & MEDIA View Comments

In Time

By
John P. McCarthy
Source: Catholic News Service

The dystopia sketched out in the sci-fi thriller "In Time" (Fox) is intriguing and, theoretically at least, more than a little chilling. In the near future, each member of society has been genetically engineered to stop aging when they reach 25, after which they'll live for only one more year unless they can add more time to their biological clock.

With seconds, minutes, hours and days serving as currency, the wealthy can live forever while the less privileged must hustle to acquire time by any means necessary. An LED display on each person's forearm reveals how much time remains before they expire. Units of chronology are up- and downloaded via scanners and can be transferred between individuals when they clasp arms in a particular way.

The population is segregated into "time zones" according to how much time citizens have left. Mobility between the zones is severely restricted, and the cost of living is kept artificially high. This economic system pits elites against the majority, and, though the rich also fear accidental death, everyone must be vigilant to avoid being robbed of their most precious resource.

It's a scenario ripe for exploitation in every sense, and yet a good premise does not a good movie make. More stylish than substantive, "In Time" suffers from artificial execution and a pun-heavy script. Feeding on contemporary dissatisfaction with the world economic system, it offers a morally praiseworthy response to the challenges it imagines -- but can't shake an absurdly glossy, unreal air.

"In Time" plays like a magazine fashion spread with a social conscience. Think H.G. Wells meets designer-turned-director Tom Ford.

Writer-director Andrew Niccol, who penned the script for "The Truman Show," dwells on surfaces and tries to distract viewers from analyzing the details of his premise by sprinkling in dialogue that demonizes Darwin and evolutionary theory. Overall, the effort amounts to slick posing and doesn't have much emotional or intellectual heft.

Justin Timberlake plays hero Will Salas, a factory worker in a ghetto sector called Dayton, located east of downtown Los Angeles, where the have-nots scrounge for minutes to stay alive. After protecting a wealthy stranger from thugs, Will receives a gift of time and, suddenly flush, makes his way into the precinct of New Greenwich where he encounters mogul Philippe Weis (Vincent Kartheiser) and his daughter Sylvia (Amanda Seyfried).

Suspected of murder and guilty of disrupting the economic balance, Will is pursued by the de facto police in the person of a "Timekeeper" named Raymond Leon (Cillian Murphy). Eluding capture by kidnapping Sylvia, Will returns to Dayton and the fugitive pair launches a crime spree aimed at redistributing wealth.

"In Time" has its heart in the right place, that is, on the side of those seemingly unable to change a system that takes advantage of them (in contemporary parlance, on the side of the 99 percent). It should be lauded for championing an altruistic hero who puts the notion of charity and philanthropy into action, albeit with a Robin Hood twist.

Unfortunately, it's impossible to shake the idea that "In Time" is just an excuse for Hollywood to make a film in which no one over the age of 30 need be cast.

The film contains nongraphic action violence, including gunplay, a suicide, a glimpse of rear female nudity, several nonmarital sexual situations, at least one instance each of profanity and rough language, several crude terms and some innuendo. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.





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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog A mother journeys with her children all the way through their lives. She does not abandon her maternal mission when they are grown, though that mission certainly takes on different characteristics. The Church, too, accompanies us every step of the way. While baptism gives us birth into the Church, the other sacraments in their own way also nurture our souls as needed.

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