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ON FAITH & MEDIA View Comments

Johnny English Reborn

By
Kurt Jensen
Source: Catholic News Service

There's so much to commend in "Johnny English Reborn" (Universal), a comedy sequel which has none of the scatological humor of its predecessor—2003's "Johnny English"—that it seems a shame to highlight, and quibble about, a single vulgar sight gag.

Still, since it's such an unfortunate anomaly in an otherwise recommendable movie, here goes:

As the proceedings open, British secret agent Johnny English (Rowan Atkinson) is undergoing martial-arts training in China, hoping to make himself invincible after an earlier spy operation in Mozambique has gone terribly wrong. Part of this training involves pulling ever-larger rocks that—as we can tell by implication—are attached to his private parts. The payoff, though, doesn't emerge until a full 90 minutes later, during a climactic fight with an evil double agent, when Johnny is shown to be impervious to being kicked in the crotch.

Fortunately, this is the only dubious, and dull, gag in the film, as Johnny—a combination of Atkinson's much-celebrated Mr. Bean and Leslie Nielsen's Frank Drebin of the "Naked Gun" franchise—overcomes any and all obstacles in elaborately droll set-pieces and employs the occasionally funny weapon, including a Rolls-Royce that responds to voice commands.

Like Mr. Bean, Johnny is at his funniest and most sympathetic when he's competently triumphing over severe odds. We're not laughing at Johnny, but with him. Younger adolescents are unlikely to understand some of the dry James Bond references, but adults will, and the in-jokes aren't prevalent enough to put this into the cult-film category.

The plot—as scripted by William Davies and Hamish McColl and directed by Oliver Parker—has Johnny rebounding from an operation in which the new president of Mozambique was assassinated while under his supposed protection.

On his way to uncovering the people responsible, Johnny continually embarrasses his boss Pamela (Gillian Anderson) and lurches toward a romance with psychologist Kate (Rosamund Pike).

The film contains some cartoonish violence, a single tasteless visual joke and fleeting mildly crass language. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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<p>In the fourth century St. Ephrem (June 9)  called Mary “Lady” and “Queen.” Later Church fathers and doctors continued to use the title. Hymns of the 11th to 13th centuries address Mary as queen: “Hail, Holy Queen,” “Hail, Queen of Heaven,” “Queen of Heaven.” The Dominican rosary and the Franciscan crown as well as numerous invocations in Mary’s litany celebrate her queenship. </p><p>The feast is a logical follow-up to the Assumption and is now celebrated on the octave day of that feast. In his 1954 encyclical <i>To the Queen of Heaven</i>, Pius XII points out that Mary deserves the title because she is Mother of God, because she is closely associated as the New Eve with Jesus’ redemptive work, because of her preeminent perfection and because of her intercessory power.</p> American Catholic Blog No one listens willingly to someone who speaks to them from a position of self-righteousness and judgment. Again and again in the Gospels, Jesus reserves his harshest words for those who ignore their own weakness in order to lord it over others.

 
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