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ON FAITH & MEDIA View Comments

Johnny English Reborn

By
Kurt Jensen
Source: Catholic News Service

There's so much to commend in "Johnny English Reborn" (Universal), a comedy sequel which has none of the scatological humor of its predecessor—2003's "Johnny English"—that it seems a shame to highlight, and quibble about, a single vulgar sight gag.

Still, since it's such an unfortunate anomaly in an otherwise recommendable movie, here goes:

As the proceedings open, British secret agent Johnny English (Rowan Atkinson) is undergoing martial-arts training in China, hoping to make himself invincible after an earlier spy operation in Mozambique has gone terribly wrong. Part of this training involves pulling ever-larger rocks that—as we can tell by implication—are attached to his private parts. The payoff, though, doesn't emerge until a full 90 minutes later, during a climactic fight with an evil double agent, when Johnny is shown to be impervious to being kicked in the crotch.

Fortunately, this is the only dubious, and dull, gag in the film, as Johnny—a combination of Atkinson's much-celebrated Mr. Bean and Leslie Nielsen's Frank Drebin of the "Naked Gun" franchise—overcomes any and all obstacles in elaborately droll set-pieces and employs the occasionally funny weapon, including a Rolls-Royce that responds to voice commands.

Like Mr. Bean, Johnny is at his funniest and most sympathetic when he's competently triumphing over severe odds. We're not laughing at Johnny, but with him. Younger adolescents are unlikely to understand some of the dry James Bond references, but adults will, and the in-jokes aren't prevalent enough to put this into the cult-film category.

The plot—as scripted by William Davies and Hamish McColl and directed by Oliver Parker—has Johnny rebounding from an operation in which the new president of Mozambique was assassinated while under his supposed protection.

On his way to uncovering the people responsible, Johnny continually embarrasses his boss Pamela (Gillian Anderson) and lurches toward a romance with psychologist Kate (Rosamund Pike).

The film contains some cartoonish violence, a single tasteless visual joke and fleeting mildly crass language. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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