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ON FAITH & MEDIA View Comments

Puss in Boots

By
Kurt Jensen
Source: Catholic News Service


The legendary hero, voice by Antonio Banderas, in a scene from the movie "Puss In Boots."
An exceptionally intelligent and energetic script that includes a moral lesson propels "Puss in Boots" (DreamWorks), a 3-D animated children's feature that provides the back story of the fairy tale character as portrayed in the "Shrek" films.

Without being condescending and without adding snarky in-jokes likely to fly over the little ones' heads, director Chris Miller and screenwriter Tom Wheeler combine imagery from fairy tales with a plot that makes Puss (voice of Antonio Banderas) a mischievous bandit.

As such, this version of Puss is a faint echo of Zorro, the fictional Mexican hero—originated by writer Johnston McCulley -- who defends the poor and downtrodden.

Based on a story by Wheeler, Brian Lynch and Will Davies, this adventure tale has Puss, his romantic interest Kitty Softpaws (voice of Salma Hayek) and Humpty Dumpty (voice of Zach Galifianakis), Puss' childhood friend from their time together in an orphanage, on the hunt for the magic beans of Jack and the Beanstalk.

Only said beans aren't in the possession of that Jack, but rather are greedily hoarded by a swarthy bumpkin couple, Mr. and Mrs. Jack and Jill (voices of Billy Bob Thornton and Amy Sedaris).

Jack and Jill, who keep pigs, haven't planted the beans yet, and usually argue over the idea of having a child. "I could raise it like it was a squirrel," Jack explains.

Grabbing the golden eggs at the top of the beanstalk has been Humpty's quest since childhood; he views success in this pursuit as compensation for never fitting in anywhere. As he hatches his plot, he pledges the young Puss to secrecy, explaining, "The first rule of Bean Club is—you never talk about Bean Club!"

Humpty also is embittered from his time in jail after one of his earlier capers with Puss went wrong, and the cat managed to escape.

Puss has to balance loyalty to his friend with the knowledge of what's right, especially after they find the golden eggs and have to deal, in consequence, with one very angry goose. So there's a valuable theme here about the perils of greed and dishonesty.

Parents of young children should know in advance, however, that one of the principal characters dies.

Although sweetly presented, this demise harkens back to an era of cinema when characters who committed the worst sins were compelled to meet untimely—and therefore atoning—ends. In that sense, while potentially upsetting to tots, such a turn of events gives this latest, thoroughly fresh, spin on French author Charles Perrault's centuries-old Puss character yet another classic dimension.

The film contains intense action sequences. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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