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ON FAITH & MEDIA View Comments

Rum Diary

By
Kurt Jensen
Source: Catholic News Service

Smoke, drink, be hung over, repeat. That's the lusty refrain of "The Rum Diary" (FilmDistrict), although you would expect nothing else from a film based on gonzo journalist Hunter S. Thompson's roman a clef about his early years in the business, living in Puerto Rico.

To its credit, the movie—written and directed by Bruce Robinson and starring Johnny Depp as Thompson's alter ego Paul Kemp—doesn't try to glamorize the abundant substance abuse. It's set in 1960, when such behavior was considered part and parcel of newspapering, along with colorful swearing and perpetually rumpled clothes.

Kemp, like Thompson, is shown to be an idealistic journalist anxious to use pen and ink as his weapons against injustice to the poor, dishonest politicians and corporate greed. His rage builds, but because he's at a failing newspaper interested only in making tourists happy, he becomes a Jeremiah unable to let loose his jeremiad. That will only come later in his career, after he has left the island.

Kemp arrives at the San Juan Star hoping to change lives with his writing but is assigned instead by its unambitious editor to write the horoscope column and interview grotesque American tourists about what they like about Puerto Rico, which they see only from their hotels.

He gets an offer from a local developer named Sanderson (Aaron Eckhart) to moonlight writing brochures for a massive hotel project. Set on a government-owned island, the resort's construction will destroy most of the native habitat.

Kemp finds himself besotted with Sanderson's voluptuous live-in girlfriend Chenault (Amber Heard), who eventually falls in love with him, even though she's commitment-phobic.

Sharing Paul's adventures are Sala (Michael Rispoli), the drunken photographer he lives with—who finds cockfighting a lucrative sideline—and the perpetually high writer Moburg (Giovanni Ribisi).

Mature adults prepared for its portrayal of drunkenness and drug addiction should be able to handle this material, which in portions is unexpectedly sweet and nostalgic in the manner of coming-of-age stories.

The film contains implied premarital sexual encounters, brief partial female nudity, drug and abusive alcohol use, as well as pervasive rough and fleeting profane language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Antônio de Sant’Anna Galvão: God’s plan in a person’s life often takes unexpected turns which become life-giving through cooperation with God’s grace. 
<p>Born in Guarantingueta near São Paulo (Brazil), Antônio attended the Jesuit seminary in Belem but later decided to become a Franciscan friar. Invested in 1760, he made final profession the following year and was ordained in 1762. </p><p>In São Paulo, he served as preacher, confessor and porter. Within a few years he was appointed confessor to the Recollects of St. Teresa, a group of nuns in that city. He and Sister Helena Maria of the Holy Spirit founded a new community of sisters under the patronage of Our Lady of the Conception of Divine Providence. Sister Helena Maria’s premature death the next year left Father Antônio responsible for the new congregation, especially for building a convent and church adequate for their growing numbers. </p><p>He served as novice master for the friars in Macacu and as guardian of St. Francis Friary in São Paulo. He founded St. Clare Friary in Sorocaba. With the permission of his provincial and the bishop, he spent his last days at the Recolhimento de Nossa Senhora da Luz, the convent of the sisters’ congregation he had helped establish. </p><p>He was beatified in Rome on October 25, 1998, and canonized in 2007.</p> American Catholic Blog Christians must realize that the Christian faith is a love affair between God and man. Not just a simple love affair: It is a passionate love affair. God so loved man that he became man himself, died on a cross, was raised from the dead by the Father, ascended into heaven—and all this in order to bring man back to himself, to that heaven which he had lost through his own fault. —Catherine de Hueck Doherty

 
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