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ON FAITH & MEDIA View Comments

The Thing

By
John P. McCarthy
Source: Catholic News Service

"The Thing" (Universal) is billed as a prequel to horror specialist John Carpenter's 1982 movie of the same name. Carpenter's celebrated film was itself a remake of the 1951 classic "The Thing From Another World," produced by Howard Hawks. And that influential picture was, in turn, based on the science-fiction novella "Who Goes There?" penned by John W. Campbell Jr. and published under a pseudonym in 1938.

As complicated and promising as this pedigree may sound, the resulting creature feature is too simplistic to sate eager horror buffs or hook new audiences. Because it doesn't add any conceptual layers to the bare bones of the narrative or break any new technical ground, "The Thing" can be classified as "adequate but unnecessary." It delivers enough frights to avoid dishonoring the franchise.

From a moral perspective, the gory images and vulgar language contained in the homage aren't disqualifying when considered in context. The former are, so to speak, the nature of the beast.

One winter's day in 1982, Columbia University paleontologist Dr. Kate Lloyd (Mary Elizabeth Winstead) is recruited for an emergency mission to Antarctica where Norwegian researchers have discovered an alien buried inside a glacier.

Determined to keep their startling find a secret, team leader Dr. Sander Halvorson (Ulrich Thomsen) disregards Kate's advice and authorizes a test that leads to the creature's escape.

Intent on replicating itself, the crab-like extraterrestrial begins preying violently on the dozen or so occupants of Thule Station. As a storm approaches and terror grips the isolated outpost, it's up to Kate and American helicopter pilot Sam Carter (Joel Edgerton) to contain the damage.

Dutch director Matthijs van Heijningen makes little attempt to deepen the thematic subtext or exploit the inherently menacing atmosphere. His goal seems to be to showcase the forensic clarity of the visual effects depicting the alien. As visceral as they are, they're often overwhelmed by blaring sound effects and music, a sign the filmmaker doesn't have total confidence in the power of his images to scare moviegoers.

On the plus side, the screenplay never wanders off track and resolutely spotlights a female protagonist possessed of equal parts fortitude and smarts—along with, quite possibly, some alien DNA.

The drama flows from the group's instinctual responses toward their survival predicament, particularly their suspicion of one another given that the parasitic monster adopts the form of the people he consumes.

Trust is in short supply, and while the movie isn't the best exemplar of that trait, the humanity of the characters does remain intact, although barely. In other words, "The Thing" doesn't qualify as an egregious recycling of a touchstone. And, though many will find it unsettling, its shortcomings don't amount to a crime against cinema, good taste or decency.

The film contains frequent intense, gory creature violence, an implied suicide, some profanity, much rough, crude and crass language and a lewd reference to incest.

The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

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McCarthy is a guest reviewer for Catholic News Service.



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Dedication of St. Mary Major Basilica: First raised at the order of Pope Liberius in the mid-fourth century, the Liberian basilica was rebuilt by Pope Sixtus III shortly after the Council of Ephesus affirmed Mary’s title as Mother of God in 431. Rededicated at that time to the Mother of God, St. Mary Major is the largest church in the world honoring God through Mary. Standing atop one of Rome’s seven hills, the Esquiline, it has survived many restorations without losing its character as an early Roman basilica. Its interior retains three naves divided by colonnades in the style of Constantine’s era. Fifth-century mosaics on its walls testify to its antiquity. 
<p>St. Mary Major is one of the four Roman basilicas known as patriarchal cathedrals in memory of the first centers of the Church. St. John Lateran (November 9) represents Rome, the See of Peter; St. Paul Outside the Walls, the See of Alexandria, allegedly the see presided over by Mark (April 25); St. Peter’s, the See of Constantinople; and St. Mary’s, the See of Antioch, where Mary is supposed to have spent most of her life. </p><p>One legend, unreported before the year 1000, gives another name to this feast: Our Lady of the Snows. According to that story, a wealthy Roman couple pledged their fortune to the Mother of God. In affirmation, she produced a miraculous summer snowfall and told them to build a church on the site. The legend was long celebrated by releasing a shower of white rose petals from the basilica’s dome every August 5.</p> American Catholic Blog We may pat ourselves on the back for doing nothing bad, but if we have done nothing good, we might need to reconsider how well we are living out the Gospels. There is a valid reason why the penitential rite, which we often pray at Mass, asks God to forgive all that we have done and all that we have failed to do.

Walk Softly and Carry a Great Bag

 
CATHOLIC GREETINGS
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Today's feast of Our Lady of the Snows commemorates Mary’s intercession in an August miracle.

St. John Vianney
Do you know a priest who reminds you of St. John Vianney? Send him an e-card to thank him for his ministry.

Birthday
May God bless you today with gentle surprises.

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More countless than the drops in an ocean are the repetitions down the ages of those gracious words: “Hail, Full of Grace, the Lord is with thee.”

St. Ignatius Loyola
The founder of the Society of Jesus is also a patron of all who were educated by the Jesuits.




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